Heitor Villa-Lobos: por uma narrativa musical da nação

Detalhes bibliográficos
Autor(a) principal: Specht, Roberta
Data de Publicação: 2017
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Manancial - Repositório Digital da UFSM
Texto Completo: http://repositorio.ufsm.br/handle/1/13080
Resumo: The aim of the dissertation is to understand how Heitor Villa-Lobos (1887-1959) elaborated a musical narrative of the nation through his compositions. Therefore, were selected some works that we consider representative and which are, respectively, part of the Chôros series from the 1920s and the Brazilian Bachian-pieces elaborated between the 1930s and 1940s, besides the material organized by the composer for the teaching of orpheonic singing. Our research problem lies in investigate the ways how the several intellectual, artistic and historiographical contexts from the first half of the 20th century acted on the composer‘s sound thinking. Therefore, some dialogues will be established with the field of musicological research with the intent of formulating a methodological orientation of a dialogical and propositional character that will allows us to evaluate Villa-Lobos‘ work beyond its textual content, although it is not ignored. In this regard, a notion of ―musical texture‖ comes into play. Starting from it, will be possible to demonstrate how the composer sought to represent the ―imagined‖ nation according to its ―soundscapes‖, revealing, at the same time, a one and diverse perspective about the Brazilian identity. The work of Villa-Lobos is equivalent to the sense given by Gilberto Freyre in the expression ―balanced antagonism‖: a permeable, miscegenated music, in which contrasting elements of Brazilian musical culture are superimposed in harmony. At last, include Villa-Lobos in the list of interpreters of Brazil is fundamental to evaluate the scope and the outspread of identity narratives from the intellectual scenario of the first half of 20th century.
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spelling Heitor Villa-Lobos: por uma narrativa musical da naçãoHeitor Villa-Lobos: for a musical narrative of the nationHeitor Villa-LobosNarrativas identitáriasTexturas musicaisPensamento sonoroHeitor Villa-LobosIdentity narrativesMusical texturesSound thinkingCNPQ::CIENCIAS HUMANAS::HISTORIAThe aim of the dissertation is to understand how Heitor Villa-Lobos (1887-1959) elaborated a musical narrative of the nation through his compositions. Therefore, were selected some works that we consider representative and which are, respectively, part of the Chôros series from the 1920s and the Brazilian Bachian-pieces elaborated between the 1930s and 1940s, besides the material organized by the composer for the teaching of orpheonic singing. Our research problem lies in investigate the ways how the several intellectual, artistic and historiographical contexts from the first half of the 20th century acted on the composer‘s sound thinking. Therefore, some dialogues will be established with the field of musicological research with the intent of formulating a methodological orientation of a dialogical and propositional character that will allows us to evaluate Villa-Lobos‘ work beyond its textual content, although it is not ignored. In this regard, a notion of ―musical texture‖ comes into play. Starting from it, will be possible to demonstrate how the composer sought to represent the ―imagined‖ nation according to its ―soundscapes‖, revealing, at the same time, a one and diverse perspective about the Brazilian identity. The work of Villa-Lobos is equivalent to the sense given by Gilberto Freyre in the expression ―balanced antagonism‖: a permeable, miscegenated music, in which contrasting elements of Brazilian musical culture are superimposed in harmony. At last, include Villa-Lobos in the list of interpreters of Brazil is fundamental to evaluate the scope and the outspread of identity narratives from the intellectual scenario of the first half of 20th century.O objetivo da dissertação é compreender como Heitor Villa-Lobos (1887-1959) elaborou uma narrativa musical da nação através de suas composições. Para tanto, foram selecionadas algumas obras que consideramos representativas e que fazem parte, respectivamente, do ciclo de Choros da década de 1920, das Bachianas Brasileiras elaboradas entre as décadas de 1930 e 1940, além do material organizado pelo compositor para o ensino de canto orfeônico. Nosso problema de pesquisa reside em investigar as maneiras como atuaram os diversos contextos intelectuais, artísticos e historiográficos, da primeira metade do século XX, no pensamento sonoro desse compositor. Para tanto, serão estabelecidos alguns diálogos com o campo da pesquisa musicológica, com o intuito de formular uma orientação metodológica de caráter dialógico e propositivo que permitirá avaliar a obra de Villa-Lobos para além do seu conteúdo textual, embora esse não seja ignorado. Nesse sentido, entra em cena a noção de ―textura musical‖. A partir dela, será possível demonstrar como o compositor buscou representar a nação ―imaginada‖ segundo as suas ―paisagens sonoras‖, revelando uma perspectiva, ao mesmo tempo, una e diversa da identidade brasileira. A obra de Villa-Lobos se equivale ao sentido dado por Gilberto Freyre na expressão ―equilíbrio de antagonismos‖: uma música permeável, miscigenada, em que são sobrepostos, em harmonia, elementos contrastantes da cultura musical brasileira. Por fim, incluir Villa-Lobos no quadro de intérpretes do Brasil