Percorrendo Tangerine: discursos e territórios da memória

Detalhes bibliográficos
Autor(a) principal: Alexandre, Alda
Data de Publicação: 2019
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFG
Texto Completo: http://repositorio.bc.ufg.br/tede/handle/tede/9648
Resumo: This paper proposes to discuss, in the perspective of the Queer Studies or Theories and in the context of Visual Culture, how conceptions related to gender are reflected in the discourse of the protagonists of the film Tangerine (USA, 2015) by Sean Baker and also to the notion of what it is to be a woman. This analysis comes from the concept of performativity diffused by Judith Butler as a specific modality of power, which acts as normalizing discourse, and it is reflected, in the field of enunciation, about the constitution of the genre. It is a reflection that was taken from the expression "real woman" used by the characters to refer to a street contestant, a cisgender woman, who appears in the history at first as her antagonist. Throughout this study the autobiography cutout is used as a methodological resource, in search of possible confluences between the experiences of the characters and those of the author in the bias of the discursive practices of gender, whose symbolic construction, in a cultural, social and family system is based on the notion that there are "real women." This analysis also goes through the scope of education, where the performative power of the statement is also guided by the binary notion of gender, contributing to the hypersexualization of female bodies and bodies outside the norm. It is a process that is taken to extremes when subjects who do not fit the shared pattern of heteronormativity are expurgated. The non- formal educational practices that are in the film intersect with the formal practices that have affected the author's experience as a teacher, which in turn are intrinsically related to the notion of identity that constituted her.
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spelling Martins, Alice Fátimahttp://lattes.cnpq.br/2768377569632609Martins, Alice FátimaDias, Luciene de OliveiraFerreira, Glauco Batistahttp://lattes.cnpq.br/1087738339323601Alexandre, Alda2019-05-28T12:10:38Z2019-04-22ALEXANDRE, A. Percorrendo Tangerine: discursos e territórios da memória. 2019. 107 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2019.http://repositorio.bc.ufg.br/tede/handle/tede/9648This paper proposes to discuss, in the perspective of the Queer Studies or Theories and in the context of Visual Culture, how conceptions related to gender are reflected in the discourse of the protagonists of the film Tangerine (USA, 2015) by Sean Baker and also to the notion of what it is to be a woman. This analysis comes from the concept of performativity diffused by Judith Butler as a specific modality of power, which acts as normalizing discourse, and it is reflected, in the field of enunciation, about the constitution of the genre. It is a reflection that was taken from the expression "real woman" used by the characters to refer to a street contestant, a cisgender woman, who appears in the history at first as her antagonist. Throughout this study the autobiography cutout is used as a methodological resource, in search of possible confluences between the experiences of the characters and those of the author in the bias of the discursive practices of gender, whose symbolic construction, in a cultural, social and family system is based on the notion that there are "real women." This analysis also goes through the scope of education, where the performative power of the statement is also guided by the binary notion of gender, contributing to the hypersexualization of female bodies and bodies outside the norm. It is a process that is taken to extremes when subjects who do not fit the shared pattern of heteronormativity are expurgated. The non- formal educational practices that are in the film intersect with the formal practices that have affected the author's experience as a teacher, which in turn are intrinsically related to the notion of identity that constituted her.Este trabalho se propõe a discutir, na perspectiva dos Estudos ou Teorias Queer e no contexto da Cultura Visual, de que modo se refletem no discurso das personagens-protagonistas do filme Tangerine (EUA, 2015), realizado por Sean Baker, concepções relacionadas a gênero e também à noção do que é ser mulher. A referida análise se dá a partir do conceito de performatividade, difundido por Judith Butler como uma modalidade específica de poder, que atua como discurso normalizador e se reflete, no campo da enunciação, sobre a constituição do gênero. Trata-se de uma reflexão que foi extraída da expressão “mulher de verdade”, usada pelas personagens para fazer referência a uma concorrente das ruas, mulher cisgênera, que aparece na história, a princípio, como sua antagonista. Ao longo deste estudo, é utilizado o recorte da autobiografia como recurso metodológico, em busca de possíveis confluências entre as vivências das personagens e as da autora no viés das práticas discursivas performadoras de gênero cuja construção simbólica, dentro de um sistema cultural, social, familiar se pauta pela noção de que há “mulheres de verdade”. Essa análise passa também pelo âmbito da educação, onde o poder performativo do