For a glossary of Ricardo Piglia

Detalhes bibliográficos
Autor(a) principal: Avelar, Idelber
Data de Publicação: 2007
Tipo de documento: Artigo
Idioma: por
Título da fonte: Crítica Cultural (Online)
Texto Completo: https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/99
Resumo: The present essay articulates the notions of utopia (since Nietzsche) and experience (since Benjamin) in order to make an analysis of the narrative strategies by the Argentinean writer Ricardo Piglia. By taking critique itself as a form of autobiographic fiction, the author of Artificial Respiration and Assumed Name offers a new look on the dialectics between critique and fiction, in which the reading of texts by others would be no more than the critic’s own experience trying to allegorize him/herself in these texts. And such an experiencing of the present is invariably worked by Piglia from the point of view of utopia, that is, of politics.
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spelling For a glossary of Ricardo PigliaPor um glossário de Ricardo PigliaPour um glossaire de Ricardo PigliaPara un glosario de Ricardo PigliaUtopiaCritiqueFictionExperience.UtopiaCríticaFicçãoExperiência.UtopieCritiqueFictionExpérience.UtopíaCríticaFicciónExperienciaThe present essay articulates the notions of utopia (since Nietzsche) and experience (since Benjamin) in order to make an analysis of the narrative strategies by the Argentinean writer Ricardo Piglia. By taking critique itself as a form of autobiographic fiction, the author of Artificial Respiration and Assumed Name offers a new look on the dialectics between critique and fiction, in which the reading of texts by others would be no more than the critic’s own experience trying to allegorize him/herself in these texts. And such an experiencing of the present is invariably worked by Piglia from the point of view of utopia, that is, of politics.O presente ensaio articula as noções de utopia (desde Nietzsche) e experiência (desde Benjamin) a fim de propor uma análise das estratégias narrativas do escritor argentino Ricardo Piglia. Ao tomar a própria crítica como uma forma de ficção autobiográfica, o autor de Respiração artificial e Nome falso propõe um novo olhar sobre a dialética entre crítica e ficção, no qual a leitura dos textos alheios não seria nada mais do que a própria experiência do crítico procurando alegorizar-se nesses textos. E essa experiência do presente é trabalhada invariavelmente por Piglia a partir do ponto de vista da utopia, vale dizer, da política.Cet article formule les notions d’utopie (depuis Nietzsche) et d’expérience (depuis Benjamin) ayant commme objectif celui de proposer une analyse des stratégies narratives de l’écrivain argentin Ricardo Piglia. En se servant de la propre critique comme une forme de fiction autobiographique, l’auteur de Respiration Artificielle et Faux Nom propose un nouveau regard sur la dialectique entre critique et fiction, à travers lequel la lecture des textes d’autrui ne serait plus que la propre expérience du critique lui-même, cherchant à s’exprimer par ses allégories dans ces textes. Et cette expérience du présent est travaillé à chaque fois invariablement par Piglia à partir du point de vue de l’utopie, il faut savoir, de la politique.El presente ensayo articula las nociones de utopía (desde Nietzsche) y de experiencia (desde Benjamin) con el objectivo de hacer un análisis de las estrategias narrativas del escritor argentino Ricardo Piglia. Al tomar la propia crítica como una forma de ficción autobiográfica, el autor de Respiración artificial y Nombre falso propone una nueva mirada sobre la dialéctica entre crítica y ficción en la cual la lectura de los textos ajenos no sería más que la propia experiencia del crítico intentando alegorizarse en esos textos. Y esa experiencia del presente es trabajada invariablemente por Piglia a partir del punto de vista de la utopía, o sea de la política.Universidade do Sul de Santa Catarina2007-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/9910.19177/rcc.v2e1200711-13Revista Crítica Cultural; v. 2 n. 1 (2007); 11-131980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/99/109Avelar, Idelberinfo:eu-repo/semantics/openAccess2016-09-30T19:14:09Zoai:portaldeperiodicos.animaeducacao.com.br:article/99Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2016-09-30T19:14:09Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false
dc.title.none.fl_str_mv For a glossary of Ricardo Piglia
Por um glossário de Ricardo Piglia
Pour um glossaire de Ricardo Piglia
Para un glosario de Ricardo Piglia
title For a glossary of Ricardo Piglia
spellingShingle For a glossary of Ricardo Piglia
Avelar, Idelber
Utopia
Critique
Fiction
Experience.
Utopia
Crítica
Ficção
Experiência.
Utopie
Critique
Fiction
Expérience.
Utopía
Crítica
Ficción
Experiencia
title_short For a glossary of Ricardo Piglia
title_full For a glossary of Ricardo Piglia
title_fullStr For a glossary of Ricardo Piglia
title_full_unstemmed For a glossary of Ricardo Piglia
title_sort For a glossary of Ricardo Piglia
author Avelar, Idelber
author_facet Avelar, Idelber
author_role author
dc.contributor.author.fl_str_mv Avelar, Idelber
dc.subject.por.fl_str_mv Utopia
Critique
Fiction
Experience.
Utopia
Crítica
Ficção
Experiência.
Utopie
Critique
Fiction
Expérience.
Utopía
Crítica
Ficción
Experiencia
topic Utopia
Critique
Fiction
Experience.
Utopia
Crítica
Ficção
Experiência.
Utopie
Critique
Fiction
Expérience.
Utopía
Crítica
Ficción
Experiencia
description The present essay articulates the notions of utopia (since Nietzsche) and experience (since Benjamin) in order to make an analysis of the narrative strategies by the Argentinean writer Ricardo Piglia. By taking critique itself as a form of autobiographic fiction, the author of Artificial Respiration and Assumed Name offers a new look on the dialectics between critique and fiction, in which the reading of texts by others would be no more than the critic’s own experience trying to allegorize him/herself in these texts. And such an experiencing of the present is invariably worked by Piglia from the point of view of utopia, that is, of politics.
publishDate 2007
dc.date.none.fl_str_mv 2007-06-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/99
10.19177/rcc.v2e1200711-13
url https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/99
identifier_str_mv 10.19177/rcc.v2e1200711-13
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/99/109
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
publisher.none.fl_str_mv Universidade do Sul de Santa Catarina
dc.source.none.fl_str_mv Revista Crítica Cultural; v. 2 n. 1 (2007); 11-13
1980-6493
1980-6493
reponame:Crítica Cultural (Online)
instname:Universidade do Sul de Santa Catarina (UNISUL)
instacron:UNISUL
instname_str Universidade do Sul de Santa Catarina (UNISUL)
instacron_str UNISUL
institution UNISUL
reponame_str Crítica Cultural (Online)
collection Crítica Cultural (Online)
repository.name.fl_str_mv Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)
repository.mail.fl_str_mv ramayana.lira@gmail.com
_version_ 1787715274779131904

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