Dzi Croquettes: fashion clothing scene costumes
Autor(a) principal: | |
---|---|
Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista dObra[s] |
Texto Completo: | https://dobras.emnuvens.com.br/dobras/article/view/1341 |
Resumo: | Dzi Croquettes costumes in the fashion clothing scene, has as its central theme the pieces of clothing worn by dancers and actors of the Dzi Croquettes group, from the 1970s in Brazil, to create the atmosphere that generated the entire discussion of gender through the fusion of men’s and women’s clothing, which mixed delicate fabrics with fur and beards. The concepts of costumes and clothes were revisited to demonstrate how the group moved every day or current fashion pieces to build their costumes. According to Fausto Viana (2017) and Rita Bustamante (2008), costumes are specific garments for representation on stage, creating characters and a text through aesthetics. This thesis, however, is in line with the thinking of semiologist Lucia Santaella (2004; 2008) and fashion researcher Carlos Gardin (2008), who conceive that everyday clothing, or a piece extracted from fashion, also has a language non-verbal, translating an idea for the wearer and the viewer, bringing the costume closer to the clothing. Following this principle, during this article the concepts of clothing and costumes will be used as synonyms to analyze the clothing of the members of the Dzi Croquettes group. |
id |
ABEPEM-2_57e0ba1ec54cc5fa0049f2f4e18d6abb |
---|---|
oai_identifier_str |
oai:ojs.dobras.emnuvens.com.br:article/1341 |
network_acronym_str |
ABEPEM-2 |
network_name_str |
Revista dObra[s] |
repository_id_str |
|
spelling |
Dzi Croquettes: fashion clothing scene costumesDzi Croquettes: trajes em cena roupas da modaFashionCostumeDzi CroquettesGenderModaTrajeDzi CroquettesGêneroDzi Croquettes costumes in the fashion clothing scene, has as its central theme the pieces of clothing worn by dancers and actors of the Dzi Croquettes group, from the 1970s in Brazil, to create the atmosphere that generated the entire discussion of gender through the fusion of men’s and women’s clothing, which mixed delicate fabrics with fur and beards. The concepts of costumes and clothes were revisited to demonstrate how the group moved every day or current fashion pieces to build their costumes. According to Fausto Viana (2017) and Rita Bustamante (2008), costumes are specific garments for representation on stage, creating characters and a text through aesthetics. This thesis, however, is in line with the thinking of semiologist Lucia Santaella (2004; 2008) and fashion researcher Carlos Gardin (2008), who conceive that everyday clothing, or a piece extracted from fashion, also has a language non-verbal, translating an idea for the wearer and the viewer, bringing the costume closer to the clothing. Following this principle, during this article the concepts of clothing and costumes will be used as synonyms to analyze the clothing of the members of the Dzi Croquettes group.Dzi Croquettes: roupas da moda, trajes em cena tem como tema central as peças de roupa usadas pelos dançarinos e atores do grupo Dzi Croquettes, da década de 1970 no Brasil, a fim de criar a atmosfera que provocou a discussão de gênero por meio da fusão do vestuário feminino com o masculino, na qual mesclou-se tecidos delicados com pelos e barbas. Os conceitos de figurino e roupa foram revisitados para demonstrar como o grupo utilizou peças do cotidiano ou da moda vigente para a construção do seu figurino. Segundo Fausto Viana (2017) e Rita Bustamante (2008), o figurino são vestimentas específicas para a representação no palco, que criam personagens e um texto por meio da estética. Essa tese está em consonância com o pensamento da semióloga Lucia Santaella (2004; 2008) e do pesquisador de moda Carlos Gardin (2008), que concebem que a roupa cotidiana, ou uma peça extraída da moda, também apresenta uma linguagem não verbal, traduzindo uma ideia para quem a veste e para quem a visualiza, aproximando o figurino do vestuário. Seguindo esse princípio, neste artigo, os conceitos de roupa e de figurino serão utilizados como sinônimos para analisar o vestuário dos integrantes do Dzi Croquettes.Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2022-07-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/134110.26563/dobras.i35.1341dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 35 (2022); 149-1692358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMporhttps://dobras.emnuvens.com.br/dobras/article/view/1341/760Copyright (c) 2022 Flavia Jakemiu Araujo Bortolonhttps://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccessBortolon, Flavia Jakemiu Araujo2022-07-29T16:47:03Zoai:ojs.dobras.emnuvens.com.br:article/1341Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2023-01-12T16:05:45.628156Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)true |
dc.title.none.fl_str_mv |
Dzi Croquettes: fashion clothing scene costumes Dzi Croquettes: trajes em cena roupas da moda |
title |
Dzi Croquettes: fashion clothing scene costumes |
spellingShingle |
Dzi Croquettes: fashion clothing scene costumes Bortolon, Flavia Jakemiu Araujo Fashion Costume Dzi Croquettes Gender Moda Traje Dzi Croquettes Gênero |
title_short |
Dzi Croquettes: fashion clothing scene costumes |
title_full |
Dzi Croquettes: fashion clothing scene costumes |
title_fullStr |
Dzi Croquettes: fashion clothing scene costumes |
title_full_unstemmed |
Dzi Croquettes: fashion clothing scene costumes |
title_sort |
Dzi Croquettes: fashion clothing scene costumes |
author |
Bortolon, Flavia Jakemiu Araujo |
author_facet |
Bortolon, Flavia Jakemiu Araujo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Bortolon, Flavia Jakemiu Araujo |
dc.subject.por.fl_str_mv |
Fashion Costume Dzi Croquettes Gender Moda Traje Dzi Croquettes Gênero |
topic |
Fashion Costume Dzi Croquettes Gender Moda Traje Dzi Croquettes Gênero |
description |
Dzi Croquettes costumes in the fashion clothing scene, has as its central theme the pieces of clothing worn by dancers and actors of the Dzi Croquettes group, from the 1970s in Brazil, to create the atmosphere that generated the entire discussion of gender through the fusion of men’s and women’s clothing, which mixed delicate fabrics with fur and beards. The concepts of costumes and clothes were revisited to demonstrate how the group moved every day or current fashion pieces to build their costumes. According to Fausto Viana (2017) and Rita Bustamante (2008), costumes are specific garments for representation on stage, creating characters and a text through aesthetics. This thesis, however, is in line with the thinking of semiologist Lucia Santaella (2004; 2008) and fashion researcher Carlos Gardin (2008), who conceive that everyday clothing, or a piece extracted from fashion, also has a language non-verbal, translating an idea for the wearer and the viewer, bringing the costume closer to the clothing. Following this principle, during this article the concepts of clothing and costumes will be used as synonyms to analyze the clothing of the members of the Dzi Croquettes group. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-07-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1341 10.26563/dobras.i35.1341 |
url |
https://dobras.emnuvens.com.br/dobras/article/view/1341 |
identifier_str_mv |
10.26563/dobras.i35.1341 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1341/760 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Flavia Jakemiu Araujo Bortolon https://creativecommons.org/licenses/by-nc-sa/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Flavia Jakemiu Araujo Bortolon https://creativecommons.org/licenses/by-nc-sa/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
dc.source.none.fl_str_mv |
dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 35 (2022); 149-169 2358-0003 1982-0313 reponame:Revista dObra[s] instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) instacron:ABEPEM |
instname_str |
Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
instacron_str |
ABEPEM |
institution |
ABEPEM |
reponame_str |
Revista dObra[s] |
collection |
Revista dObra[s] |
repository.name.fl_str_mv |
Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
repository.mail.fl_str_mv |
dobras.abepem@gmail.com |
_version_ |
1797054041961791488 |