Música e poesia pura: o fim de um paradigma
Main Author: | |
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Publication Date: | 2022 |
Format: | Article |
Language: | por |
Source: | Gragoatá |
Download full: | https://periodicos.uff.br/gragoata/article/view/51384 |
Summary: | The relations established between music and poetry seem to be fundamental to understand the transformations that French poetry underwent in the 20th century. In the 1920s, there was an intense debate over the concept of pure poetry, held in journals and magazines written in French and English, involving names as the abbot Henri Bremond, a French Academy member, and the writer Paul Valéry. The role of musicality, the melody of words and their connection with meaning played a key role to the notion, which had important consequences in the poetics that came throughout the century, as the symbolism. This article aims to resume the discussion, known as the quarrel of pure poetry, verify its role in the evolution of the parallel between music and poetry and indicate how the debate seemed to represent the profound changes that French poetry has undergone over the last century. |
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Música e poesia pura: o fim de um paradigmaFrench poetrypure poetrySymbolismmusicPaul Valérypoesia francesapoesia purasimbolismomúsicaPaul ValéryThe relations established between music and poetry seem to be fundamental to understand the transformations that French poetry underwent in the 20th century. In the 1920s, there was an intense debate over the concept of pure poetry, held in journals and magazines written in French and English, involving names as the abbot Henri Bremond, a French Academy member, and the writer Paul Valéry. The role of musicality, the melody of words and their connection with meaning played a key role to the notion, which had important consequences in the poetics that came throughout the century, as the symbolism. This article aims to resume the discussion, known as the quarrel of pure poetry, verify its role in the evolution of the parallel between music and poetry and indicate how the debate seemed to represent the profound changes that French poetry has undergone over the last century.As relações estabelecidas entre música e poesia parecem fundamentais para a compreensão das transformações por que a poesia francesa passou no século XX. Nos anos 1920, houve um intenso debate a respeito do conceito de poesia pura, travado em jornais e revistas em língua francesa e inglesa e envolvendo nomes como o abade Henri Bremond, membro da Academia Francesa, e o escritor Paul Valéry. O papel da musicalidade, da sonoridade das palavras e sua ligação com o significado ocupou um papel primordial para a elaboração da noção, que teve importantes reflexos nas poéticas ao longo do século, como o simbolismo. Este artigo pretende recuperar a discussão, conhecida como a querela da poesia pura, verificar seu papel no desdobramento do paralelo entre a música e a poesia e apontar de que maneira o debate pareceu dramatizar as profundas mudanças por que a poesia francesa passou no último século.Universidade Federal Fluminense2022-01-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.uff.br/gragoata/article/view/5138410.22409/gragoata.v27i57.51384Gragoatá; Vol. 27 No. 57 (2022): Poesia e pensatividade: o poema filosofante; 70-85Gragoatá; v. 27 n. 57 (2022): Poesia e pensatividade: o poema filosofante; 70-852358-41141413-907310.22409/gragoata.v27i57reponame:Gragoatáinstname:Universidade Federal Fluminense (UFF)instacron:UFFporhttps://periodicos.uff.br/gragoata/article/view/51384/30889Copyright (c) 2022 Gragoatáinfo:eu-repo/semantics/openAccessMarx, William2022-02-13T06:12:34Zoai:ojs.pkp.sfu.ca:article/51384Revistahttps://periodicos.uff.br/gragoataPUBhttps://periodicos.uff.br/gragoata/oai||revistagragoata@gmail.com2358-41141413-9073opendoar:2022-02-13T06:12:34Gragoatá - Universidade Federal Fluminense (UFF)false |
dc.title.none.fl_str_mv |
Música e poesia pura: o fim de um paradigma |
title |
Música e poesia pura: o fim de um paradigma |
spellingShingle |
Música e poesia pura: o fim de um paradigma Marx, William French poetry pure poetry Symbolism music Paul Valéry poesia francesa poesia pura simbolismo música Paul Valéry |
title_short |
Música e poesia pura: o fim de um paradigma |
title_full |
Música e poesia pura: o fim de um paradigma |
title_fullStr |
Música e poesia pura: o fim de um paradigma |
title_full_unstemmed |
Música e poesia pura: o fim de um paradigma |
title_sort |
Música e poesia pura: o fim de um paradigma |
author |
Marx, William |
author_facet |
Marx, William |
author_role |
author |
dc.contributor.author.fl_str_mv |
Marx, William |
dc.subject.por.fl_str_mv |
French poetry pure poetry Symbolism music Paul Valéry poesia francesa poesia pura simbolismo música Paul Valéry |
topic |
French poetry pure poetry Symbolism music Paul Valéry poesia francesa poesia pura simbolismo música Paul Valéry |
description |
The relations established between music and poetry seem to be fundamental to understand the transformations that French poetry underwent in the 20th century. In the 1920s, there was an intense debate over the concept of pure poetry, held in journals and magazines written in French and English, involving names as the abbot Henri Bremond, a French Academy member, and the writer Paul Valéry. The role of musicality, the melody of words and their connection with meaning played a key role to the notion, which had important consequences in the poetics that came throughout the century, as the symbolism. This article aims to resume the discussion, known as the quarrel of pure poetry, verify its role in the evolution of the parallel between music and poetry and indicate how the debate seemed to represent the profound changes that French poetry has undergone over the last century. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-01-20 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/51384 10.22409/gragoata.v27i57.51384 |
url |
https://periodicos.uff.br/gragoata/article/view/51384 |
identifier_str_mv |
10.22409/gragoata.v27i57.51384 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.uff.br/gragoata/article/view/51384/30889 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Gragoatá info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Gragoatá |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal Fluminense |
publisher.none.fl_str_mv |
Universidade Federal Fluminense |
dc.source.none.fl_str_mv |
Gragoatá; Vol. 27 No. 57 (2022): Poesia e pensatividade: o poema filosofante; 70-85 Gragoatá; v. 27 n. 57 (2022): Poesia e pensatividade: o poema filosofante; 70-85 2358-4114 1413-9073 10.22409/gragoata.v27i57 reponame:Gragoatá instname:Universidade Federal Fluminense (UFF) instacron:UFF |
instname_str |
Universidade Federal Fluminense (UFF) |
instacron_str |
UFF |
institution |
UFF |
reponame_str |
Gragoatá |
collection |
Gragoatá |
repository.name.fl_str_mv |
Gragoatá - Universidade Federal Fluminense (UFF) |
repository.mail.fl_str_mv |
||revistagragoata@gmail.com |
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1799705503614369792 |