Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy

Detalhes bibliográficos
Autor(a) principal: Chang, Yaqian
Data de Publicação: 2023
Outros Autores: Zhou , Liming, Lu, Peng, Yasmeen, Samina
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Trans/Form/Ação (Online)
Texto Completo: https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558
Resumo: Chinese primitive philosophy, as the unity of cosmological ontology, epistemology and methodology of the Chinese philosophical system, is a complete and mature philosophical system formed in the late primitive society as early as before the Xia, Shang and Zhou Dynasties. It is also the unity of the concept of Yin and Yang and constant life that is sublimated from the human-beings’ basic cultural consciousness: life consciousness and reproduction consciousness. The Chinese primitive culture, from the painted pottery culture 7,000 years ago to today, from the underground archaeological culture to the group culture on the ground, is a plastic art based on the concept of viewing objects and taking images. It is a broad concept of fine arts that determines the philosophical view, artistic view, emotional temperament, psychological quality and national spirit of the Chinese nation. The most primitive culture and primitive philosophy in China have been preserved with extremely rich and complete historical remains in the group's cultural and social life. It is for this reason that China is the only country with an ancient history of civilization that has not experienced a cultural break. The primitive culture and philosophical system of China, as the philosophical basis and main connotation of ethnic group culture, are completely accumulated in the ethnic groups’ social life. Folk art, which has accumulated the hundreds of millions of working masses’ wisdom in China, is the mother of the Chinese national culture and art that has been inherited from primitive society until today with distinct national and regional characteristics. It is a long-standing cultural form with the longest history, the widest mass participation, the most distinct regional characteristics and the richest cultural connotation in the Chinese national cultural form. The rapid development of the times makes the traditional folk customs and folk arts, which are generally deposited in the rural areas of China, become precarious. As a result, the research advantages of the unique human culture and the original culture of China will cease to exist. Therefore, it is an urgent historical task to make use of this advantage to study the original culture of China and the philosophical genes of the Chinese nation. Protection is imminent, and inheritance is the historical mission, which highlights the deeper significance of studying primitive culture and primitive philosophy in modern society.
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spelling Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophyPinturas camponesas de Ansai: herança da cultura primitiva chinesa e filosofia primitivaPinturaAnsai peasant paintingsLife consciousnessHarmony of Yin and YangFive elements and eight diagramsChinese primitive philosophy, as the unity of cosmological ontology, epistemology and methodology of the Chinese philosophical system, is a complete and mature philosophical system formed in the late primitive society as early as before the Xia, Shang and Zhou Dynasties. It is also the unity of the concept of Yin and Yang and constant life that is sublimated from the human-beings’ basic cultural consciousness: life consciousness and reproduction consciousness. The Chinese primitive culture, from the painted pottery culture 7,000 years ago to today, from the underground archaeological culture to the group culture on the ground, is a plastic art based on the concept of viewing objects and taking images. It is a broad concept of fine arts that determines the philosophical view, artistic view, emotional temperament, psychological quality and national spirit of the Chinese nation. The most primitive culture and primitive philosophy in China have been preserved with extremely rich and complete historical remains in the group's cultural and social life. It is for this reason that China is the only country with an ancient history of civilization that has not experienced a cultural break. The primitive culture and philosophical system of China, as the philosophical basis and main connotation of ethnic group culture, are completely accumulated in the ethnic groups’ social life. Folk art, which has accumulated the hundreds of millions of working masses’ wisdom in China, is the mother of the Chinese national culture and art that has been inherited from primitive society until today with distinct national and regional characteristics. It is a long-standing cultural form with the longest history, the widest mass participation, the most distinct regional characteristics and the richest cultural connotation in the Chinese national cultural form. The rapid development of the times makes the traditional folk customs and folk arts, which are