Joaquín Edwards Bello: “I swallowed the revolution with all my heart”
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Publication Date: | 2022 |
Format: | Article |
Language: | spa |
Source: | Caracol (São Paulo. Online) |
Download full: | https://www.revistas.usp.br/caracol/article/view/185058 |
Summary: | In the wake of the first World War, art rejected political and social values. This subversion of all authority gave many art scenes a uniquely anarchistic tone which is exhibited in their artwork. Edwards Bello scene is the Revolt of the Lash, a naval mutiny he witnessed in Rio de Janeiro (1910). |
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Joaquín Edwards Bello: “I swallowed the revolution with all my heart”Joaquín Edwards Bello: “Yo me comí la revolución con todos mis sentidos”AnarchismDadaismJournalismAnarquismoDadaísmoPeriodismoIn the wake of the first World War, art rejected political and social values. This subversion of all authority gave many art scenes a uniquely anarchistic tone which is exhibited in their artwork. Edwards Bello scene is the Revolt of the Lash, a naval mutiny he witnessed in Rio de Janeiro (1910).En vísperas de la Primera Guerra Mundial, el arte impugnó valores políticos y sociales. Esa subversión de cualquier autoridad otorgó a muchas escenas artísticas un tono dominantemente anarquista que se manifiesta en cada obra. La escena de Edwards Bello es la Revuelta del Latigazo, un motín naval que él presenció en Rio de Janeiro (1910).Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas2022-03-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/xmlhttps://www.revistas.usp.br/caracol/article/view/18505810.11606/issn.2317-9651.i23p186-224Caracol; Núm. 23 (2022): (ene-jun 2022) Dossier: Cultura e Política nas relações Brasil-Chile/Chile-Brasil; 186-224Caracol; n. 23 (2022): (jan-jun 2022) Dossiê: Cultura e Política nas relações Brasil-Chile/Chile-Brasil; 186-2242317-96512178-1702reponame:Caracol (São Paulo. Online)instname:Universidade de São Paulo (USP)instacron:USPspahttps://www.revistas.usp.br/caracol/article/view/185058/180552https://www.revistas.usp.br/caracol/article/view/185058/188922Copyright (c) 2022 Raúl Antelohttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessAntelo, Raúl2022-03-09T03:23:34Zoai:revistas.usp.br:article/185058Revistahttp://www.revistas.usp.br/caracol/indexPUBhttp://www.revistas.usp.br/caracol/oairevista.caracol@usp.br||2317-96512178-1702opendoar:2022-03-09T03:23:34Caracol (São Paulo. Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
Joaquín Edwards Bello: “I swallowed the revolution with all my heart” Joaquín Edwards Bello: “Yo me comí la revolución con todos mis sentidos” |
title |
Joaquín Edwards Bello: “I swallowed the revolution with all my heart” |
spellingShingle |
Joaquín Edwards Bello: “I swallowed the revolution with all my heart” Antelo, Raúl Anarchism Dadaism Journalism Anarquismo Dadaísmo Periodismo |
title_short |
Joaquín Edwards Bello: “I swallowed the revolution with all my heart” |
title_full |
Joaquín Edwards Bello: “I swallowed the revolution with all my heart” |
title_fullStr |
Joaquín Edwards Bello: “I swallowed the revolution with all my heart” |
title_full_unstemmed |
Joaquín Edwards Bello: “I swallowed the revolution with all my heart” |
title_sort |
Joaquín Edwards Bello: “I swallowed the revolution with all my heart” |
author |
Antelo, Raúl |
author_facet |
Antelo, Raúl |
author_role |
author |
dc.contributor.author.fl_str_mv |
Antelo, Raúl |
dc.subject.por.fl_str_mv |
Anarchism Dadaism Journalism Anarquismo Dadaísmo Periodismo |
topic |
Anarchism Dadaism Journalism Anarquismo Dadaísmo Periodismo |
description |
In the wake of the first World War, art rejected political and social values. This subversion of all authority gave many art scenes a uniquely anarchistic tone which is exhibited in their artwork. Edwards Bello scene is the Revolt of the Lash, a naval mutiny he witnessed in Rio de Janeiro (1910). |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-03-08 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/caracol/article/view/185058 10.11606/issn.2317-9651.i23p186-224 |
url |
https://www.revistas.usp.br/caracol/article/view/185058 |
identifier_str_mv |
10.11606/issn.2317-9651.i23p186-224 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/caracol/article/view/185058/180552 https://www.revistas.usp.br/caracol/article/view/185058/188922 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Raúl Antelo http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Raúl Antelo http://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/xml |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
dc.source.none.fl_str_mv |
Caracol; Núm. 23 (2022): (ene-jun 2022) Dossier: Cultura e Política nas relações Brasil-Chile/Chile-Brasil; 186-224 Caracol; n. 23 (2022): (jan-jun 2022) Dossiê: Cultura e Política nas relações Brasil-Chile/Chile-Brasil; 186-224 2317-9651 2178-1702 reponame:Caracol (São Paulo. Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
Caracol (São Paulo. Online) |
collection |
Caracol (São Paulo. Online) |
repository.name.fl_str_mv |
Caracol (São Paulo. Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
revista.caracol@usp.br|| |
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1797231606864281600 |