Majors and hegemony in the Brazilian phonographic market

Detalhes bibliográficos
Autor(a) principal: Barreto, Mariana
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Temáticas (Campinas. Online)
Texto Completo: https://econtents.bc.unicamp.br/inpec/index.php/tematicas/article/view/11453
Resumo: This article analyzes the functioning of transnational disc recorders that operate in the Brazilian phonographic market, from the establishment of the compact disc as a standard support for the reproduction and commercialization of recorded music. Starting from the hypothesis that in times of globalization of the economy and globalization of culture, this market behaves and modulates in a different way, investigating what are the structural characteristics of such transformations and how the different social agents that dispute this space act. Considering the configuration of these record companies as majors, it is also explored how they organize themselves in the face of the challenges imposed by the global economy, how they preserve, or not, the reproduction mechanisms of this field, in which they themselves are the founders of their principles of construction.
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spelling Majors and hegemony in the Brazilian phonographic marketMayores y hegemonía en el mercado fonográfico brasileñoMajors e hegemonia no mercado fonográfico brasileiroMundialização da culturaMercado fonográficoGlobalization of culturePhonographic marketGlobalización de la culturaMercado fonográficoThis article analyzes the functioning of transnational disc recorders that operate in the Brazilian phonographic market, from the establishment of the compact disc as a standard support for the reproduction and commercialization of recorded music. Starting from the hypothesis that in times of globalization of the economy and globalization of culture, this market behaves and modulates in a different way, investigating what are the structural characteristics of such transformations and how the different social agents that dispute this space act. Considering the configuration of these record companies as majors, it is also explored how they organize themselves in the face of the challenges imposed by the global economy, how they preserve, or not, the reproduction mechanisms of this field, in which they themselves are the founders of their principles of construction.Este artículo analiza el funcionamiento de las grabadoras de discos transnacionales que operan en el mercado fonográfico brasileño, desde el establecimiento del disco compacto como soporte estándar para la reproducción y comercialización de música grabada. Partiendo de la hipótesis de que en tiempos de globalización de la economía y globalización de la cultura, este mercado se comporta y modula de manera diferente, investigando cuáles son las características estructurales de tales transformaciones y cómo actúan los diferentes agentes sociales que disputan este espacio. Considerando la configuración de estas discográficas como grandes, también se explora cómo se organizan ante los desafíos que impone la economía global, cómo preservan, o no, los mecanismos de reproducción de este campo, en el que ellos mismos son los protagonistas. fundadores de sus principios de construcción.Este artigo analisa o funcionamento das gravadoras de discos transnacionais que operam no mercado fonográfico brasileiro, a partir do estabelecimento do disco compacto como suporte padrão para a reprodução e comercialização de música gravada. Partindo da hipótese de que em tempos de globalização da economia e mundialização da cultura, este mercado se comporta e se modula de modo diverso, investiga-se quais são as características estruturais de tais transformações e como agem os diferentes agentes sociais que disputam este espaço. Considerando a configuração destas gravadoras enquanto majors, explora-se, ainda, como se organizam frente aos desafios impostos pela economia global, de que forma conservam, ou não, os mecanismos de reprodução deste campo, no qual elas mesmas são fundadoras dos seus princípios de construção.Universidade Estadual de Campinas2013-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://econtents.bc.unicamp.br/inpec/index.php/tematicas/article/view/1145310.20396/tematicas.v21i41.11453Tematicas; v. 21 n. 41 (2013): A sociologia de Pierre Bordieu; 127-156Tematicas; Vol. 21 No. 41 (2013): A sociologia de Pierre Bordieu; 127-156Tematicas; Vol. 21 Núm. 41 (2013): A sociologia