Nosso corpo estranho, seguido de Charlie Brown n?o frequenta museus de arte
Main Author: | |
---|---|
Publication Date: | 2019 |
Format: | Doctoral thesis |
Language: | por |
Source: | Biblioteca Digital de Teses e Dissertações da PUC_RS |
Download full: | http://tede2.pucrs.br/tede2/handle/tede/8813 |
Summary: | This thesis is part of creative writing research. In th e brief tradition of the works presented within this academic field in Brazil, the usual format of the thesis is in two parts: a fictional or poetic creation, and an essay. In my thesis it is possible to say that there are not two, but three parts, all of which have, as a starting point, the presence of the text and narrative and literary tools i n the exhibitions of visual arts, as well as the relationship between literature and art. Thus, we have the first part, the narrative Nosso corpo estranho, that tr ies to narrate exclusively with exhibition texts (interpretation labels and wall texts) the life, the work and the conflicts of the artist Jo ? o Pedro. This work, printed and presented in a book format, does not intend to be a novel or a novella, but a portable exhibition. The second part of this thesis, the essay Charlie Brown n ?o frequenta museus de arte, proposes the idea of thinking about museums as a space to read and narrate, or, even, as a book or a literary genre or media. In this part, amongst s everal examples discussed, the narratives/exhibitions by Yuri Firmeza and Sophie Calle, Joan Fontcuberta, Damien Hirst and Max Aub are highlighted Finally, the third part, Anexo (ou o terceiro cap ? tulo de uma tese que n?o quer terminar), is a record of an experience created and developed especially for the thesis defence. It s a brief a ttachment explaining the context and showing the photographic record of the exhibition Nosso corpo estranho, which opened at the public thesis defence (February 28, 2019) and remained open for public visitation with a schedule of talks, classes and debates until April 30, 2019. This exhibition turned the portable exhibition into a wall book (to parody an expression by Enrique Vila Matas), becomi ng an inverted mirror of the printed narrative and opening new possibilities of reading and thinking. This research, at first, was understood as a work between literature and the visual arts. However, it also made its way through museography, museum histor y and expography. |
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Barberena, Ricardo Ara?johttp://lattes.cnpq.br/4713324061573064Pujol Filho, Reginaldo da Luz2019-07-24T11:39:08Z2019-02-28http://tede2.pucrs.br/tede2/handle/tede/8813This thesis is part of creative writing research. In th e brief tradition of the works presented within this academic field in Brazil, the usual format of the thesis is in two parts: a fictional or poetic creation, and an essay. In my thesis it is possible to say that there are not two, but three parts, all of which have, as a starting point, the presence of the text and narrative and literary tools i n the exhibitions of visual arts, as well as the relationship between literature and art. Thus, we have the first part, the narrative Nosso corpo estranho, that tr ies to narrate exclusively with exhibition texts (interpretation labels and wall texts) the life, the work and the conflicts of the artist Jo ? o Pedro. This work, printed and presented in a book format, does not intend to be a novel or a novella, but a portable exhibition. The second part of this thesis, the essay Charlie Brown n ?o frequenta museus de arte, proposes the idea of thinking about museums as a space to read and narrate, or, even, as a book or a literary genre or media. In this part, amongst s everal examples discussed, the narratives/exhibitions by Yuri Firmeza and Sophie Calle, Joan Fontcuberta, Damien Hirst and Max Aub are highlighted Finally, the third part, Anexo (ou o terceiro cap ? tulo de uma tese que n?o quer terminar), is a record of an experience created and developed especially for the thesis defence. It s a brief a ttachment explaining the context and showing the photographic record of the exhibition Nosso corpo estranho, which opened at the public thesis defence (February 28, 2019) and remained open for public visitation with a schedule of talks, classes and debates until April 30, 2019. This exhibition turned the portable exhibition into a wall book (to parody an expression by Enrique Vila Matas), becomi ng an inverted mirror of the printed narrative and opening new possibilities of reading and thinking. This research, at first, was understood as a work between literature and the visual arts. However, it also made its way through museography, museum histor y and expography.Esta tese ? uma