é fundamental para avaliar a abrangência e os desdobramentos das narrativas identitárias no cenário intelectual da primeira metade do século XX.Universidade Federal de Santa MariaBrasilHistóriaUFSMPrograma de Pós-Graduação em HistóriaCentro de Ciências Sociais e HumanasTomaim, Cássio dos Santoshttp://lattes.cnpq.br/3376343720313755Armani, Carlos Henriquehttp://lattes.cnpq.br/3735821554238929Paranhos, Adalberto de Paulahttp://lattes.cnpq.br/9172103976395213Specht, Roberta2018-04-27T13:06:44Z2018-04-27T13:06:44Z2017-03-16info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://repositorio.ufsm.br/handle/1/13080porAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessreponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSM2018-04-27T13:06:44Zoai:repositorio.ufsm.br:1/13080Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufsm.br/ONGhttps://repositorio.ufsm.br/oai/requestatendimento.sib@ufsm.br||tedebc@gmail.comopendoar:2018-04-27T13:06:44Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv Heitor Villa-Lobos: por uma narrativa musical da nação
Heitor Villa-Lobos: for a musical narrative of the nation
title Heitor Villa-Lobos: por uma narrativa musical da nação
spellingShingle Heitor Villa-Lobos: por uma narrativa musical da nação
Specht, Roberta
Heitor Villa-Lobos
Narrativas identitárias
Texturas musicais
Pensamento sonoro
Heitor Villa-Lobos
Identity narratives
Musical textures
Sound thinking
CNPQ::CIENCIAS HUMANAS::HISTORIA
title_short Heitor Villa-Lobos: por uma narrativa musical da nação
title_full Heitor Villa-Lobos: por uma narrativa musical da nação
title_fullStr Heitor Villa-Lobos: por uma narrativa musical da nação
title_full_unstemmed Heitor Villa-Lobos: por uma narrativa musical da nação
title_sort Heitor Villa-Lobos: por uma narrativa musical da nação
author Specht, Roberta
author_facet Specht, Roberta
author_role author
dc.contributor.none.fl_str_mv Tomaim, Cássio dos Santos
http://lattes.cnpq.br/3376343720313755
Armani, Carlos Henrique
http://lattes.cnpq.br/3735821554238929
Paranhos, Adalberto de Paula
http://lattes.cnpq.br/9172103976395213
dc.contributor.author.fl_str_mv Specht, Roberta
dc.subject.por.fl_str_mv Heitor Villa-Lobos
Narrativas identitárias
Texturas musicais
Pensamento sonoro
Heitor Villa-Lobos
Identity narratives
Musical textures
Sound thinking
CNPQ::CIENCIAS HUMANAS::HISTORIA
topic Heitor Villa-Lobos
Narrativas identitárias
Texturas musicais
Pensamento sonoro
Heitor Villa-Lobos
Identity narratives
Musical textures
Sound thinking
CNPQ::CIENCIAS HUMANAS::HISTORIA
description The aim of the dissertation is to understand how Heitor Villa-Lobos (1887-1959) elaborated a musical narrative of the nation through his compositions. Therefore, were selected some works that we consider representative and which are, respectively, part of the Chôros series from the 1920s and the Brazilian Bachian-pieces elaborated between the 1930s and 1940s, besides the material organized by the composer for the teaching of orpheonic singing. Our research problem lies in investigate the ways how the several intellectual, artistic and historiographical contexts from the first half of the 20th century acted on the composer‘s sound thinking. Therefore, some dialogues will be established with the field of musicological research with the intent of formulating a methodological orientation of a dialogical and propositional character that will allows us to evaluate Villa-Lobos‘ work beyond its textual content, although it is not ignored. In this regard, a notion of ―musical texture‖ comes into play. Starting from it, will be possible to demonstrate how the composer sought to represent the ―imagined‖ nation according to its ―soundscapes‖, revealing, at the same time, a one and diverse perspective about the Brazilian identity. The work of Villa-Lobos is equivalent to the sense given by Gilberto Freyre in the expression ―balanced antagonism‖: a permeable, miscegenated music, in which contrasting elements of Brazilian musical culture are superimposed in harmony. At last, include Villa-Lobos in the list of interpreters of Brazil is fundamental to evaluate the scope and the outspread of identity narratives from the intellectual scenario of the first half of 20th century.
publishDate 2017
dc.date.none.fl_str_mv 2017-03-16
2018-04-27T13:06:44Z
2018-04-27T13:06:44Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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status_str publishedVersion
dc.identifier.uri.fl_str_mv http://repositorio.ufsm.br/handle/1/13080
url http://repositorio.ufsm.br/handle/1/13080
dc.language.iso.fl_str_mv por
language por
dc.rights.driver.fl_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
Brasil
História
UFSM
Programa de Pós-Graduação em História
Centro de Ciências Sociais e Humanas
publisher.none.fl_str_mv Universidade Federal de Santa Maria
Brasil
História
UFSM
Programa de Pós-Graduação em História
Centro de Ciências Sociais e Humanas
dc.source.none.fl_str_mv reponame:Manancial - Repositório Digital da UFSM
instname:Universidade Federal de Santa Maria (UFSM)
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instname_str Universidade Federal de Santa Maria (UFSM)
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institution UFSM
reponame_str Manancial - Repositório Digital da UFSM
collection Manancial - Repositório Digital da UFSM
repository.name.fl_str_mv Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv atendimento.sib@ufsm.br||tedebc@gmail.com
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