Graciliano Ramos e Santa Rosa: palavra e imagem em perspectiva

Detalhes bibliográficos
Autor(a) principal: Borges, Francieli Daiane
Data de Publicação: 2021
Tipo de documento: Tese
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações do UFSM
Texto Completo: http://repositorio.ufsm.br/handle/1/30057
Resumo: (1938), written by Graciliano Ramos (1892-1956), and the covers made by Tomás Santa Rosa (1909-1953) for these books. Among the suggestions of reading made in this work, we reflect about the relationship between the graphical apparatus presented in the books having its role in the construction of their meaning by the readers. We also dedicate ourselves, in the three chapters composing this work, to verify the relationship of these two artists regarding the sociability instituted in the publishing market in the first half of the twentieth century in Brazil. This is done mainly through the assessment of contemporary documents. We also highlight the pertinence of the concepts and theories elaborated by Gérard Genette regarding the relationship between the reading of literary works and the artwork in their covers. Thanks to the indications made by Santa Rosa, in his Roteiro de Arte (1952), as well as by the literary criticism in newspapers found in the Hemeroteca Digital da Biblioteca Nacional, we were able to circumscribe the conditions in which both intellectuals worked and, specially, to study the manifold place of covert art in the construction of the meanings the novels assumed.
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spelling 2023-08-23T13:52:28Z2023-08-23T13:52:28Z2021-12-13http://repositorio.ufsm.br/handle/1/30057(1938), written by Graciliano Ramos (1892-1956), and the covers made by Tomás Santa Rosa (1909-1953) for these books. Among the suggestions of reading made in this work, we reflect about the relationship between the graphical apparatus presented in the books having its role in the construction of their meaning by the readers. We also dedicate ourselves, in the three chapters composing this work, to verify the relationship of these two artists regarding the sociability instituted in the publishing market in the first half of the twentieth century in Brazil. This is done mainly through the assessment of contemporary documents. We also highlight the pertinence of the concepts and theories elaborated by Gérard Genette regarding the relationship between the reading of literary works and the artwork in their covers. Thanks to the indications made by Santa Rosa, in his Roteiro de Arte (1952), as well as by the literary criticism in newspapers found in the Hemeroteca Digital da Biblioteca Nacional, we were able to circumscribe the conditions in which both intellectuals worked and, specially, to study the manifold place of covert art in the construction of the meanings the novels assumed.Apresentamos um trabalho que coloca em perspectiva os romances São Bernardo (1934) e Vidas Secas (1938), de Graciliano Ramos (1892-1956), e as capas feitas por Tomás Santa Rosa (1909-1953) para estes livros. Entre as sugestões de sentido de leitura a partir da tese, elaboramos reflexões sobre o aparato gráfico dos livros estar ligado à sua significação junto aos leitores. Também nos dedicamos, nos três capítulos aqui apresentados, a verificar a relação dos dois artistas frente à sociabilidade instituída pelo mercado editorial da primeira metade do século XX, através da pesquisa em documentos de época; também destacamos a pertinência dos referenciais teóricos de Gérard Genette nas relações propostas entre as leituras de obras literárias e da arte das capas. Graças às indicações do próprio Santa Rosa, em seu Roteiro de Arte (1952), a da crítica literária em jornais encontrados na Hemeroteca Digital da Biblioteca Nacional, pudemos delimitar as condições de produção intelectual de ambos os artistas, e principalmente, abordar o lugar plurívoco das imagens de capa na construção dos significados que os romances assumiram.