pesquisa em Escrita Criativa. Na curta tradi??o dos trabalhos realizados nesta ?rea acad?mica no Brasil, o produto final da pesquisa costuma se apresentar em duas partes: uma cria??o ficcional ou po?tica e em um ensaio. No caso de meu trabalho, podemos afirmar que a entrega se apresenta n?o em duas, mas em tr?s partes, todas tendo como ponto de partida a presen?a do texto e de ferramentas narrativas e liter?rias dentro dos espa?os de exposi??o de artes visuais, assim como rela??es entre literatura e artes. Temos, portanto, a primeira parte, a narrativa Nosso corpo estranho, que busca narrar, exclusivamente com textos expositivos (plaquinhas e textos de parede), a vida, os conflitos e a obra do artista Jo?o Pedro. Este trabalho impresso no formato livro pretende ser n?o um romance, mas uma exposi??o port?til. A segunda parte, o ensaio Charlie Brown n?o frequenta museus de arte, prop?e a reflex?o sobre a ideia de ver o museu como um espa?o de leitura e narra??o. O museu como um livro ou mesmo g?nero liter?rio. Nessa parte, entre diversos exemplos discutidos, destacam-se as narra??es/exposi??es de Yuri Firmza, Sophie Calle, Joan Fontcuberta, Damien Hirst e Max Aub. E a terceira parte, Anexo (ou o terceiro cap?tulo de uma tese que n?o quer terminar), tenta dar conta de uma experi?ncia realizada para a banca de defesa deste trabalho. ? um breve anexo com a contextualiza??o e o dossi? fotogr?fico da exposi??o Nosso corpo estranho, que foi inaugurada na banca de defesa (28 de fevereiro de 2019) e esteve aberta ? visita??o ? com a promo??o de eventos, debates e palestras ? at? o dia 30 de abril de 2019. Esta exposi??o transformou a ?exposi??o port?til? em um ?livro de parede? (para parodiar uma express?o de Enrique Vila-Matas), convertendo-se em espelho invertido da narrativa impressa e abrindo novas possibilidades de leitura e reflex?o. Esta pesquisa, em um primeiro momento, entendia-se como um trabalho entre a literatura e as artes visuais. Mas acabou fazendo seu percurso tamb?m pela museografia, pela hist?ria dos museus e pela expografia.Submitted by PPG Letras (letraspg@pucrs.br) on 2019-07-16T20:16:02Z No. of bitstreams: 1 Tese - Reginaldo da Luz Pujol Filho.pdf: 8853213 bytes, checksum: ff8d828aa41e9984103312d25674b3fc (MD5)Approved for entry into archive by Sarajane Pan (sarajane.pan@pucrs.br) on 2019-07-24T11:33:10Z (GMT) No. of bitstreams: 1 Tese - Reginaldo da Luz Pujol Filho.pdf: 8853213 bytes, checksum: ff8d828aa41e9984103312d25674b3fc (MD5)Made available in DSpace on 2019-07-24T11:39:08Z (GMT). No. of bitstreams: 1 Tese - Reginaldo da Luz Pujol Filho.pdf: 8853213 bytes, checksum: ff8d828aa41e9984103312d25674b3fc (MD5) Previous issue date: 2019-02-28Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPESapplication/pdfhttp://tede2.pucrs.br:80/tede2/retrieve/176023/TES_REGINALDO_DA_LUZ_PUJOL_FILHO_CONFIDENCIAL.pdf.jpgporPontif?cia Universidade Cat?lica do Rio Grande do SulPrograma de P?s-Gradua??o em LetrasPUCRSBrasilEscola de HumanidadesEscrita CriativaArte Contempor?neaArte ConceitualArtes VisuaisMuseuLiteratura Brasileira Contempor?neaLINGUISTICA, LETRAS E ARTES::LETRASNosso corpo estranho, seguido de Charlie Brown n?o frequenta museus de arteinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisTrabalho ser? publicado como artigo ou livro60 meses24/07/2024407477848473845987500500500600-6557531471218110192-54094192628864980883590462550136975366info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações da PUC_RSinstname:Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)instacron:PUC_RSORIGINALTES_REGINALDO_DA_LUZ_PUJOL_FILHO_CONFIDENCIAL.pdfTES_REGINALDO_DA_LUZ_PUJOL_FILHO_CONFIDENCIAL.pdfapplication/pdf556386http://tede2.pucrs.br/tede2/bitstream/tede/8813/5/TES_REGINALDO_DA_LUZ_PUJOL_FILHO_CONFIDENCIAL.pdfeca492f5055a7f5fe217eb2f8f10e7c2MD55THUMBNAILTES_REGINALDO_DA_LUZ_PUJOL_FILHO_CONFIDENCIAL.pdf.jpgTES_REGINALDO_DA_LUZ_PUJOL_FILHO_CONFIDENCIAL.pdf.jpgimage/jpeg4083http://tede2.pucrs.br/tede2/bitstream/tede/8813/4/TES_REGINALDO_DA_LUZ_PUJOL_FILHO_CONFIDENCIAL.pdf.jpgd3bc56f73955049fe8689d4a08cc5704MD54TEXTTES_REGINALDO_DA_LUZ_PUJOL_FILHO_CONFIDENCIAL.pdf.txtTES_REGINALDO_DA_LUZ_PUJOL_FILHO_CONFIDENCIAL.pdf.txttext/plain1716http://tede2.pucrs.br/tede2/bitstream/tede/8813/3/TES_REGINALDO_DA_LUZ_PUJOL_FILHO_CONFIDENCIAL.pdf.txt8447497333e575170571770becd7dd3eMD53LICENSElicense.txtlicense.txttext/plain; charset=utf-8590http://tede2.pucrs.br/tede2/bitstream/tede/8813/1/license.txt220e11f2d3ba5354f917c7035aadef24MD51tede/88132019-10-21 15:47:41.04oai:tede2.pucrs.br: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Biblioteca Digital de Teses e Dissertaçõeshttp://tede2.pucrs.br/tede2/PRIhttps://tede2.pucrs.br/oai/requestbiblioteca.central@pucrs.br||opendoar:2019-10-21T17:47:41Biblioteca Digital de Teses e Dissertações da PUC_RS - Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS)false |
