Pessoa’s Archive: a study about understandings and representations of archival manuscripts in the Casa Fernando Pessoa

Detalhes bibliográficos
Autor(a) principal: Aldabalde, Taiguara Villela
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Anais do Museu Paulista (Online)
Texto Completo: https://www.revistas.usp.br/anaismp/article/view/151035
Resumo: This article presents the results of a postdoctoral investigation. The research aims to discuss the understanding of the archival manuscripts of Fernando Pessoa as a spoil and to infer the quantitative representation of these documents, as well as to identify the practices through which these representations have been mediated in the Casa Fernando Pessoa. The documentary-historical method is adopted considering the products, the museum space, and the administrative documentation from 2006 to 2017 as the empirical basis. The following are the consequences of understanding the archive as a spoil: a mix of archives as a result of improper additions, a lack of control over the preservation of the documents’ authenticity, absence of archival representations and archival bonds, the thematization of the archive in detriment of the archival description, the disarticulation between private collections and public archives and the no-compliance of methodological standards compatible with a closed archival fond. The Casa Fernando Pessoa is a place of convergence between museums’, archives’, and libraries’ materials. The total quantitative result of the representations of the archival manuscripts of Fernando Pessoa (1888-1935) is 225 representations. The following categories of representation have been identified: fac-similar, artistic, visual, graphic, and digital. This research identified the occurrence of 22 practices distributed in these following types: historical recreation, exhibition, multimedia exhibition, course, ephemerides, webcast, and digital curation. It was possible to establish that Casa Fernando Pessoa contributes to the democratization of the manuscripts’ representations through practices of diffusion and cultural mediation with archival material.
id USP-37_c334302a15bcff427a43c6afc029e3c2
oai_identifier_str oai:revistas.usp.br:article/151035
network_acronym_str USP-37
network_name_str Anais do Museu Paulista (Online)
repository_id_str
spelling Pessoa’s Archive: a study about understandings and representations of archival manuscripts in the Casa Fernando PessoaArquivos de Pessoa(s): um estudo sobre entendimentos e representações dos arquivos manuscritos na Casa Fernando PessoaPersonal archivesManuscriptsRepresentationsHouse museumCultural MediationCasa Fernando PessoaArquivos pessoaisManuscritosRepresentaçõesCasa-museuMediação culturalCasa Fernando PessoaThis article presents the results of a postdoctoral investigation. The research aims to discuss the understanding of the archival manuscripts of Fernando Pessoa as a spoil and to infer the quantitative representation of these documents, as well as to identify the practices through which these representations have been mediated in the Casa Fernando Pessoa. The documentary-historical method is adopted considering the products, the museum space, and the administrative documentation from 2006 to 2017 as the empirical basis. The following are the consequences of understanding the archive as a spoil: a mix of archives as a result of improper additions, a lack of control over the preservation of the documents’ authenticity, absence of archival representations and archival bonds, the thematization of the archive in detriment of the archival description, the disarticulation between private collections and public archives and the no-compliance of methodological standards compatible with a closed archival fond. The Casa Fernando Pessoa is a place of convergence between museums’, archives’, and libraries’ materials. The total quantitative result of the representations of the archival manuscripts of Fernando Pessoa (1888-1935) is 225 representations. The following categories of representation have been identified: fac-similar, artistic, visual, graphic, and digital. This research identified the occurrence of 22 practices distributed in these following types: historical recreation, exhibition, multimedia exhibition, course, ephemerides, webcast, and digital curation. It was possible to establish that Casa Fernando Pessoa contributes to the democratization of the manuscripts’ representations through practices of diffusion and cultural mediation with archival material.Este artigo apresenta os resultados de uma investigação de pós-doutoramento. A pesquisa procura discutir a compreensão dos manuscritos arquivísticos de Fernando Pessoa como um espólio e inferir o quantitativo das representações desses documentos, bem como identificar as práticas através das quais essas representações foram mediadas na Casa Fernando Pessoa. O método histórico-documental é adotado, considerando como base empírica os produtos, o espaço do museu e a documentação administrativa de 2006 a 2017. Do entendimento de espólio resultam as seguintes consequências: uma mistura de arquivos como resultado de adições impróprias, a falta de controle sobre a preservação da autenticidade dos documentos, a ausência de representações arquivísticas e de vínculos arquivísticos, a tematização do arquivo em detrimento da descrição arquivística, a desarticulação entre coleções particulares e arquivos públicos e a não conformidade com padrões metodológicos compatíveis com um fundo fechado de arquivo. A Casa Fernando Pessoa é um lugar de convergência entre o material de museus, arquivos e bibliotecas. O resultado quantitativo total das representações dos manuscritos arquivísticos de Fernando Pessoa (1888-1935) corresponde ao número de 225 representações. Foram identificadas as seguintes