generally deposited in the rural areas of China, become precarious. As a result, the research advantages of the unique human culture and the original culture of China will cease to exist. Therefore, it is an urgent historical task to make use of this advantage to study the original culture of China and the philosophical genes of the Chinese nation. Protection is imminent, and inheritance is the historical mission, which highlights the deeper significance of studying primitive culture and primitive philosophy in modern society.Chinese primitive philosophy, as the unity of cosmological ontology, epistemology and methodology of the Chinese philosophical system, is a complete and mature philosophical system formed in the late primitive society as early as before the Xia, Shang and Zhou Dynasties. It is also the unity of the concept of Yin and Yang and constant life that is sublimated from the human-beings’ basic cultural consciousness: life consciousness and reproduction consciousness. The Chinese primitive culture, from the painted pottery culture 7,000 years ago to today, from the underground archaeological culture to the group culture on the ground, is a plastic art based on the concept of viewing objects and taking images. It is a broad concept of fine arts that determines the philosophical view, artistic view, emotional temperament, psychological quality and national spirit of the Chinese nation. The most primitive culture and primitive philosophy in China have been preserved with extremely rich and complete historical remains in the group's cultural and social life. It is for this reason that China is the only country with an ancient history of civilization that has not experienced a cultural break. The primitive culture and philosophical system of China, as the philosophical basis and main connotation of ethnic group culture, are completely accumulated in the ethnic groups’ social life. Folk art, which has accumulated the hundreds of millions of working masses’ wisdom in China, is the mother of the Chinese national culture and art that has been inherited from primitive society until today with distinct national and regional characteristics. It is a long-standing cultural form with the longest history, the widest mass participation, the most distinct regional characteristics and the richest cultural connotation in the Chinese national cultural form. The rapid development of the times makes the traditional folk customs and folk arts, which are generally deposited in the rural areas of China, become precarious. As a result, the research advantages of the unique human culture and the original culture of China will cease to exist. Therefore, it is an urgent historical task to make use of this advantage to study the original culture of China and the philosophical genes of the Chinese nation. Protection is imminent, and inheritance is the historical mission, which highlights the deeper significance of studying primitive culture and primitive philosophy in modern society.Faculdade de Filosofia e Ciências2023-03-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlapplication/x-mobipocket-ebookapplication/epub+ziphttps://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558TRANS/FORM/AÇÃO: Revista de Filosofia da Unesp; v. 46 n. Edição Especial (2023): Filosofia Oriental/2023; 367-390TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 No. Edição Especial (2023): Oriental Philosophy/2023; 367-390TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 Núm. Edição Especial (2023): Filosofia Oriental/2023; 367-390TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 No. Edição Especial (2023): Filosofia Oriental/2023; 367-390TRANS/FORM/AÇÃO: Revista de Filosofia; V. 46 N. Edição Especial (2023): Filosofia Oriental/2023; 367-3901980-539X0101-3173reponame:Trans/Form/Ação (Online)instname:Universidade Estadual Paulista (UNESP)instacron:UNESPenghttps://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558/11193https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558/11194https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558/11195https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558/11196Copyright (c) 2023 TRANS/FORM/AÇÃO: Revista de Filosofiahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessChang, YaqianZhou , LimingLu, PengYasmeen, Samina2023-05-11T11:56:39Zoai:ojs.revistas.marilia.unesp.br:article/13558Revistahttps://revistas.marilia.unesp.br/index.php/transformacao/PUBhttps://old.scielo.br/oai/scielo-oai.phptransformacao@marilia.unesp.br1980-539X0101-3173opendoar:2023-05-11T11:56:39Trans/Form/Ação (Online) - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy
Pinturas camponesas de Ansai: herança da cultura primitiva chinesa e filosofia primitiva
title Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy
spellingShingle Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy
Chang, Yaqian
Pintura
Ansai peasant paintings
Life consciousness
Harmony of Yin and Yang
Five elements and eight diagrams
title_short Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy
title_full Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy
title_fullStr Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy
title_full_unstemmed Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy
title_sort Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy
author Chang, Yaqian
author_facet Chang, Yaqian
Zhou , Liming
Lu, Peng
Yasmeen, Samina
author_role author
author2 Zhou , Liming
Lu, Peng
Yasmeen, Samina
author2_role author
author
author
dc.contributor.author.fl_str_mv Chang, Yaqian
Zhou , Liming
Lu, Peng
Yasmeen, Samina
dc.subject.por.fl_str_mv Pintura
Ansai peasant paintings
Life consciousness
Harmony of Yin and Yang
Five elements and eight diagrams
topic Pintura
Ansai peasant paintings
Life consciousness
Harmony of Yin and Yang
Five elements and eight diagrams
description Chinese primitive philosophy, as the unity of cosmological ontology, epistemology and methodology of the Chinese philosophical system, is a complete and mature philosophical system formed in the late primitive society as early as before the Xia, Shang and Zhou Dynasties. It is also the unity of the concept of Yin and Yang and constant life that is sublimated from the human-beings’ basic cultural consciousness: life consciousness and reproduction consciousness. The Chinese primitive culture, from the painted pottery culture 7,000 years ago to today, from the underground archaeological culture to the group culture on the ground, is a plastic art based on the concept of viewing objects and taking images. It is a broad concept of fine arts that determines the philosophical view, artistic view, emotional temperament, psychological quality and national spirit of the Chinese nation. The most primitive culture and primitive philosophy in China have been preserved with extremely rich and complete historical remains in the group's cultural and social life. It is for this reason that China is the only country with an ancient history of civilization that has not experienced a cultural break. The primitive culture and philosophical system of China, as the philosophical basis and main connotation of ethnic group culture, are completely accumulated in the ethnic groups’ social life. Folk art, which has accumulated the hundreds of millions of working masses’ wisdom in China, is the mother of the Chinese national culture and art that has been inherited from primitive society until today with distinct national and regional characteristics. It is a long-standing cultural form with the longest history, the widest mass participation, the most distinct regional characteristics and the richest cultural connotation in the Chinese national cultural form. The rapid development of the times makes the traditional folk customs and folk arts, which are generally deposited in the rural areas of China, become precarious. As a result, the research advantages of the unique human culture and the original culture of China will cease to exist. Therefore, it is an urgent historical task to make use of this advantage to study the original culture of China and the philosophical genes of the Chinese nation. Protection is imminent, and inheritance is the historical mission, which highlights the deeper significance of studying primitive culture and primitive philosophy in modern society.
publishDate 2023
dc.date.none.fl_str_mv 2023-03-07
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558
url https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558/11193
https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558/11194
https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558/11195
https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558/11196
dc.rights.driver.fl_str_mv Copyright (c) 2023 TRANS/FORM/AÇÃO: Revista de Filosofia
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 TRANS/FORM/AÇÃO: Revista de Filosofia
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
application/x-mobipocket-ebook
application/epub+zip
dc.publisher.none.fl_str_mv Faculdade de Filosofia e Ciências
publisher.none.fl_str_mv Faculdade de Filosofia e Ciências
dc.source.none.fl_str_mv TRANS/FORM/AÇÃO: Revista de Filosofia da Unesp; v. 46 n. Edição Especial (2023): Filosofia Oriental/2023; 367-390
TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 No. Edição Especial (2023): Oriental Philosophy/2023; 367-390
TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 Núm. Edição Especial (2023): Filosofia Oriental/2023; 367-390
TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 No. Edição Especial (2023): Filosofia Oriental/2023; 367-390
TRANS/FORM/AÇÃO: Revista de Filosofia; V. 46 N. Edição Especial (2023): Filosofia Oriental/2023; 367-390
1980-539X
0101-3173
reponame:Trans/Form/Ação (Online)
instname:Universidade Estadual Paulista (UNESP)
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instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
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reponame_str Trans/Form/Ação (Online)
collection Trans/Form/Ação (Online)
repository.name.fl_str_mv Trans/Form/Ação (Online) - Universidade Estadual Paulista (UNESP)
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