Der ‚caligarische Imperativ'. Schrift und Bild im Stummfilm

Detalhes bibliográficos
Autor(a) principal: Beil, Ulrich Johannes
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: deu
Título da fonte: Pandaemonium Germanicum (Online)
Texto Completo: https://www.revistas.usp.br/pg/article/view/48013
Resumo: Against the background of the Ut-pictura-poesis-discussion and the crisis of language at the beginning of the twentieth century, the article shows that silent movies used to integrate letters and writing not only for the obligatory title cards, but also, in a wider sense, as so called 'inserts': notes, letters, telegrams, certificates, testaments, etc.. The article analyses movies such as Der Golem, wie er in die Welt kam (1920), Nosferatu (1922), Dr. Mabuse, der Spieler (1922), Das Wachsfigurenkabinett (1923/24) and above all Robert Wienes' Das Cabinet des Dr. Caligari (1920) as examples of a complex and multfaceted mode of relation between picture and writing in the German Cinema of the Republic of Weimar. The famous order You must become Caligari in Wienes' film can be read as a hybrid formula, mixing as well the hypnotic imperative, the rhetoric of persuasion, the language of commercials, combining different discursive energies (medical, political, psychological, economical) of the time.
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spelling Der ‚caligarische Imperativ'. Schrift und Bild im Stummfilmsilent movieut-pictura-poesispicturewritingDas Cabinet des Dr. CaligariStummfilmUt-pictura-poesisBildSchriftDas Cabinet des Dr. CaligariAgainst the background of the Ut-pictura-poesis-discussion and the crisis of language at the beginning of the twentieth century, the article shows that silent movies used to integrate letters and writing not only for the obligatory title cards, but also, in a wider sense, as so called 'inserts': notes, letters, telegrams, certificates, testaments, etc.. The article analyses movies such as Der Golem, wie er in die Welt kam (1920), Nosferatu (1922), Dr. Mabuse, der Spieler (1922), Das Wachsfigurenkabinett (1923/24) and above all Robert Wienes' Das Cabinet des Dr. Caligari (1920) as examples of a complex and multfaceted mode of relation between picture and writing in the German Cinema of the Republic of Weimar. The famous order You must become Caligari in Wienes' film can be read as a hybrid formula, mixing as well the hypnotic imperative, the rhetoric of persuasion, the language of commercials, combining different discursive energies (medical, political, psychological, economical) of the time.Das Thema stellt sich nicht nur im Blick auf die vom Medium Stummfilm geforderten Zwischentitel, sondern auch im weiteren Sinne. Seine Spannbreite reicht von den sogenannten ‚Inserts', konkreten in der Filmhandlung auftauchenden schriftlichen Dokumenten, bis hin zu literarischen Referenzen und Motivkonstellationen. All dies zeigt, dass das frühe Kino als das ‚neuere' Medium fortwährend auf das ‚ältere', die Schriftkultur, Bezug nimmt, es zitiert und auratisiert, sich ebenso von ihm absetzt wie von ihm herleitet.Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas2009-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/pg/article/view/4801310.1590/S1982-88372009000100002Pandaemonium Germanicum; n. 14 (2009); 1-141982-88371414-1906reponame:Pandaemonium Germanicum (Online)instname:Universidade de São Paulo (USP)instacron:USPdeuhttps://www.revistas.usp.br/pg/article/view/48013/51766Copyright (c) 2018 Pandaemonium Germanicuminfo:eu-repo/semantics/openAccessBeil, Ulrich Johannes2016-04-15T12:30:01Zoai:revistas.usp.br:article/48013Revistahttp://www.scielo.br/pgPUBhttps://old.scielo.br/oai/scielo-oai.php||pandaemonium@usp.br1982-88371414-1906opendoar:2023-09-13T11:52:36.060830Pandaemonium Germanicum (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv Der ‚caligarische Imperativ'. Schrift und Bild im Stummfilm
title Der ‚caligarische Imperativ'. Schrift und Bild im Stummfilm
spellingShingle Der ‚caligarische Imperativ'. Schrift und Bild im Stummfilm
Beil, Ulrich Johannes
silent movie
ut-pictura-poesis
picture
writing
Das Cabinet des Dr. Caligari
Stummfilm
Ut-pictura-poesis
Bild
Schrift
Das Cabinet des Dr. Caligari
title_short Der ‚caligarische Imperativ'. Schrift und Bild im Stummfilm
title_full Der ‚caligarische Imperativ'. Schrift und Bild im Stummfilm
title_fullStr Der ‚caligarische Imperativ'. Schrift und Bild im Stummfilm
title_full_unstemmed Der ‚caligarische Imperativ'. Schrift und Bild im Stummfilm
title_sort Der ‚caligarische Imperativ'. Schrift und Bild im Stummfilm
author Beil, Ulrich Johannes
author_facet Beil, Ulrich Johannes
author_role author
dc.contributor.author.fl_str_mv Beil, Ulrich Johannes
dc.subject.por.fl_str_mv silent movie
ut-pictura-poesis
picture
writing
Das Cabinet des Dr. Caligari
Stummfilm
Ut-pictura-poesis
Bild
Schrift
Das Cabinet des Dr. Caligari
topic silent movie
ut-pictura-poesis
picture
writing
Das Cabinet des Dr. Caligari
Stummfilm
Ut-pictura-poesis
Bild
Schrift
Das Cabinet des Dr. Caligari
description Against the background of the Ut-pictura-poesis-discussion and the crisis of language at the beginning of the twentieth century, the article shows that silent movies used to integrate letters and writing not only for the obligatory title cards, but also, in a wider sense, as so called 'inserts': notes, letters, telegrams, certificates, testaments, etc.. The article analyses movies such as Der Golem, wie er in die Welt kam (1920), Nosferatu (1922), Dr. Mabuse, der Spieler (1922), Das Wachsfigurenkabinett (1923/24) and above all Robert Wienes' Das Cabinet des Dr. Caligari (1920) as examples of a complex and multfaceted mode of relation between picture and writing in the German Cinema of the Republic of Weimar. The famous order You must become Caligari in Wienes' film can be read as a hybrid formula, mixing as well the hypnotic imperative, the rhetoric of persuasion, the language of commercials, combining different discursive energies (medical, political, psychological, economical) of the time.
publishDate 2009
dc.date.none.fl_str_mv 2009-12-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/pg/article/view/48013
10.1590/S1982-88372009000100002
url https://www.revistas.usp.br/pg/article/view/48013
identifier_str_mv 10.1590/S1982-88372009000100002
dc.language.iso.fl_str_mv deu
language deu
dc.relation.none.fl_str_mv https://www.revistas.usp.br/pg/article/view/48013/51766
dc.rights.driver.fl_str_mv Copyright (c) 2018 Pandaemonium Germanicum
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Pandaemonium Germanicum
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
publisher.none.fl_str_mv Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas
dc.source.none.fl_str_mv Pandaemonium Germanicum; n. 14 (2009); 1-14
1982-8837
1414-1906
reponame:Pandaemonium Germanicum (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Pandaemonium Germanicum (Online)
collection Pandaemonium Germanicum (Online)
repository.name.fl_str_mv Pandaemonium Germanicum (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv ||pandaemonium@usp.br
_version_ 1787713387337089024

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