categorias de representação: fac-similar, artística, visual, gráfica e digital. Identificou-se a ocorrência de 22 práticas distribuídas nos seguintes tipos: recriação histórica, exposição, exposição multimídia, curso, efemérides, webdifusão e curadoria digital. Foi possível constatar que a Casa Fernando Pessoa contribui para a democratização das representações dos manuscritos através de práticas de difusão e mediação cultural com material de arquivo.Universidade de São Paulo. Museu Paulista2018-10-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/anaismp/article/view/15103510.1590/1982-02672018v26e11Anais do Museu Paulista: História e Cultura Material; v. 26 (2018); e111982-02670101-4714reponame:Anais do Museu Paulista (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/anaismp/article/view/151035/147922Copyright (c) 2018 Anais do Museu Paulista: História e Cultura Materialinfo:eu-repo/semantics/openAccessAldabalde, Taiguara Villela2019-10-01T13:27:48ZRevistahttp://anais.mp.usp.br/PUB
dc.title.none.fl_str_mv Pessoa’s Archive: a study about understandings and representations of archival manuscripts in the Casa Fernando Pessoa
Arquivos de Pessoa(s): um estudo sobre entendimentos e representações dos arquivos manuscritos na Casa Fernando Pessoa
title Pessoa’s Archive: a study about understandings and representations of archival manuscripts in the Casa Fernando Pessoa
spellingShingle Pessoa’s Archive: a study about understandings and representations of archival manuscripts in the Casa Fernando Pessoa
Aldabalde, Taiguara Villela
Personal archives
Manuscripts
Representations
House museum
Cultural Mediation
Casa Fernando Pessoa
Arquivos pessoais
Manuscritos
Representações
Casa-museu
Mediação cultural
Casa Fernando Pessoa
title_short Pessoa’s Archive: a study about understandings and representations of archival manuscripts in the Casa Fernando Pessoa
title_full Pessoa’s Archive: a study about understandings and representations of archival manuscripts in the Casa Fernando Pessoa
title_fullStr Pessoa’s Archive: a study about understandings and representations of archival manuscripts in the Casa Fernando Pessoa
title_full_unstemmed Pessoa’s Archive: a study about understandings and representations of archival manuscripts in the Casa Fernando Pessoa
title_sort Pessoa’s Archive: a study about understandings and representations of archival manuscripts in the Casa Fernando Pessoa
author Aldabalde, Taiguara Villela
author_facet Aldabalde, Taiguara Villela
author_role author
dc.contributor.author.fl_str_mv Aldabalde, Taiguara Villela
dc.subject.por.fl_str_mv Personal archives
Manuscripts
Representations
House museum
Cultural Mediation
Casa Fernando Pessoa
Arquivos pessoais
Manuscritos
Representações
Casa-museu
Mediação cultural
Casa Fernando Pessoa
topic Personal archives
Manuscripts
Representations
House museum
Cultural Mediation
Casa Fernando Pessoa
Arquivos pessoais
Manuscritos
Representações
Casa-museu
Mediação cultural
Casa Fernando Pessoa
description This article presents the results of a postdoctoral investigation. The research aims to discuss the understanding of the archival manuscripts of Fernando Pessoa as a spoil and to infer the quantitative representation of these documents, as well as to identify the practices through which these representations have been mediated in the Casa Fernando Pessoa. The documentary-historical method is adopted considering the products, the museum space, and the administrative documentation from 2006 to 2017 as the empirical basis. The following are the consequences of understanding the archive as a spoil: a mix of archives as a result of improper additions, a lack of control over the preservation of the documents’ authenticity, absence of archival representations and archival bonds, the thematization of the archive in detriment of the archival description, the disarticulation between private collections and public archives and the no-compliance of methodological standards compatible with a closed archival fond. The Casa Fernando Pessoa is a place of convergence between museums’, archives’, and libraries’ materials. The total quantitative result of the representations of the archival manuscripts of Fernando Pessoa (1888-1935) is 225 representations. The following categories of representation have been identified: fac-similar, artistic, visual, graphic, and digital. This research identified the occurrence of 22 practices distributed in these following types: historical recreation, exhibition, multimedia exhibition, course, ephemerides, webcast, and digital curation. It was possible to establish that Casa Fernando Pessoa contributes to the democratization of the manuscripts’ representations through practices of diffusion and cultural mediation with archival material.
publishDate 2018
dc.date.none.fl_str_mv 2018-10-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/anaismp/article/view/151035
10.1590/1982-02672018v26e11
url https://www.revistas.usp.br/anaismp/article/view/151035
identifier_str_mv 10.1590/1982-02672018v26e11
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/anaismp/article/view/151035/147922
dc.rights.driver.fl_str_mv Copyright (c) 2018 Anais do Museu Paulista: História e Cultura Material
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Anais do Museu Paulista: História e Cultura Material
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Museu Paulista
publisher.none.fl_str_mv Universidade de São Paulo. Museu Paulista
dc.source.none.fl_str_mv Anais do Museu Paulista: História e Cultura Material; v. 26 (2018); e11
1982-0267
0101-4714
reponame:Anais do Museu Paulista (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Anais do Museu Paulista (Online)
collection Anais do Museu Paulista (Online)
repository.name.fl_str_mv
repository.mail.fl_str_mv
_version_ 1776935945808904192