As ressonâncias da musicalidade afro-brasileira no espetáculo Por cima do mar eu vim
Main Author: | |
---|---|
Publication Date: | 2019 |
Format: | Master thesis |
Language: | por |
Source: | Biblioteca Digital de Teses e Dissertações da UFG |
Download full: | http://repositorio.bc.ufg.br/tede/handle/tede/10349 |
Summary: | From the perception of the potency of Afro-Brazilian musicality in the theatrical scene, as regard to the installation of a scenic presence, from a body state stimulated by these sounds, and as regards to the textures and ambiences that collaborate with the music dramaturgy, the interest arises in addressing the relationship between body, scene, music and Afro-Brazilian culture. In an attempt to understand the contours which this musicality delineates in the contemporary scene, giving it traces of black identities, this research analyzes the show Por cima do mar eu vim, from the Núcleo Coletivo 22. The scenic musical show deals with the story of Queen NzingaMbandi and the African Bantu influence in Brazil, it is committed to a black aesthetic composed in a textual and body dramaturgy in which Afro-Brazilian musicality appears as an important poetic resource. As researcher and interpreter-creator of Núcleo Coletivo 22, who participated in the creation process of this show, as well as its circulation in the city of Goiânia, I discuss from the perceptions, feelings and affections lived, the imbricate between act, touch, singing and dance in this scenic experience. |
id |
UFG_2729c283e3c1aaaf2e120a24d66f32ed |
---|---|
oai_identifier_str |
oai:repositorio.bc.ufg.br:tede/10349 |
network_acronym_str |
UFG |
network_name_str |
Biblioteca Digital de Teses e Dissertações da UFG |
repository_id_str |
3208 |
spelling |
Lima, Renata de Silvahttp://lattes.cnpq.br/9684039080990993Silva, Renata de LimaMonteiro, Marianna Francisca MartinsCorrea Junior, Sebastião RiosLima, Marlini Dorneles deSatler, Lara Limahttp://lattes.cnpq.br/4786026182946234Santos, Flávia Cristina Honorato dos2020-02-06T11:38:13Z2019-10-09SANTOS, F. C. H. As ressonâncias da musicalidade afro-brasileira no espetáculo Por cima do mar eu vim. 2019. 107 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2019.http://repositorio.bc.ufg.br/tede/handle/tede/10349From the perception of the potency of Afro-Brazilian musicality in the theatrical scene, as regard to the installation of a scenic presence, from a body state stimulated by these sounds, and as regards to the textures and ambiences that collaborate with the music dramaturgy, the interest arises in addressing the relationship between body, scene, music and Afro-Brazilian culture. In an attempt to understand the contours which this musicality delineates in the contemporary scene, giving it traces of black identities, this research analyzes the show Por cima do mar eu vim, from the Núcleo Coletivo 22. The scenic musical show deals with the story of Queen NzingaMbandi and the African Bantu influence in Brazil, it is committed to a black aesthetic composed in a textual and body dramaturgy in which Afro-Brazilian musicality appears as an important poetic resource. As researcher and interpreter-creator of Núcleo Coletivo 22, who participated in the creation process of this show, as well as its circulation in the city of Goiânia, I discuss from the perceptions, feelings and affections lived, the imbricate between act, touch, singing and dance in this scenic experience.A partir da percepção da potência da musicalidade afro-brasileira na cena teatral, tanto no que diz respeito à instalação de uma presença cênica, a partir de um estado corporal estimulado por essas sonoridades, como no que tange as texturas e ambiências que colaboram com a dramaturgia, surge o interesse em se debruçar sobre as relações entre corpo, cena, música e cultura afro-brasileira. Na busca de compreender os contornos que essa musicalidade delineiam na cena contemporânea, atribuindo-lhe traços de identidades negras, analisa-se nesta investigação o trabalho Por cima do mar eu vim, do Núcleo Coletivo 22. O espetáculo cênico musical aborda a história da rainha Nzinga Mbandi e a influência africana banto no Brasil, está comprometido com uma estética negra composto em uma dramaturgia textual e corporal em que a musicalidade afro-brasileira aparece como importante recurso poético. Na qualidade de pesquisadora e intérprete-criadora do Núcleo Coletivo 22 que participou do processo de criação do referido trabalho, bem como de sua circulação pela cidade de Goiânia, discuto a partir de percepções, sensações e afetos vividos o imbricar entre ato, toque, canto e dança nessa experiência cênica.Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2020-02-05T15:26:45Z No. of bitstreams: 2 Dissertação - Flávia Cristina Honorato dos Santos - 2019.pdf: 7156629 bytes, checksum: bfb9f3d556f482841d7db23f592b3bae (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2020-02-06T11:38:13Z (GMT) No. of bitstreams: 2 Dissertação - Flávia Cristina Honorato dos Santos - 2019.pdf: 7156629 bytes, checksum: bfb9f3d556f482841d7db23f592b3bae (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2020-02-06T11:38:13Z (GMT). No. of bitstreams: 2 Dissertação - Flávia Cristina Honorato dos Santos - 2019.pdf: 7156629 bytes, checksum: bfb9f3d556f482841d7db23f592b3bae (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2019-10-09application/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Performances Culturais (FCS)UFGBrasilFaculdade de Ciências Sociais - FCS (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessPerformance negraMusicalidadeCorpoMemóriaProcesso de criaçãoMusicalityBodyMemoryCreation processBlack performanceARTES::MUSICAAs ressonâncias da musicalidade afro-brasileira no espetáculo Por cima do mar eu vimThe resonances of Afro-Brazilian musicality in the show Above the sea I cameinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis7907732215094011389600600600-6965107611713429420-3756787875205786831reponame:Biblioteca Digital de Teses e Dissertações da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://repositorio.bc.ufg.br/tede/bitstreams/c1eede80-3bf6-4fc9-b110-75e604d4aa4d/downloadbd3efa91386c1718a7f26a329fdcb468MD51CC-LICENSElicense_urllicense_urltext/plain; charset=utf-849http://repositorio.bc.ufg.br/tede/bitstreams/b9088f2f-ce5e-40e4-8f3b-69f6841ec451/download4afdbb8c545fd630ea7db775da747b2fMD52license_textlicense_texttext/html; charset=utf-80http://repositorio.bc.ufg.br/tede/bitstreams/6fab1100-ce65-4d2c-a435-c2e5cce3032e/downloadd41d8cd98f00b204e9800998ecf8427eMD53license_rdflicense_rdfapplication/rdf+xml; charset=utf-80http://repositorio.bc.ufg.br/tede/bitstreams/7f339460-a7cb-4637-b664-b0d2ee8393f2/downloadd41d8cd98f00b204e9800998ecf8427eMD54ORIGINALDissertação - Flávia Cristina Honorato dos Santos - 2019.pdfDissertação - Flávia Cristina Honorato dos Santos - 2019.pdfapplication/pdf7156629http://repositorio.bc.ufg.br/tede/bitstreams/4fad8dec-5e72-4c1f-96bb-22a95cbda24a/downloadbfb9f3d556f482841d7db23f592b3baeMD55tede/103492020-02-06 08:38:13.541http://creativecommons.org/licenses/by-nc-nd/4.0/Acesso Abertoopen.accessoai:repositorio.bc.ufg.br:tede/10349http://repositorio.bc.ufg.br/tedeBiblioteca Digital de Teses e Dissertaçõeshttp://repositorio.bc.ufg.br/PUBhttps://repositorio.bc.ufg.br/tede_oai/requesttesesdissertacoes.bc@ufg.br ||tesesdissertacoes.bc@ufg.bropendoar:32082020-02-06T11:38:13Biblioteca Digital de Teses e Dissertações da UFG - Universidade Federal de Goiás (UFG)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 |
dc.title.eng.fl_str_mv |
As ressonâncias da musicalidade afro-brasileira no espetáculo Por cima do mar eu vim |
dc.title.alternative.eng.fl_str_mv |
The resonances of Afro-Brazilian musicality in the show Above the sea I came |
title |
As ressonâncias da musicalidade afro-brasileira no espetáculo Por cima do mar eu vim |
spellingShingle |
As ressonâncias da musicalidade afro-brasileira no espetáculo Por cima do mar eu vim Santos, Flávia Cristina Honorato dos Performance negra Musicalidade Corpo Memória Processo de criação Musicality Body Memory Creation process Black performance ARTES::MUSICA |
title_short |
As ressonâncias da musicalidade afro-brasileira no espetáculo Por cima do mar eu vim |
title_full |
As ressonâncias da musicalidade afro-brasileira no espetáculo Por cima do mar eu vim |
title_fullStr |
As ressonâncias da musicalidade afro-brasileira no espetáculo Por cima do mar eu vim |
title_full_unstemmed |
As ressonâncias da musicalidade afro-brasileira no espetáculo Por cima do mar eu vim |
title_sort |
As ressonâncias da musicalidade afro-brasileira no espetáculo Por cima do mar eu vim |
author |
Santos, Flávia Cristina Honorato dos |
author_facet |
Santos, Flávia Cristina Honorato dos |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Lima, Renata de Silva |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/9684039080990993 |
dc.contributor.referee1.fl_str_mv |
Silva, Renata de Lima |
dc.contributor.referee2.fl_str_mv |
Monteiro, Marianna Francisca Martins |
dc.contributor.referee3.fl_str_mv |
Correa Junior, Sebastião Rios |
dc.contributor.referee4.fl_str_mv |
