Possíveis territorialidades e a produção crítica da arte suturas e sobrejustaposições entre vestes sem corpos e corpos sem vestes
Main Author: | |
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Publication Date: | 2010 |
Format: | Master thesis |
Language: | por |
Source: | Manancial - Repositório Digital da UFSM |
Download full: | http://repositorio.ufsm.br/handle/1/5192 |
Summary: | The present dissertation is in line of research Arts and Culture, it aims at investigating the subjective processes that can occur from the suture and sobrejuxtaposition (understood as instrumental concepts which share the same time the idea of the sobre-juxtaposition and overlapping) images of works by Claudia Casarino (installation, untitled, 2005) bringing clothes without bodies, which I call "corporate dress" and Vanessa Beecroft s (performance, vb45, 2001) proposing bodies without clothes, which I named 'out-of-subject bodies'. To consolidate the process were discussed such images within the concepts of territory and critical production of art to make sense together some of the contemporary theories that graze the question of body, subjectivity and garments - understood here as possible territoriality. To this end, built up over the search a visual diary that brings verbal (written) and visual (drawings and collages) notes that dialogue throughout the text with images of the works in question. The work is divided into three main areas in which we discuss primarily the method and context that protested the job, then the images will be finally considered separately to think about possible sutures and juxtapositions between them. Therefore, in Casarino s they are faced with objects that get animated through our eyes. Shadows and robes dancing, though still in the room where the work is installed and refer to this body-absent. On the other hand, in Beecroft s it can be found bodies that present the possibility of life and movement, are static, apathetic, oddly organized as things. Make up a kind of installation with objects/bodies that generate disappearances are against each other. If the body and, by analogy, the garment can be thought of as regions, we can infer that Casarino s work is the land, but the occupants of the land and perhaps a spectral presence implies that the bodies they have embodied or would embody. In Beecroft s work, their bodies get out of the subjectivity and the extent is presented repeatedly naked, hence dispossessed, believing that such territory discards to make another kind of territory without borders. |
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2017-02-062017-02-062010-04-14MOSSI, Cristian Poletti. POSSIBLE TERRITORIAL AND PRODUCTION OF ART CRITICISM SUTURES AND DRESSED WITH SOBRE-JUXTAPOSITION BETWEEN BODIES AND BODIES WITHOUT CLOTHES. 2010. 80 f. Dissertação (Mestrado em Artes) - Universidade Federal de Santa Maria, Santa Maria, 2010.http://repositorio.ufsm.br/handle/1/5192The present dissertation is in line of research Arts and Culture, it aims at investigating the subjective processes that can occur from the suture and sobrejuxtaposition (understood as instrumental concepts which share the same time the idea of the sobre-juxtaposition and overlapping) images of works by Claudia Casarino (installation, untitled, 2005) bringing clothes without bodies, which I call "corporate dress" and Vanessa Beecroft s (performance, vb45, 2001) proposing bodies without clothes, which I named 'out-of-subject bodies'. To consolidate the process were discussed such images within the concepts of territory and critical production of art to make sense together some of the contemporary theories that graze the question of body, subjectivity and garments - understood here as possible territoriality. To this end, built up over the search a visual diary that brings verbal (written) and visual (drawings and collages) notes that dialogue throughout the text with images of the works in question. The work is divided into three main areas in which we discuss primarily the method and context that protested the job, then the images will be finally considered separately to think about possible sutures and juxtapositions between them. Therefore, in Casarino s they are faced with objects that get animated through our eyes. Shadows and robes dancing, though still in the room where the work is installed and refer to this body-absent. On the other hand, in Beecroft s it can be found bodies that present the possibility of life and movement, are static, apathetic, oddly organized as things. Make up a kind of installation with objects/bodies that generate disappearances are against each other. If the body and, by analogy, the garment can be thought of as regions, we can infer that Casarino s work is the land, but the occupants of the land and perhaps a spectral presence implies that the bodies they have embodied or would embody. In Beecroft s work, their bodies get out of the subjectivity and the extent is presented repeatedly naked, hence dispossessed, believing that such territory discards to make another kind of territory without borders.Esta pesquisa, que se insere na linha de pesquisa Arte e