Da "representação das sobras" à "reantropofagia": povos indígenas e arte contemporânea no Brasil

Bibliographic Details
Main Author: Goldstein, Ilana Seltzer [UNIFESP]
Publication Date: 2019
Format: Article
Language: por
Source: Repositório Institucional da UNIFESP
Download full: https://doi.org/10.24978/mod.v3i3.4304
https://repositorio.unifesp.br/handle/11600/51949
Summary: Tanto a Antropologia como a História da Arte alargaram seus repertórios conceituais e sua abrangência geográfico-temporal, aumentando suas interfaces. A partir deste diálogo interdisciplinar, o presente artigo trata de obras e projetos que floresceram a partir de 2015, nos quais questões, visualidades e criadores indígenas adentraram o sistema das artes no Brasil. Com base em pesquisa de campo e análise de catálogos, são apresentadas as exposições A queda do céu (2015), Da Pedra Da Terra Daqui (2015), Adornos do Brasil indígena. Resistências contemporâneas (2017), Reantropofagia (2019) e Vaievem (2019), entre outras artistas indígenas como Denilson Baniwa, Jaider Esbell, Daiara Tukano, Ibã Huni Kuin e Gustavo Caboco. Conclui-se que a arte constitui uma nova arena na luta dos povos indígenas por visibilidade, tanto em termos políticos como estéticos. Por outro lado, constata-se grande distância entre os dois universos: estabelecer conexões e traduções permanece um grande desafio.
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spelling Goldstein, Ilana Seltzer [UNIFESP]http://lattes.cnpq.br/6111344079768148Campinas2020-02-22T21:21:25Z2020-02-22T21:21:25Z2019-10-01https://doi.org/10.24978/mod.v3i3.4304MODOS: revista de história da arte, v. 3, n. 3, p. 69-96, 2019.2526-2963https://repositorio.unifesp.br/handle/11600/51949https://doi.org/10.24978/mod.v3i3.430410.24978/mod.v3i3.4304Tanto a Antropologia como a História da Arte alargaram seus repertórios conceituais e sua abrangência geográfico-temporal, aumentando suas interfaces. A partir deste diálogo interdisciplinar, o presente artigo trata de obras e projetos que floresceram a partir de 2015, nos quais questões, visualidades e criadores indígenas adentraram o sistema das artes no Brasil. Com base em pesquisa de campo e análise de catálogos, são apresentadas as exposições A queda do céu (2015), Da Pedra Da Terra Daqui (2015), Adornos do Brasil indígena. Resistências contemporâneas (2017), Reantropofagia (2019) e Vaievem (2019), entre outras artistas indígenas como Denilson Baniwa, Jaider Esbell, Daiara Tukano, Ibã Huni Kuin e Gustavo Caboco. Conclui-se que a arte constitui uma nova arena na luta dos povos indígenas por visibilidade, tanto em termos políticos como estéticos. Por outro lado, constata-se grande distância entre os dois universos: estabelecer conexões e traduções permanece um grande desafio.Anthropology and Art History have recently broaden their conceptual frameworks and their geographical and temporal scope, increasing the interfaces between them. Departing from an interdisciplinary perspective, this article discuss artworks and events that have flourished in Brazil since 2015, in which indigenous issues and indigenous visual and creative repertoires have penetrated into the Western art system. Based on field research and catalog analysis, we discuss the exhibitions The fall of the sky (2015), From the earth, the stone and from Here (2015), Adornments of indigenous Brazil. Contemporary resistances (2017), (again)Anthropophagy (2019) and Vaievem (2019) among others; as well as works by indigenous artists Denilson Baniwa, Jaider Esbell, Daiara Tukano, Ibã Huni Kuin and Gustavo Caboco among others are presented and analysed here. Conclusions point to the importance of the art world in the struggle for visibility of indigenous peoples, both politically and aesthetically. On the other hand, they suggest that there is a great distance between Western and Amerindian universes and that translations remain a big challenge.Departamento de História da Arte da Universidade Federal de São PauloDepartamento de História da Arte e membro do Programa de Pós-Graduação em História da Arte da Universidade Federal de São Paulo68 - 96porUnicampMODOS: revista de história da arteArte indígenaArte