dc.title.por.fl_str_mv |
Nosso corpo estranho, seguido de Charlie Brown n?o frequenta museus de arte |
title |
Nosso corpo estranho, seguido de Charlie Brown n?o frequenta museus de arte |
spellingShingle |
Nosso corpo estranho, seguido de Charlie Brown n?o frequenta museus de arte Pujol Filho, Reginaldo da Luz Escrita Criativa Arte Contempor?nea Arte Conceitual Artes Visuais Museu Literatura Brasileira Contempor?nea LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
Nosso corpo estranho, seguido de Charlie Brown n?o frequenta museus de arte |
title_full |
Nosso corpo estranho, seguido de Charlie Brown n?o frequenta museus de arte |
title_fullStr |
Nosso corpo estranho, seguido de Charlie Brown n?o frequenta museus de arte |
title_full_unstemmed |
Nosso corpo estranho, seguido de Charlie Brown n?o frequenta museus de arte |
title_sort |
Nosso corpo estranho, seguido de Charlie Brown n?o frequenta museus de arte |
author |
Pujol Filho, Reginaldo da Luz |
author_facet |
Pujol Filho, Reginaldo da Luz |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Barberena, Ricardo Ara?jo |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/4713324061573064 |
dc.contributor.author.fl_str_mv |
Pujol Filho, Reginaldo da Luz |
contributor_str_mv |
Barberena, Ricardo Ara?jo |
dc.subject.por.fl_str_mv |
Escrita Criativa Arte Contempor?nea Arte Conceitual Artes Visuais Museu Literatura Brasileira Contempor?nea |
topic |
Escrita Criativa Arte Contempor?nea Arte Conceitual Artes Visuais Museu Literatura Brasileira Contempor?nea LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
This thesis is part of creative writing research. In th e brief tradition of the works presented within this academic field in Brazil, the usual format of the thesis is in two parts: a fictional or poetic creation, and an essay. In my thesis it is possible to say that there are not two, but three parts, all of which have, as a starting point, the presence of the text and narrative and literary tools i n the exhibitions of visual arts, as well as the relationship between literature and art. Thus, we have the first part, the narrative Nosso corpo estranho, that tr ies to narrate exclusively with exhibition texts (interpretation labels and wall texts) the life, the work and the conflicts of the artist Jo ? o Pedro. This work, printed and presented in a book format, does not intend to be a novel or a novella, but a portable exhibition. The second part of this thesis, the essay Charlie Brown n ?o frequenta museus de arte, proposes the idea of thinking about museums as a space to read and narrate, or, even, as a book or a literary genre or media. In this part, amongst s everal examples discussed, the narratives/exhibitions by Yuri Firmeza and Sophie Calle, Joan Fontcuberta, Damien Hirst and Max Aub are highlighted Finally, the third part, Anexo (ou o terceiro cap ? tulo de uma tese que n?o quer terminar), is a record of an experience created and developed especially for the thesis defence. It s a brief a ttachment explaining the context and showing the photographic record of the exhibition Nosso corpo estranho, which opened at the public thesis defence (February 28, 2019) and remained open for public visitation with a schedule of talks, classes and debates until April 30, 2019. This exhibition turned the portable exhibition into a wall book (to parody an expression by Enrique Vila Matas), becomi ng an inverted mirror of the printed narrative and opening new possibilities of reading and thinking. This research, at first, was understood as a work between literature and the visual arts. However, it also made its way through museography, museum histor y and expography. |
publishDate |
2019 |
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2019-07-24T11:39:08Z |
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2019-02-28 |
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por |
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por |
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407477848473845987 |
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500 500 500 600 |
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Pontif?cia Universidade Cat?lica do Rio Grande do Sul |
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PUCRS |
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Brasil |
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Escola de Humanidades |
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Pontif?cia Universidade Cat?lica do Rio Grande do Sul |
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