Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | , , |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Trans/Form/Ação (Online) |
Texto Completo: | https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558 |
Resumo: | Chinese primitive philosophy, as the unity of cosmological ontology, epistemology and methodology of the Chinese philosophical system, is a complete and mature philosophical system formed in the late primitive society as early as before the Xia, Shang and Zhou Dynasties. It is also the unity of the concept of Yin and Yang and constant life that is sublimated from the human-beings’ basic cultural consciousness: life consciousness and reproduction consciousness. The Chinese primitive culture, from the painted pottery culture 7,000 years ago to today, from the underground archaeological culture to the group culture on the ground, is a plastic art based on the concept of viewing objects and taking images. It is a broad concept of fine arts that determines the philosophical view, artistic view, emotional temperament, psychological quality and national spirit of the Chinese nation. The most primitive culture and primitive philosophy in China have been preserved with extremely rich and complete historical remains in the group's cultural and social life. It is for this reason that China is the only country with an ancient history of civilization that has not experienced a cultural break. The primitive culture and philosophical system of China, as the philosophical basis and main connotation of ethnic group culture, are completely accumulated in the ethnic groups’ social life. Folk art, which has accumulated the hundreds of millions of working masses’ wisdom in China, is the mother of the Chinese national culture and art that has been inherited from primitive society until today with distinct national and regional characteristics. It is a long-standing cultural form with the longest history, the widest mass participation, the most distinct regional characteristics and the richest cultural connotation in the Chinese national cultural form. The rapid development of the times makes the traditional folk customs and folk arts, which are generally deposited in the rural areas of China, become precarious. As a result, the research advantages of the unique human culture and the original culture of China will cease to exist. Therefore, it is an urgent historical task to make use of this advantage to study the original culture of China and the philosophical genes of the Chinese nation. Protection is imminent, and inheritance is the historical mission, which highlights the deeper significance of studying primitive culture and primitive philosophy in modern society. |
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Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophyPinturas camponesas de Ansai: herança da cultura primitiva chinesa e filosofia primitivaPinturaAnsai peasant paintingsLife consciousnessHarmony of Yin and YangFive elements and eight diagramsChinese primitive philosophy, as the unity of cosmological ontology, epistemology and methodology of the Chinese philosophical system, is a complete and mature philosophical system formed in the late primitive society as early as before the Xia, Shang and Zhou Dynasties. It is also the unity of the concept of Yin and Yang and constant life that is sublimated from the human-beings’ basic cultural consciousness: life consciousness and reproduction consciousness. The Chinese primitive culture, from the painted pottery culture 7,000 years ago to today, from the underground archaeological culture to the group culture on the ground, is a plastic art based on the concept of viewing objects and taking images. It is a broad concept of fine arts that determines the philosophical view, artistic view, emotional temperament, psychological quality and national spirit of the Chinese nation. The most primitive culture and primitive philosophy in China have been preserved with extremely rich and complete historical remains in the group's cultural and social life. It is for this reason that China is the only country with an ancient history of civilization that has not experienced a cultural break. The primitive culture and philosophical system of China, as the philosophical basis and main connotation of ethnic group culture, are completely accumulated in the ethnic groups’ social life. Folk art, which has accumulated the hundreds of millions of working masses’ wisdom in China, is the mother of the Chinese national culture and art that has been inherited from primitive society until today with distinct national and regional characteristics. It is a long-standing cultural form with the longest history, the widest mass participation, the most distinct regional characteristics and the richest cultural connotation in the Chinese national cultural form. The rapid development of the times makes the traditional folk customs and folk arts, which are generally deposited in the rural areas of China, become precarious. As a result, the research advantages of the unique