de Pierre Bordieu; 127-1562595-315Xreponame:Temáticas (Campinas. Online)instname:Universidade Estadual de Campinas (UNICAMP)instacron:UNICAMPporhttps://econtents.bc.unicamp.br/inpec/index.php/tematicas/article/view/11453/6662Brazil; ContemporaryBrasil; ContemporáneoBrasil; ContemporâneoCopyright (c) 2013 Mariana Barretohttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessBarreto, Mariana2021-04-26T18:16:26Zoai:inpec.econtents.bc.unicamp.br:article/11453Revistahttps://econtents.bc.unicamp.br/inpec/index.php/tematicasPUBhttps://econtents.bc.unicamp.br/inpec/index.php/tematicas/oaitmaticas@unicamp.br||2595-315X1413-2486opendoar:2021-04-26T18:16:26Temáticas (Campinas. Online) - Universidade Estadual de Campinas (UNICAMP)false
dc.title.none.fl_str_mv Majors and hegemony in the Brazilian phonographic market
Mayores y hegemonía en el mercado fonográfico brasileño
Majors e hegemonia no mercado fonográfico brasileiro
title Majors and hegemony in the Brazilian phonographic market
spellingShingle Majors and hegemony in the Brazilian phonographic market
Barreto, Mariana
Mundialização da cultura
Mercado fonográfico
Globalization of culture
Phonographic market
Globalización de la cultura
Mercado fonográfico
title_short Majors and hegemony in the Brazilian phonographic market
title_full Majors and hegemony in the Brazilian phonographic market
title_fullStr Majors and hegemony in the Brazilian phonographic market
title_full_unstemmed Majors and hegemony in the Brazilian phonographic market
title_sort Majors and hegemony in the Brazilian phonographic market
author Barreto, Mariana
author_facet Barreto, Mariana
author_role author
dc.contributor.author.fl_str_mv Barreto, Mariana
dc.subject.por.fl_str_mv Mundialização da cultura
Mercado fonográfico
Globalization of culture
Phonographic market
Globalización de la cultura
Mercado fonográfico
topic Mundialização da cultura
Mercado fonográfico
Globalization of culture
Phonographic market
Globalización de la cultura
Mercado fonográfico
description This article analyzes the functioning of transnational disc recorders that operate in the Brazilian phonographic market, from the establishment of the compact disc as a standard support for the reproduction and commercialization of recorded music. Starting from the hypothesis that in times of globalization of the economy and globalization of culture, this market behaves and modulates in a different way, investigating what are the structural characteristics of such transformations and how the different social agents that dispute this space act. Considering the configuration of these record companies as majors, it is also explored how they organize themselves in the face of the challenges imposed by the global economy, how they preserve, or not, the reproduction mechanisms of this field, in which they themselves are the founders of their principles of construction.
publishDate 2013
dc.date.none.fl_str_mv 2013-12-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://econtents.bc.unicamp.br/inpec/index.php/tematicas/article/view/11453
10.20396/tematicas.v21i41.11453
url https://econtents.bc.unicamp.br/inpec/index.php/tematicas/article/view/11453
identifier_str_mv 10.20396/tematicas.v21i41.11453
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://econtents.bc.unicamp.br/inpec/index.php/tematicas/article/view/11453/6662
dc.rights.driver.fl_str_mv Copyright (c) 2013 Mariana Barreto
https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2013 Mariana Barreto
https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.coverage.none.fl_str_mv Brazil; Contemporary
Brasil; Contemporáneo
Brasil; Contemporâneo
dc.publisher.none.fl_str_mv Universidade Estadual de Campinas
publisher.none.fl_str_mv Universidade Estadual de Campinas
dc.source.none.fl_str_mv Tematicas; v. 21 n. 41 (2013): A sociologia de Pierre Bordieu; 127-156
Tematicas; Vol. 21 No. 41 (2013): A sociologia de Pierre Bordieu; 127-156
Tematicas; Vol. 21 Núm. 41 (2013): A sociologia de Pierre Bordieu; 127-156
2595-315X
reponame:Temáticas (Campinas. Online)
instname:Universidade Estadual de Campinas (UNICAMP)
instacron:UNICAMP
instname_str Universidade Estadual de Campinas (UNICAMP)
instacron_str UNICAMP
institution UNICAMP
reponame_str Temáticas (Campinas. Online)
collection Temáticas (Campinas. Online)
repository.name.fl_str_mv Temáticas (Campinas. Online) - Universidade Estadual de Campinas (UNICAMP)
repository.mail.fl_str_mv tmaticas@unicamp.br||
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