contemporâneaAntropologiaArte não-ocidentalRe-antropofagiaIndigenous artsContemporary artAnthropology and artNon-Western art(re)AnthropophagyDa "representação das sobras" à "reantropofagia": povos indígenas e arte contemporânea no BrasilIndigenous peoples and contemporary art in Brazilinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article33info:eu-repo/semantics/openAccessreponame:Repositório Institucional da UNIFESPinstname:Universidade Federal de São Paulo (UNIFESP)instacron:UNIFESPEscola de Filosofia, Letras e Ciências Humanas (EFLCH)História da 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dc.title.pt_BR.fl_str_mv Da "representação das sobras" à "reantropofagia": povos indígenas e arte contemporânea no Brasil
dc.title.alternative.pt_BR.fl_str_mv Indigenous peoples and contemporary art in Brazil
title Da "representação das sobras" à "reantropofagia": povos indígenas e arte contemporânea no Brasil
spellingShingle Da "representação das sobras" à "reantropofagia": povos indígenas e arte contemporânea no Brasil
Goldstein, Ilana Seltzer [UNIFESP]
Arte indígena
Arte contemporânea
Antropologia
Arte não-ocidental
Re-antropofagia
Indigenous arts
Contemporary art
Anthropology and art
Non-Western art
(re)Anthropophagy
title_short Da "representação das sobras" à "reantropofagia": povos indígenas e arte contemporânea no Brasil
title_full Da "representação das sobras" à "reantropofagia": povos indígenas e arte contemporânea no Brasil
title_fullStr Da "representação das sobras" à "reantropofagia": povos indígenas e arte contemporânea no Brasil
title_full_unstemmed Da "representação das sobras" à "reantropofagia": povos indígenas e arte contemporânea no Brasil
title_sort Da "representação das sobras" à "reantropofagia": povos indígenas e arte contemporânea no Brasil
author Goldstein, Ilana Seltzer [UNIFESP]
author_facet Goldstein, Ilana Seltzer [UNIFESP]
author_role author
dc.contributor.authorLattes.pt_BR.fl_str_mv http://lattes.cnpq.br/6111344079768148
dc.contributor.author.fl_str_mv Goldstein, Ilana Seltzer [UNIFESP]
dc.subject.por.fl_str_mv Arte indígena
Arte contemporânea
Antropologia
Arte não-ocidental
Re-antropofagia
Indigenous arts
Contemporary art
Anthropology and art
Non-Western art
(re)Anthropophagy
topic Arte indígena
Arte contemporânea
Antropologia
Arte não-ocidental
Re-antropofagia
Indigenous arts
Contemporary art
Anthropology and art
Non-Western art
(re)Anthropophagy
description Tanto a Antropologia como a História da Arte alargaram seus repertórios conceituais e sua abrangência geográfico-temporal, aumentando suas interfaces. A partir deste diálogo interdisciplinar, o presente artigo trata de obras e projetos que floresceram a partir de 2015, nos quais questões, visualidades e criadores indígenas adentraram o sistema das artes no Brasil. Com base em pesquisa de campo e análise de catálogos, são apresentadas as exposições A queda do céu (2015), Da Pedra Da Terra Daqui (2015), Adornos do Brasil indígena. Resistências contemporâneas (2017), Reantropofagia (2019) e Vaievem (2019), entre outras artistas indígenas como Denilson Baniwa, Jaider Esbell, Daiara Tukano, Ibã Huni Kuin e Gustavo Caboco. Conclui-se que a arte constitui uma nova arena na luta dos povos indígenas por visibilidade, tanto em termos políticos como estéticos. Por outro lado, constata-se grande distância entre os dois universos: estabelecer conexões e traduções permanece um grande desafio.
publishDate 2019
dc.date.issued.fl_str_mv 2019-10-01
dc.date.accessioned.fl_str_mv 2020-02-22T21:21:25Z
dc.date.available.fl_str_mv 2020-02-22T21:21:25Z
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dc.identifier.pt_BR.fl_str_mv https://doi.org/10.24978/mod.v3i3.4304
dc.identifier.citation.fl_str_mv MODOS: revista de história da arte, v. 3, n. 3, p. 69-96, 2019.
dc.identifier.uri.fl_str_mv https://repositorio.unifesp.br/handle/11600/51949
dc.identifier.issn.pt_BR.fl_str_mv 2526-2963
dc.identifier.doi.pt_BR.fl_str_mv https://doi.org/10.24978/mod.v3i3.4304
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identifier_str_mv MODOS: revista de história da arte, v. 3, n. 3, p. 69-96, 2019.
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