human culture and the original culture of China will cease to exist. Therefore, it is an urgent historical task to make use of this advantage to study the original culture of China and the philosophical genes of the Chinese nation. Protection is imminent, and inheritance is the historical mission, which highlights the deeper significance of studying primitive culture and primitive philosophy in modern society.Chinese primitive philosophy, as the unity of cosmological ontology, epistemology and methodology of the Chinese philosophical system, is a complete and mature philosophical system formed in the late primitive society as early as before the Xia, Shang and Zhou Dynasties. It is also the unity of the concept of Yin and Yang and constant life that is sublimated from the human-beings’ basic cultural consciousness: life consciousness and reproduction consciousness. The Chinese primitive culture, from the painted pottery culture 7,000 years ago to today, from the underground archaeological culture to the group culture on the ground, is a plastic art based on the concept of viewing objects and taking images. It is a broad concept of fine arts that determines the philosophical view, artistic view, emotional temperament, psychological quality and national spirit of the Chinese nation. The most primitive culture and primitive philosophy in China have been preserved with extremely rich and complete historical remains in the group's cultural and social life. It is for this reason that China is the only country with an ancient history of civilization that has not experienced a cultural break. The primitive culture and philosophical system of China, as the philosophical basis and main connotation of ethnic group culture, are completely accumulated in the ethnic groups’ social life. Folk art, which has accumulated the hundreds of millions of working masses’ wisdom in China, is the mother of the Chinese national culture and art that has been inherited from primitive society until today with distinct national and regional characteristics. It is a long-standing cultural form with the longest history, the widest mass participation, the most distinct regional characteristics and the richest cultural connotation in the Chinese national cultural form. The rapid development of the times makes the traditional folk customs and folk arts, which are generally deposited in the rural areas of China, become precarious. As a result, the research advantages of the unique human culture and the original culture of China will cease to exist. Therefore, it is an urgent historical task to make use of this advantage to study the original culture of China and the philosophical genes of the Chinese nation. Protection is imminent, and inheritance is the historical mission, which highlights the deeper significance of studying primitive culture and primitive philosophy in modern society.Faculdade de Filosofia e Ciências2023-03-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlapplication/x-mobipocket-ebookapplication/epub+ziphttps://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558TRANS/FORM/AÇÃO: Revista de Filosofia da Unesp; v. 46 n. Edição Especial (2023): Filosofia Oriental/2023; 367-390TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 No. Edição Especial (2023): Oriental Philosophy/2023; 367-390TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 Núm. Edição Especial (2023): Filosofia Oriental/2023; 367-390TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 No. Edição Especial (2023): Filosofia Oriental/2023; 367-390TRANS/FORM/AÇÃO: Revista de Filosofia; V. 46 N. Edição Especial (2023): Filosofia Oriental/2023; 367-3901980-539X0101-3173reponame:Trans/Form/Ação (Online)instname:Universidade Estadual Paulista (UNESP)instacron:UNESPenghttps://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558/11193https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558/11194https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558/11195https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558/11196Copyright (c) 2023 TRANS/FORM/AÇÃO: Revista de Filosofiahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessChang, YaqianZhou , LimingLu, PengYasmeen, Samina2023-05-11T11:56:39Zoai:ojs.revistas.marilia.unesp.br:article/13558Revistahttps://revistas.marilia.unesp.br/index.php/transformacao/PUBhttps://old.scielo.br/oai/scielo-oai.phptransformacao@marilia.unesp.br1980-539X0101-3173opendoar:2023-05-11T11:56:39Trans/Form/Ação (Online) - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy Pinturas camponesas de Ansai: herança da cultura primitiva chinesa e filosofia primitiva |
title |
Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy |
spellingShingle |
Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy Chang, Yaqian Pintura Ansai peasant paintings Life consciousness Harmony of Yin and Yang Five elements and eight diagrams |
title_short |
Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy |
title_full |
Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy |
title_fullStr |
Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy |
title_full_unstemmed |
Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy |
title_sort |
Ansai peasant paintings: inheritance of Chinese primitive culture and primitive philosophy |
author |
Chang, Yaqian |
author_facet |
Chang, Yaqian Zhou , Liming Lu, Peng Yasmeen, Samina |
author_role |
author |
author2 |
Zhou , Liming Lu, Peng Yasmeen, Samina |
author2_role |
author author author |
dc.contributor.author.fl_str_mv |
Chang, Yaqian Zhou , Liming Lu, Peng Yasmeen, Samina |
dc.subject.por.fl_str_mv |
Pintura Ansai peasant paintings Life consciousness Harmony of Yin and Yang Five elements and eight diagrams |
topic |
Pintura Ansai peasant paintings Life consciousness Harmony of Yin and Yang Five elements and eight diagrams |
description |
Chinese primitive philosophy, as the unity of cosmological ontology, epistemology and methodology of the Chinese philosophical system, is a complete and mature philosophical system formed in the late primitive society as early as before the Xia, Shang and Zhou Dynasties. It is also the unity of the concept of Yin and Yang and constant life that is sublimated from the human-beings’ basic cultural consciousness: life consciousness and reproduction consciousness. The Chinese primitive culture, from the painted pottery culture 7,000 years ago to today, from the underground archaeological culture to the group culture on the ground, is a plastic art based on the concept of viewing objects and taking images. It is a broad concept of fine arts that determines the philosophical view, artistic view, emotional temperament, psychological quality and national spirit of the Chinese nation. The most primitive culture and primitive philosophy in China have been preserved with extremely rich and complete historical remains in the group's cultural and social life. It is for this reason that China is the only country with an ancient history of civilization that has not experienced a cultural break. The primitive culture and philosophical system of China, as the philosophical basis and main connotation of ethnic group culture, are completely accumulated in the ethnic groups’ social life. Folk art, which has accumulated the hundreds of millions of working masses’ wisdom in China, is the mother of the Chinese national culture and art that has been inherited from primitive society until today with distinct national and regional characteristics. It is a long-standing cultural form with the longest history, the widest mass participation, the most distinct regional characteristics and the richest cultural connotation in the Chinese national cultural form. The rapid development of the times makes the traditional folk customs and folk arts, which are generally deposited in the rural areas of China, become precarious. As a result, the research advantages of the unique human culture and the original culture of China will cease to exist. Therefore, it is an urgent historical task to make use of this advantage to study the original culture of China and the philosophical genes of the Chinese nation. Protection is imminent, and inheritance is the historical mission, which highlights the deeper significance of studying primitive culture and primitive philosophy in modern society. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-03-07 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558 |
url |
https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558/11193 https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558/11194 https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558/11195 https://revistas.marilia.unesp.br/index.php/transformacao/article/view/13558/11196 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 TRANS/FORM/AÇÃO: Revista de Filosofia http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 TRANS/FORM/AÇÃO: Revista de Filosofia http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/html application/x-mobipocket-ebook application/epub+zip |
dc.publisher.none.fl_str_mv |
Faculdade de Filosofia e Ciências |
publisher.none.fl_str_mv |
Faculdade de Filosofia e Ciências |
dc.source.none.fl_str_mv |
TRANS/FORM/AÇÃO: Revista de Filosofia da Unesp; v. 46 n. Edição Especial (2023): Filosofia Oriental/2023; 367-390 TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 No. Edição Especial (2023): Oriental Philosophy/2023; 367-390 TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 Núm. Edição Especial (2023): Filosofia Oriental/2023; 367-390 TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 46 No. Edição Especial (2023): Filosofia Oriental/2023; 367-390 TRANS/FORM/AÇÃO: Revista de Filosofia; V. 46 N. Edição Especial (2023): Filosofia Oriental/2023; 367-390 1980-539X 0101-3173 reponame:Trans/Form/Ação (Online) instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Trans/Form/Ação (Online) |
collection |
Trans/Form/Ação (Online) |
repository.name.fl_str_mv |
Trans/Form/Ação (Online) - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
transformacao@marilia.unesp.br |
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1794795213162545152 |