Cultura, tem como objetivo investigar quais os processos de subjetivação que podem ocorrer a partir da sutura e da sobrejustaposição (entendidos enquanto conceitos instrumentais que comungam ao mesmo tempo da idéia da justaposição e da sobreposição) das imagens das obras de Claudia Casarino (instalação, sem título, 2005) trazendo vestes sem corpos, as quais eu chamo de vestes incorporadas e de Vanessa Beecroft (performance, vb45, 2001) propondo corpos sem vestes, as quais eu nomeio de corpos dessubjetivados . Para embasar o processo discutiu-se tais imagens no âmbito dos conceitos de território e produção crítica da arte para produzir sentidos juntamente a algumas das teorias contemporâneas que tangenciam a questão do corpo, da subjetividade e das vestes entendidos aqui como possíveis territorialidades. Para tanto, construiu-se ao longo da pesquisa um diário visual que traz anotações verbais (escritas) e visuais (desenhos e colagens) que dialogam ao longo do texto com as imagens das obras em questão. O trabalho subdivide-se em três grandes eixos, nos quais discute-se primeiramente a metodologia e o contexto que insurge o trabalho, posteriormente as imagens propostas isoladamente para finalmente pensar possíveis suturas e sobrejustaposições entre as mesmas. Em Casarino nos deparamos com objetos instalados que adquirem uma sobre-vida através de nossos olhos. Sombras e vestes que dançam, ainda que estáticas na sala onde a obra está instalada e remetem-se a corpos presente-ausentes. Em Beecroft encontramos corpos que ainda que presentificados, ou com a possibilidade de vida e movimento, estão estáticos, apáticos, estranhamente organizados como coisas. Configuram uma espécie de instalação com objetos/corpos que geram desaparecimentos uns frente aos outros. Se o corpo e, por analogia, a veste podem ser pensados como territórios, podemos inferir que na obra de Casarino há o território, mas não os ocupantes do mesmo e talvez por isso uma presença espectral que subentende os corpos que por eles passaram ou poderão passar. Já no trabalho de Beecroft, os corpos se dessubjetivam na medida em que se apresentam repetidos, nus, portanto desterritorializados, entendendo que tal território se desfaz para formular outro tipo de território sem margens.Coordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfporUniversidade Federal de Santa MariaPrograma de Pós-Graduação em Artes VisuaisUFSMBRArtesTerritórioProdução crítica da arteSubjetividadeCorpoVestePlanningProduction art criticismSubjectivityBodyDressCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESPossíveis territorialidades e a produção crítica da arte suturas e sobrejustaposições entre vestes sem corpos e corpos sem vestesPossible territorial and production of art criticism sutures and dressed with sobre-juxtaposition between bodies and bodies without clothesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisOliveira, Marilda Oliveira dehttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4783298U1Geraldo, Sheila Cabohttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4796051A8Hartmann, Lucianahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4707953Y9http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4269235Z7Mossi, Cristian Poletti800300000006400500500300500567fa4c7-e562-456d-88f0-79d3d23e0c335e1a5394-6664-4047-84de-4c9bf056a88c99225306-88c0-4a1f-9a71-14de896f23bd3b7be698-4da7-4d4a-a777-41c94a97b1aeinfo:eu-repo/semantics/openAccessreponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALMOSSI, CRISTIAN POLETTI.pdfapplication/pdf11571204http://repositorio.ufsm.br/bitstream/1/5192/1/MOSSI%2c%20CRISTIAN%20POLETTI.pdf7eb898bbf12bfdd16299a88124aabeefMD51TEXTMOSSI, CRISTIAN POLETTI.pdf.txtMOSSI, CRISTIAN POLETTI.pdf.txtExtracted texttext/plain132333http://repositorio.ufsm.br/bitstream/1/5192/2/MOSSI%2c%20CRISTIAN%20POLETTI.pdf.txt77fe7236a720fcb78ad0d461a0625b67MD52THUMBNAILMOSSI, CRISTIAN POLETTI.pdf.jpgMOSSI, CRISTIAN POLETTI.pdf.jpgIM Thumbnailimage/jpeg11913http://repositorio.ufsm.br/bitstream/1/5192/3/MOSSI%2c%20CRISTIAN%20POLETTI.pdf.jpgdcc7ad06347294fc8cabbcdf59f8a1e4MD531/51922022-02-21 16:40:41.714oai:repositorio.ufsm.br:1/5192Repositório Institucionalhttp://repositorio.ufsm.br/PUBhttp://repositorio.ufsm.br/oai/requestopendoar:39132022-02-21T19:40:41Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)false |
dc.title.por.fl_str_mv |
Possíveis territorialidades e a produção crítica da arte suturas e sobrejustaposições entre vestes sem corpos e corpos sem vestes |
dc.title.alternative.eng.fl_str_mv |
Possible territorial and production of art criticism sutures and dressed with sobre-juxtaposition between bodies and bodies without clothes |
title |
Possíveis territorialidades e a produção crítica da arte suturas e sobrejustaposições entre vestes sem corpos e corpos sem vestes |
spellingShingle |
Possíveis territorialidades e a produção crítica da arte suturas e sobrejustaposições entre vestes sem corpos e corpos sem vestes Mossi, Cristian Poletti Território Produção crítica da arte Subjetividade Corpo Veste Planning Production art criticism Subjectivity Body Dress CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
