Between ruptures and permanences: an analytical and historical synthesis of racial and social prejudice in music: “sou negro”, “brincar de índio” and “fricote”

Detalhes bibliográficos
Autor(a) principal: Paes, Elvis Rogerio
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Faces da História
Texto Completo: https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1474
Resumo: If we look closely at the Brazilian society of the 20th century, we will find European theoretical elements defended in the 19th century. However, this observation should not surprise us since for better or worse we are products of a historical construction based on ethnocentric values of Modern Europe. The results of this cultural heritage have a negative impact on social classes with less political representation, such as the indigenous and black people. Faced with this scenario, in this article seeks to analyze the lyrics of three songs that achieved widespread dissemination in the Brazilian territory between the years 1970 and 1980, with the aim of verifying whether their spellings point to a permanence of (or ruptures with) discourses of European values in Brazil. The selected lyrics compose the songs "Sou Negro", "Brincar de Índio" and "Fricote", interpreted respectively by Tony Tornado, Xuxa and Luiz Caldas. 
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spelling Between ruptures and permanences: an analytical and historical synthesis of racial and social prejudice in music: “sou negro”, “brincar de índio” and “fricote”Entre a ruptura e a permanência: uma síntese analítica e histórica do preconceito racial e social nas músicas: “sou negro”, “brincar de índio” e “fricote”EurocentrismoAculturaçãoBlackIndigenismoMúsicaEurocentrismAcculturationBlackIndigenousMusicIf we look closely at the Brazilian society of the 20th century, we will find European theoretical elements defended in the 19th century. However, this observation should not surprise us since for better or worse we are products of a historical construction based on ethnocentric values of Modern Europe. The results of this cultural heritage have a negative impact on social classes with less political representation, such as the indigenous and black people. Faced with this scenario, in this article seeks to analyze the lyrics of three songs that achieved widespread dissemination in the Brazilian territory between the years 1970 and 1980, with the aim of verifying whether their spellings point to a permanence of (or ruptures with) discourses of European values in Brazil. The selected lyrics compose the songs "Sou Negro", "Brincar de Índio" and "Fricote", interpreted respectively by Tony Tornado, Xuxa and Luiz Caldas. Se atentamente olharmos a sociedade brasileira do século XX, encontraremos elementos teóricos europeus defendidos no século XIX. Porém, tal constatação não deveria nos surpreender visto que, para o bem ou para o mal, somos produtos de uma construção histórica fundamentada em valores etnocêntricos da Europa Moderna. Os resultados desta herança cultural repercutem de forma negativa em classes sociais com mínima representatividade política tais como os indígenas e os negros. Diante deste cenário, este artigo procura analisar as letras de três canções que alcançaram uma ampla divulgação no território brasileiro entre os anos de 1970 e 1980, tendo por objetivo verificar se suas grafias apontam para uma permanência de (ou rupturas com) discursos de valores europeus no Brasil. As letras selecionadas compõem as músicas “Sou Negro”, “Brincar de Índio” e “Fricote”, interpretadas respectivamente por Tony Tornado, Xuxa e Luiz Caldas. UNESP2019-12-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1474Faces da História; Vol. 6 Núm. 2 (2019): Os estudos de Ásia e do Oriente no Brasil: objetos, problemáticas e desafios; 496-512Faces da História; v. 6 n. 2 (2019): Os estudos de Ásia e do Oriente no Brasil: objetos, problemáticas e desafios; 496-5122358-3878reponame:Faces da Históriainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1474/1304https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1474/1341Copyright (c) 2019 Elvis Rogerio Paesinfo:eu-repo/semantics/openAccessPaes, Elvis Rogerio2020-01-06T11:30:46Zoai:seer.assis.unesp.br:article/1474Revistahttps://seer.assis.unesp.br/index.php/facesdahistoriaPUBhttps://seer.assis.unesp.br/index.php/facesdahistoria/oai||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com2358-38782358-3878opendoar:2020-01-06T11:30:46Faces da História - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Between ruptures and permanences: an analytical and historical synthesis of racial and social prejudice in music: “sou negro”, “brincar de índio” and “fricote”
Entre a ruptura e a permanência: uma síntese analítica e histórica do preconceito racial e social nas músicas: “sou negro”, “brincar de índio” e “fricote”
title Between ruptures and permanences: an analytical and historical synthesis of racial and social prejudice in music: “sou negro”, “brincar de índio” and “fricote”
spellingShingle Between ruptures and permanences: an analytical and historical synthesis of racial and social prejudice in music: “sou negro”, “brincar de índio” and “fricote”
Paes, Elvis Rogerio
Eurocentrismo
Aculturação
Black
Indigenismo
Música
Eurocentrism
Acculturation
Black
Indigenous
Music
title_short Between ruptures and permanences: an analytical and historical synthesis of racial and social prejudice in music: “sou negro”, “brincar de índio” and “fricote”
title_full Between ruptures and permanences: an analytical and historical synthesis of racial and social prejudice in music: “sou negro”, “brincar de índio” and “fricote”
title_fullStr Between ruptures and permanences: an analytical and historical synthesis of racial and social prejudice in music: “sou negro”, “brincar de índio” and “fricote”
title_full_unstemmed Between ruptures and permanences: an analytical and historical synthesis of racial and social prejudice in music: “sou negro”, “brincar de índio” and “fricote”
title_sort Between ruptures and permanences: an analytical and historical synthesis of racial and social prejudice in music: “sou negro”, “brincar de índio” and “fricote”
author Paes, Elvis Rogerio
author_facet Paes, Elvis Rogerio
author_role author
dc.contributor.author.fl_str_mv Paes, Elvis Rogerio
dc.subject.por.fl_str_mv Eurocentrismo
Aculturação
Black
Indigenismo
Música
Eurocentrism
Acculturation
Black
Indigenous
Music
topic Eurocentrismo
Aculturação
Black
Indigenismo
Música
Eurocentrism
Acculturation
Black
Indigenous
Music
description If we look closely at the Brazilian society of the 20th century, we will find European theoretical elements defended in the 19th century. However, this observation should not surprise us since for better or worse we are products of a historical construction based on ethnocentric values of Modern Europe. The results of this cultural heritage have a negative impact on social classes with less political representation, such as the indigenous and black people. Faced with this scenario, in this article seeks to analyze the lyrics of three songs that achieved widespread dissemination in the Brazilian territory between the years 1970 and 1980, with the aim of verifying whether their spellings point to a permanence of (or ruptures with) discourses of European values in Brazil. The selected lyrics compose the songs "Sou Negro", "Brincar de Índio" and "Fricote", interpreted respectively by Tony Tornado, Xuxa and Luiz Caldas. 
publishDate 2019
dc.date.none.fl_str_mv 2019-12-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1474
url https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1474
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1474/1304
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1474/1341
dc.rights.driver.fl_str_mv Copyright (c) 2019 Elvis Rogerio Paes
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Elvis Rogerio Paes
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv UNESP
publisher.none.fl_str_mv UNESP
dc.source.none.fl_str_mv Faces da História; Vol. 6 Núm. 2 (2019): Os estudos de Ásia e do Oriente no Brasil: objetos, problemáticas e desafios; 496-512
Faces da História; v. 6 n. 2 (2019): Os estudos de Ásia e do Oriente no Brasil: objetos, problemáticas e desafios; 496-512
2358-3878
reponame:Faces da História
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Faces da História
collection Faces da História
repository.name.fl_str_mv Faces da História - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv ||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com
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