Photograph and War: staging and punctum in the 19th century
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5808 |
Resumo: | This text searches to bring close the image production to the wars, studying more carefully some photographs of Timothy O’Sullivan, made during the American Civil War, and of Flávio de Barros, during the last Army’s campaign against the jagunços of Antonio Conselheiro, in Canudos. With the theories of Benjamin, Agamben and Barthes, the intention is to work with something, an effect, that scape the image’s destiny of document. |
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Photograph and War: staging and punctum in the 19th centuryFotografia e Guerra: encenação e punctum no século XIXImage. Photography. War.Imagem. Fotografia. Guerra.This text searches to bring close the image production to the wars, studying more carefully some photographs of Timothy O’Sullivan, made during the American Civil War, and of Flávio de Barros, during the last Army’s campaign against the jagunços of Antonio Conselheiro, in Canudos. With the theories of Benjamin, Agamben and Barthes, the intention is to work with something, an effect, that scape the image’s destiny of document.Esse texto busca aproximar a produção de imagens às guerras, analisando mais detidamente algumas fotos de Timothy O’Sullivan, realizadas durante a Guerra de Secessão dos Estados Unidos, e de Flávio de Barros, durante a última campanha do Exército contra os jagunços de Antonio Conselheiro, em Canudos. A partir das teorias de Benjamin, Agamben e Barthes, a intenção é trabalhar com algo, um efeito, que escapa ao destino de documento das imagens.Universidade do Sul de Santa Catarina2017-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/580810.19177/rcc.v12e22017227-232Revista Crítica Cultural; v. 12 n. 2 (2017); 227-2321980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5808/3486Copyright (c) 2017 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessSantos, Antonio Carlos2017-12-19T18:40:52Zoai:portaldeperiodicos.animaeducacao.com.br:article/5808Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2017-12-19T18:40:52Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
Photograph and War: staging and punctum in the 19th century Fotografia e Guerra: encenação e punctum no século XIX |
title |
Photograph and War: staging and punctum in the 19th century |
spellingShingle |
Photograph and War: staging and punctum in the 19th century Santos, Antonio Carlos Image. Photography. War. Imagem. Fotografia. Guerra. |
title_short |
Photograph and War: staging and punctum in the 19th century |
title_full |
Photograph and War: staging and punctum in the 19th century |
title_fullStr |
Photograph and War: staging and punctum in the 19th century |
title_full_unstemmed |
Photograph and War: staging and punctum in the 19th century |
title_sort |
Photograph and War: staging and punctum in the 19th century |
author |
Santos, Antonio Carlos |
author_facet |
Santos, Antonio Carlos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Santos, Antonio Carlos |
dc.subject.por.fl_str_mv |
Image. Photography. War. Imagem. Fotografia. Guerra. |
topic |
Image. Photography. War. Imagem. Fotografia. Guerra. |
description |
This text searches to bring close the image production to the wars, studying more carefully some photographs of Timothy O’Sullivan, made during the American Civil War, and of Flávio de Barros, during the last Army’s campaign against the jagunços of Antonio Conselheiro, in Canudos. With the theories of Benjamin, Agamben and Barthes, the intention is to work with something, an effect, that scape the image’s destiny of document. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-12-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5808 10.19177/rcc.v12e22017227-232 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5808 |
identifier_str_mv |
10.19177/rcc.v12e22017227-232 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/5808/3486 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Revista Crítica Cultural info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Revista Crítica Cultural |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 12 n. 2 (2017); 227-232 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220553193193472 |