title_short |
Possíveis territorialidades e a produção crítica da arte suturas e sobrejustaposições entre vestes sem corpos e corpos sem vestes |
title_full |
Possíveis territorialidades e a produção crítica da arte suturas e sobrejustaposições entre vestes sem corpos e corpos sem vestes |
title_fullStr |
Possíveis territorialidades e a produção crítica da arte suturas e sobrejustaposições entre vestes sem corpos e corpos sem vestes |
title_full_unstemmed |
Possíveis territorialidades e a produção crítica da arte suturas e sobrejustaposições entre vestes sem corpos e corpos sem vestes |
title_sort |
Possíveis territorialidades e a produção crítica da arte suturas e sobrejustaposições entre vestes sem corpos e corpos sem vestes |
author |
Mossi, Cristian Poletti |
author_facet |
Mossi, Cristian Poletti |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Oliveira, Marilda Oliveira de |
dc.contributor.advisor1Lattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4783298U1 |
dc.contributor.referee1.fl_str_mv |
Geraldo, Sheila Cabo |
dc.contributor.referee1Lattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4796051A8 |
dc.contributor.referee2.fl_str_mv |
Hartmann, Luciana |
dc.contributor.referee2Lattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4707953Y9 |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4269235Z7 |
dc.contributor.author.fl_str_mv |
Mossi, Cristian Poletti |
contributor_str_mv |
Oliveira, Marilda Oliveira de Geraldo, Sheila Cabo Hartmann, Luciana |
dc.subject.por.fl_str_mv |
Território Produção crítica da arte Subjetividade Corpo Veste |
topic |
Território Produção crítica da arte Subjetividade Corpo Veste Planning Production art criticism Subjectivity Body Dress CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
dc.subject.eng.fl_str_mv |
Planning Production art criticism Subjectivity Body Dress |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
description |
The present dissertation is in line of research Arts and Culture, it aims at investigating the subjective processes that can occur from the suture and sobrejuxtaposition (understood as instrumental concepts which share the same time the idea of the sobre-juxtaposition and overlapping) images of works by Claudia Casarino (installation, untitled, 2005) bringing clothes without bodies, which I call "corporate dress" and Vanessa Beecroft s (performance, vb45, 2001) proposing bodies without clothes, which I named 'out-of-subject bodies'. To consolidate the process were discussed such images within the concepts of territory and critical production of art to make sense together some of the contemporary theories that graze the question of body, subjectivity and garments - understood here as possible territoriality. To this end, built up over the search a visual diary that brings verbal (written) and visual (drawings and collages) notes that dialogue throughout the text with images of the works in question. The work is divided into three main areas in which we discuss primarily the method and context that protested the job, then the images will be finally considered separately to think about possible sutures and juxtapositions between them. Therefore, in Casarino s they are faced with objects that get animated through our eyes. Shadows and robes dancing, though still in the room where the work is installed and refer to this body-absent. On the other hand, in Beecroft s it can be found bodies that present the possibility of life and movement, are static, apathetic, oddly organized as things. Make up a kind of installation with objects/bodies that generate disappearances are against each other. If the body and, by analogy, the garment can be thought of as regions, we can infer that Casarino s work is the land, but the occupants of the land and perhaps a spectral presence implies that the bodies they have embodied or would embody. In Beecroft s work, their bodies get out of the subjectivity and the extent is presented repeatedly naked, hence dispossessed, believing that such territory discards to make another kind of territory without borders. |
publishDate |
2010 |
dc.date.issued.fl_str_mv |
2010-04-14 |
dc.date.accessioned.fl_str_mv |
2017-02-06 |
dc.date.available.fl_str_mv |
2017-02-06 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
MOSSI, Cristian Poletti. POSSIBLE TERRITORIAL AND PRODUCTION OF ART CRITICISM SUTURES AND DRESSED WITH SOBRE-JUXTAPOSITION BETWEEN BODIES AND BODIES WITHOUT CLOTHES. 2010. 80 f. Dissertação (Mestrado em Artes) - Universidade Federal de Santa Maria, Santa Maria, 2010. |
dc.identifier.uri.fl_str_mv |
http://repositorio.ufsm.br/handle/1/5192 |
identifier_str_mv |
MOSSI, Cristian Poletti. POSSIBLE TERRITORIAL AND PRODUCTION OF ART CRITICISM SUTURES AND DRESSED WITH SOBRE-JUXTAPOSITION BETWEEN BODIES AND BODIES WITHOUT CLOTHES. 2010. 80 f. Dissertação (Mestrado em Artes) - Universidade Federal de Santa Maria, Santa Maria, 2010. |
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http://repositorio.ufsm.br/handle/1/5192 |
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Universidade Federal de Santa Maria |
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