Lima, Marlini Dorneles de |
dc.contributor.referee5.fl_str_mv |
Satler, Lara Lima |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/4786026182946234 |
dc.contributor.author.fl_str_mv |
Santos, Flávia Cristina Honorato dos |
contributor_str_mv |
Lima, Renata de Silva Silva, Renata de Lima Monteiro, Marianna Francisca Martins Correa Junior, Sebastião Rios Lima, Marlini Dorneles de Satler, Lara Lima |
dc.subject.por.fl_str_mv |
Performance negra Musicalidade Corpo Memória Processo de criação |
topic |
Performance negra Musicalidade Corpo Memória Processo de criação Musicality Body Memory Creation process Black performance ARTES::MUSICA |
dc.subject.eng.fl_str_mv |
Musicality Body Memory Creation process Black performance |
dc.subject.cnpq.fl_str_mv |
ARTES::MUSICA |
description |
From the perception of the potency of Afro-Brazilian musicality in the theatrical scene, as regard to the installation of a scenic presence, from a body state stimulated by these sounds, and as regards to the textures and ambiences that collaborate with the music dramaturgy, the interest arises in addressing the relationship between body, scene, music and Afro-Brazilian culture. In an attempt to understand the contours which this musicality delineates in the contemporary scene, giving it traces of black identities, this research analyzes the show Por cima do mar eu vim, from the Núcleo Coletivo 22. The scenic musical show deals with the story of Queen NzingaMbandi and the African Bantu influence in Brazil, it is committed to a black aesthetic composed in a textual and body dramaturgy in which Afro-Brazilian musicality appears as an important poetic resource. As researcher and interpreter-creator of Núcleo Coletivo 22, who participated in the creation process of this show, as well as its circulation in the city of Goiânia, I discuss from the perceptions, feelings and affections lived, the imbricate between act, touch, singing and dance in this scenic experience. |
publishDate |
2019 |
dc.date.issued.fl_str_mv |
2019-10-09 |
dc.date.accessioned.fl_str_mv |
2020-02-06T11:38:13Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SANTOS, F. C. H. As ressonâncias da musicalidade afro-brasileira no espetáculo Por cima do mar eu vim. 2019. 107 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2019. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/10349 |
identifier_str_mv |
SANTOS, F. C. H. As ressonâncias da musicalidade afro-brasileira no espetáculo Por cima do mar eu vim. 2019. 107 f. Dissertação (Mestrado em Performances Culturais) - Universidade Federal de Goiás, Goiânia, 2019. |
url |
http://repositorio.bc.ufg.br/tede/handle/tede/10349 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
7907732215094011389 |
dc.relation.confidence.fl_str_mv |
600 600 600 |
dc.relation.department.fl_str_mv |
-6965107611713429420 |
dc.relation.cnpq.fl_str_mv |
-3756787875205786831 |
dc.rights.driver.fl_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.publisher.program.fl_str_mv |
Programa de Pós-graduação em Performances Culturais (FCS) |
dc.publisher.initials.fl_str_mv |
UFG |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Faculdade de Ciências Sociais - FCS (RG) |
publisher.none.fl_str_mv |
Universidade Federal de Goiás |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações da UFG instname:Universidade Federal de Goiás (UFG) instacron:UFG |
instname_str |
Universidade Federal de Goiás (UFG) |
instacron_str |
UFG |
institution |
UFG |
reponame_str |
Biblioteca Digital de Teses e Dissertações da UFG |
collection |
Biblioteca Digital de Teses e Dissertações da UFG |
bitstream.url.fl_str_mv |
http://repositorio.bc.ufg.br/tede/bitstreams/c1eede80-3bf6-4fc9-b110-75e604d4aa4d/download http://repositorio.bc.ufg.br/tede/bitstreams/b9088f2f-ce5e-40e4-8f3b-69f6841ec451/download http://repositorio.bc.ufg.br/tede/bitstreams/6fab1100-ce65-4d2c-a435-c2e5cce3032e/download http://repositorio.bc.ufg.br/tede/bitstreams/7f339460-a7cb-4637-b664-b0d2ee8393f2/download http://repositorio.bc.ufg.br/tede/bitstreams/4fad8dec-5e72-4c1f-96bb-22a95cbda24a/download |
bitstream.checksum.fl_str_mv |
bd3efa91386c1718a7f26a329fdcb468 4afdbb8c545fd630ea7db775da747b2f d41d8cd98f00b204e9800998ecf8427e d41d8cd98f00b204e9800998ecf8427e bfb9f3d556f482841d7db23f592b3bae |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 MD5 MD5 MD5 |
repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações da UFG - Universidade Federal de Goiás (UFG) |
repository.mail.fl_str_mv |
tesesdissertacoes.bc@ufg.br ||tesesdissertacoes.bc@ufg.br |
_version_ |
1800237039360147456 |