enunciado é pautado também pela noção binária de gênero, contribuindo para a hipersexualização de corpos femininos e corpos fora da norma. Trata-se de um processo que é levado a extremos quando sujeitos que não se adequam ao regime compartilhado de heteronormatividade são expurgados. As práticas educacionais não formais que estão no filme se entrecruzam com as práticas formais que afetaram a experiência da autora como professora, as quais, por sua vez, estão intrinsecamente relacionadas com a noção de identidade que a constituiu.Submitted by Ana Caroline Costa (ana_caroline212@hotmail.com) on 2019-05-23T16:54:42Z No. of bitstreams: 2 Dissertação - Alda Alexandre - 2019.pdf: 2082636 bytes, checksum: c2664780b2f92bbf1751bd5176c5b505 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2019-05-28T12:10:38Z (GMT) No. of bitstreams: 2 Dissertação - Alda Alexandre - 2019.pdf: 2082636 bytes, checksum: c2664780b2f92bbf1751bd5176c5b505 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2019-05-28T12:10:38Z (GMT). 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dc.title.eng.fl_str_mv Percorrendo Tangerine: discursos e territórios da memória
dc.title.alternative.eng.fl_str_mv Touring Tangerine: discourses and territories of memory
title Percorrendo Tangerine: discursos e territórios da memória
spellingShingle Percorrendo Tangerine: discursos e territórios da memória
Alexandre, Alda
Tangerine
Gênero
Performatividade
Discurso
Práticas educativas
Identidade
Gender
Performativity
Discourse
Educational practices
Identity
LINGUISTICA, LETRAS E ARTES::ARTES
title_short Percorrendo Tangerine: discursos e territórios da memória
title_full Percorrendo Tangerine: discursos e territórios da memória
title_fullStr Percorrendo Tangerine: discursos e territórios da memória
title_full_unstemmed Percorrendo Tangerine: discursos e territórios da memória
title_sort Percorrendo Tangerine: discursos e territórios da memória
author Alexandre, Alda
author_facet Alexandre, Alda
author_role author
dc.contributor.advisor1.fl_str_mv Martins, Alice Fátima
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/2768377569632609
dc.contributor.referee1.fl_str_mv Martins, Alice Fátima
dc.contributor.referee2.fl_str_mv Dias, Luciene de Oliveira
dc.contributor.referee3.fl_str_mv Ferreira, Glauco Batista
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/1087738339323601
dc.contributor.author.fl_str_mv Alexandre, Alda
contributor_str_mv Martins, Alice Fátima
Martins, Alice Fátima
Dias, Luciene de Oliveira
Ferreira, Glauco Batista
dc.subject.por.fl_str_mv Tangerine
Gênero
Performatividade
Discurso
Práticas educativas
Identidade
topic Tangerine
Gênero
Performatividade
Discurso
Práticas educativas
Identidade
Gender
Performativity
Discourse
Educational practices
Identity
LINGUISTICA, LETRAS E ARTES::ARTES
dc.subject.eng.fl_str_mv Gender
Performativity
Discourse
Educational practices
Identity
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::ARTES
description This paper proposes to discuss, in the perspective of the Queer Studies or Theories and in the context of Visual Culture, how conceptions related to gender are reflected in the discourse of the protagonists of the film Tangerine (USA, 2015) by Sean Baker and also to the notion of what it is to be a woman. This analysis comes from the concept of performativity diffused by Judith Butler as a specific modality of power, which acts as normalizing discourse, and it is reflected, in the field of enunciation, about the constitution of the genre. It is a reflection that was taken from the expression "real woman" used by the characters to refer to a street contestant, a cisgender woman, who appears in the history at first as her antagonist. Throughout this study the autobiography cutout is used as a methodological resource, in search of possible confluences between the experiences of the characters and those of the author in the bias of the discursive practices of gender, whose symbolic construction, in a cultural, social and family system is based on the notion that there are "real women." This analysis also goes through the scope of education, where the performative power of the statement is also guided by the binary notion of gender, contributing to the hypersexualization of female bodies and bodies outside the norm. It is a process that is taken to extremes when subjects who do not fit the shared pattern of heteronormativity are expurgated. The non- formal educational practices that are in the film intersect with the formal practices that have affected the author's experience as a teacher, which in turn are intrinsically related to the notion of identity that constituted her.
publishDate 2019
dc.date.accessioned.fl_str_mv 2019-05-28T12:10:38Z
dc.date.issued.fl_str_mv 2019-04-22
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dc.identifier.citation.fl_str_mv ALEXANDRE, A. Percorrendo Tangerine: discursos e territórios da memória. 2019. 107 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2019.
dc.identifier.uri.fl_str_mv http://repositorio.bc.ufg.br/tede/handle/tede/9648
identifier_str_mv ALEXANDRE, A. Percorrendo Tangerine: discursos e territórios da memória. 2019. 107 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2019.
url http://repositorio.bc.ufg.br/tede/handle/tede/9648
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