Percorrendo Tangerine: discursos e territórios da memória
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFG |
Texto Completo: | http://repositorio.bc.ufg.br/tede/handle/tede/9648 |
Resumo: | This paper proposes to discuss, in the perspective of the Queer Studies or Theories and in the context of Visual Culture, how conceptions related to gender are reflected in the discourse of the protagonists of the film Tangerine (USA, 2015) by Sean Baker and also to the notion of what it is to be a woman. This analysis comes from the concept of performativity diffused by Judith Butler as a specific modality of power, which acts as normalizing discourse, and it is reflected, in the field of enunciation, about the constitution of the genre. It is a reflection that was taken from the expression "real woman" used by the characters to refer to a street contestant, a cisgender woman, who appears in the history at first as her antagonist. Throughout this study the autobiography cutout is used as a methodological resource, in search of possible confluences between the experiences of the characters and those of the author in the bias of the discursive practices of gender, whose symbolic construction, in a cultural, social and family system is based on the notion that there are "real women." This analysis also goes through the scope of education, where the performative power of the statement is also guided by the binary notion of gender, contributing to the hypersexualization of female bodies and bodies outside the norm. It is a process that is taken to extremes when subjects who do not fit the shared pattern of heteronormativity are expurgated. The non- formal educational practices that are in the film intersect with the formal practices that have affected the author's experience as a teacher, which in turn are intrinsically related to the notion of identity that constituted her. |
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Martins, Alice Fátimahttp://lattes.cnpq.br/2768377569632609Martins, Alice FátimaDias, Luciene de OliveiraFerreira, Glauco Batistahttp://lattes.cnpq.br/1087738339323601Alexandre, Alda2019-05-28T12:10:38Z2019-04-22ALEXANDRE, A. Percorrendo Tangerine: discursos e territórios da memória. 2019. 107 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2019.http://repositorio.bc.ufg.br/tede/handle/tede/9648This paper proposes to discuss, in the perspective of the Queer Studies or Theories and in the context of Visual Culture, how conceptions related to gender are reflected in the discourse of the protagonists of the film Tangerine (USA, 2015) by Sean Baker and also to the notion of what it is to be a woman. This analysis comes from the concept of performativity diffused by Judith Butler as a specific modality of power, which acts as normalizing discourse, and it is reflected, in the field of enunciation, about the constitution of the genre. It is a reflection that was taken from the expression "real woman" used by the characters to refer to a street contestant, a cisgender woman, who appears in the history at first as her antagonist. Throughout this study the autobiography cutout is used as a methodological resource, in search of possible confluences between the experiences of the characters and those of the author in the bias of the discursive practices of gender, whose symbolic construction, in a cultural, social and family system is based on the notion that there are "real women." This analysis also goes through the scope of education, where the performative power of the statement is also guided by the binary notion of gender, contributing to the hypersexualization of female bodies and bodies outside the norm. It is a process that is taken to extremes when subjects who do not fit the shared pattern of heteronormativity are expurgated. The non- formal educational practices that are in the film intersect with the formal practices that have affected the author's experience as a teacher, which in turn are intrinsically related to the notion of identity that constituted her.Este trabalho se propõe a discutir, na perspectiva dos Estudos ou Teorias Queer e no contexto da Cultura Visual, de que modo se refletem no discurso das personagens-protagonistas do filme Tangerine (EUA, 2015), realizado por Sean Baker, concepções relacionadas a gênero e também à noção do que é ser mulher. A referida análise se dá a partir do conceito de performatividade, difundido por Judith Butler como uma modalidade específica de poder, que atua como discurso normalizador e se reflete, no campo da enunciação, sobre a constituição do gênero. Trata-se de uma reflexão que foi extraída da expressão “mulher de verdade”, usada pelas personagens para fazer referência a uma concorrente das ruas, mulher cisgênera, que aparece na história, a princípio, como sua antagonista. Ao longo deste estudo, é utilizado o recorte da autobiografia como recurso metodológico, em busca de possíveis confluências entre as vivências das personagens e as da autora no viés das práticas discursivas performadoras de gênero cuja construção simbólica, dentro de um sistema cultural, social, familiar se pauta pela noção de que há “mulheres de verdade”. Essa análise passa também pelo âmbito da educação, onde o poder performativo do enunciado é pautado também pela noção binária de gênero, contribuindo para a hipersexualização de corpos femininos e corpos fora da norma. Trata-se de um processo que é levado a extremos quando sujeitos que não se adequam ao regime compartilhado de heteronormatividade são expurgados. As práticas educacionais não formais que estão no filme se entrecruzam com as práticas formais que afetaram a experiência da autora como professora, as quais, por sua vez, estão intrinsecamente relacionadas com a noção de identidade que a constituiu.Submitted by Ana Caroline Costa (ana_caroline212@hotmail.com) on 2019-05-23T16:54:42Z No. of bitstreams: 2 Dissertação - Alda Alexandre - 2019.pdf: 2082636 bytes, checksum: c2664780b2f92bbf1751bd5176c5b505 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2019-05-28T12:10:38Z (GMT) No. of bitstreams: 2 Dissertação - Alda Alexandre - 2019.pdf: 2082636 bytes, checksum: c2664780b2f92bbf1751bd5176c5b505 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2019-05-28T12:10:38Z (GMT). No. of bitstreams: 2 Dissertação - Alda Alexandre - 2019.pdf: 2082636 bytes, checksum: c2664780b2f92bbf1751bd5176c5b505 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2019-04-22Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEGapplication/pdfporUniversidade Federal de GoiásPrograma de Pós-graduação em Arte e Cultura Visual (FAV)UFGBrasilFaculdade de Artes Visuais - FAV (RG)http://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessTangerineGêneroPerformatividadeDiscursoPráticas educativasIdentidadeGenderPerformativityDiscourseEducational practicesIdentityLINGUISTICA, LETRAS E ARTES::ARTESPercorrendo Tangerine: discursos e territórios da memóriaTouring Tangerine: discourses and territories of memoryinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis5419363139851951878600600600600-58490961587463690968435846416789276096-961409807440757778reponame:Repositório Institucional da UFGinstname:Universidade Federal de Goiás (UFG)instacron:UFGLICENSElicense.txtlicense.txttext/plain; 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dc.title.eng.fl_str_mv |
Percorrendo Tangerine: discursos e territórios da memória |
dc.title.alternative.eng.fl_str_mv |
Touring Tangerine: discourses and territories of memory |
title |
Percorrendo Tangerine: discursos e territórios da memória |
spellingShingle |
Percorrendo Tangerine: discursos e territórios da memória Alexandre, Alda Tangerine Gênero Performatividade Discurso Práticas educativas Identidade Gender Performativity Discourse Educational practices Identity LINGUISTICA, LETRAS E ARTES::ARTES |
title_short |
Percorrendo Tangerine: discursos e territórios da memória |
title_full |
Percorrendo Tangerine: discursos e territórios da memória |
title_fullStr |
Percorrendo Tangerine: discursos e territórios da memória |
title_full_unstemmed |
Percorrendo Tangerine: discursos e territórios da memória |
title_sort |
Percorrendo Tangerine: discursos e territórios da memória |
author |
Alexandre, Alda |
author_facet |
Alexandre, Alda |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Martins, Alice Fátima |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/2768377569632609 |
dc.contributor.referee1.fl_str_mv |
Martins, Alice Fátima |
dc.contributor.referee2.fl_str_mv |
Dias, Luciene de Oliveira |
dc.contributor.referee3.fl_str_mv |
Ferreira, Glauco Batista |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/1087738339323601 |
dc.contributor.author.fl_str_mv |
Alexandre, Alda |
contributor_str_mv |
Martins, Alice Fátima Martins, Alice Fátima Dias, Luciene de Oliveira Ferreira, Glauco Batista |
dc.subject.por.fl_str_mv |
Tangerine Gênero Performatividade Discurso Práticas educativas Identidade |
topic |
Tangerine Gênero Performatividade Discurso Práticas educativas Identidade Gender Performativity Discourse Educational practices Identity LINGUISTICA, LETRAS E ARTES::ARTES |
dc.subject.eng.fl_str_mv |
Gender Performativity Discourse Educational practices Identity |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES |
description |
This paper proposes to discuss, in the perspective of the Queer Studies or Theories and in the context of Visual Culture, how conceptions related to gender are reflected in the discourse of the protagonists of the film Tangerine (USA, 2015) by Sean Baker and also to the notion of what it is to be a woman. This analysis comes from the concept of performativity diffused by Judith Butler as a specific modality of power, which acts as normalizing discourse, and it is reflected, in the field of enunciation, about the constitution of the genre. It is a reflection that was taken from the expression "real woman" used by the characters to refer to a street contestant, a cisgender woman, who appears in the history at first as her antagonist. Throughout this study the autobiography cutout is used as a methodological resource, in search of possible confluences between the experiences of the characters and those of the author in the bias of the discursive practices of gender, whose symbolic construction, in a cultural, social and family system is based on the notion that there are "real women." This analysis also goes through the scope of education, where the performative power of the statement is also guided by the binary notion of gender, contributing to the hypersexualization of female bodies and bodies outside the norm. It is a process that is taken to extremes when subjects who do not fit the shared pattern of heteronormativity are expurgated. The non- formal educational practices that are in the film intersect with the formal practices that have affected the author's experience as a teacher, which in turn are intrinsically related to the notion of identity that constituted her. |
publishDate |
2019 |
dc.date.accessioned.fl_str_mv |
2019-05-28T12:10:38Z |
dc.date.issued.fl_str_mv |
2019-04-22 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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dc.identifier.citation.fl_str_mv |
ALEXANDRE, A. Percorrendo Tangerine: discursos e territórios da memória. 2019. 107 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2019. |
dc.identifier.uri.fl_str_mv |
http://repositorio.bc.ufg.br/tede/handle/tede/9648 |
identifier_str_mv |
ALEXANDRE, A. Percorrendo Tangerine: discursos e territórios da memória. 2019. 107 f. Dissertação (Mestrado em Arte e Cultura Visual) - Universidade Federal de Goiás, Goiânia, 2019. |
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http://repositorio.bc.ufg.br/tede/handle/tede/9648 |
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Universidade Federal de Goiás |
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