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de Santa MariaCentro de Artes e LetrasPrograma de Pós-Graduação em LetrasUFSMBrasilLetrasAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessGraciliano RamosTomás Santa RosaMercado editorialDesign gráficoGérard GenettePublishing marketGraphic designCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASGraciliano Ramos e Santa Rosa: palavra e imagem em perspectivaGraciliano Ramos e Santa Rosa: perspectives between words and imagesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisSantos, Pedro Brumhttp://lattes.cnpq.br/8231452052035761Ourique, João Luís PereiraUmbach, Rosani Úrsula KetzerBarcellos, Marília de AraújoLebensztayn, Iedahttp://lattes.cnpq.br/2558429547995819Borges, Francieli Daiane80020000000160060060060060060060049907305-7ff6-4003-b001-aecf3b6ee8fa81aa53c5-a89c-4a09-afec-fc6ed6555ae92e3cc39e-1cce-4da3-9b3d-24ef1d0edc5874d283fe-41f2-47e1-93e3-8e75be5a3cc2a960f30a-3154-4da8-8a22-2be99cbfb562b6031a8d-23ce-4874-b197-55519a5eddb1reponame:Biblioteca Digital de Teses e Dissertações do UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALTES_PPGLETRAS_2021_BORGES_FRANCIELI.pdfTES_PPGLETRAS_2021_BORGES_FRANCIELI.pdfTese de doutoradoapplication/pdf13273541http://repositorio.ufsm.br/bitstream/1/30057/1/TES_PPGLETRAS_2021_BORGES_FRANCIELI.pdf53c9cbda9a615b1f277bef137862f33eMD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; 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dc.title.por.fl_str_mv Graciliano Ramos e Santa Rosa: palavra e imagem em perspectiva
dc.title.alternative.eng.fl_str_mv Graciliano Ramos e Santa Rosa: perspectives between words and images
title Graciliano Ramos e Santa Rosa: palavra e imagem em perspectiva
spellingShingle Graciliano Ramos e Santa Rosa: palavra e imagem em perspectiva
Borges, Francieli Daiane
Graciliano Ramos
Tomás Santa Rosa
Mercado editorial
Design gráfico
Gérard Genette
Publishing market
Graphic design
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
title_short Graciliano Ramos e Santa Rosa: palavra e imagem em perspectiva
title_full Graciliano Ramos e Santa Rosa: palavra e imagem em perspectiva
title_fullStr Graciliano Ramos e Santa Rosa: palavra e imagem em perspectiva
title_full_unstemmed Graciliano Ramos e Santa Rosa: palavra e imagem em perspectiva
title_sort Graciliano Ramos e Santa Rosa: palavra e imagem em perspectiva
author Borges, Francieli Daiane
author_facet Borges, Francieli Daiane
author_role author
dc.contributor.advisor1.fl_str_mv Santos, Pedro Brum
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/8231452052035761
dc.contributor.referee1.fl_str_mv Ourique, João Luís Pereira
dc.contributor.referee2.fl_str_mv Umbach, Rosani Úrsula Ketzer
dc.contributor.referee3.fl_str_mv Barcellos, Marília de Araújo
dc.contributor.referee4.fl_str_mv Lebensztayn, Ieda
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/2558429547995819
dc.contributor.author.fl_str_mv Borges, Francieli Daiane
contributor_str_mv Santos, Pedro Brum
Ourique, João Luís Pereira
Umbach, Rosani Úrsula Ketzer
Barcellos, Marília de Araújo
Lebensztayn, Ieda
dc.subject.por.fl_str_mv Graciliano Ramos
Tomás Santa Rosa
Mercado editorial
Design gráfico
Gérard Genette
topic Graciliano Ramos
Tomás Santa Rosa
Mercado editorial
Design gráfico
Gérard Genette
Publishing market
Graphic design
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
dc.subject.eng.fl_str_mv Publishing market
Graphic design
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
description (1938), written by Graciliano Ramos (1892-1956), and the covers made by Tomás Santa Rosa (1909-1953) for these books. Among the suggestions of reading made in this work, we reflect about the relationship between the graphical apparatus presented in the books having its role in the construction of their meaning by the readers. We also dedicate ourselves, in the three chapters composing this work, to verify the relationship of these two artists regarding the sociability instituted in the publishing market in the first half of the twentieth century in Brazil. This is done mainly through the assessment of contemporary documents. We also highlight the pertinence of the concepts and theories elaborated by Gérard Genette regarding the relationship between the reading of literary works and the artwork in their covers. Thanks to the indications made by Santa Rosa, in his Roteiro de Arte (1952), as well as by the literary criticism in newspapers found in the Hemeroteca Digital da Biblioteca Nacional, we were able to circumscribe the conditions in which both intellectuals worked and, specially, to study the manifold place of covert art in the construction of the meanings the novels assumed.
publishDate 2021
dc.date.issued.fl_str_mv 2021-12-13
dc.date.accessioned.fl_str_mv 2023-08-23T13:52:28Z
dc.date.available.fl_str_mv 2023-08-23T13:52:28Z
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dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
Centro de Artes e Letras
dc.publisher.program.fl_str_mv Programa de Pós-Graduação em Letras
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dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Letras
publisher.none.fl_str_mv Universidade Federal de Santa Maria
Centro de Artes e Letras
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