Creative practices and improvisation: proposals for teacher of music education

Detalhes bibliográficos
Autor(a) principal: Lopes, Fabricio de Oliveira
Data de Publicação: 2022
Outros Autores: Silva, Jefferson Tiago de Souza Mendes da
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.37334/eras.v13i1.236
Resumo: This article is narrated of the experiences in a degree in music and in the process developed by the Course in the construction of a critical teacher. The Course offers several disciplines, but there are absences of creative practices throughout the formation, with them there would be greater independence from teachers in their teaching-learning process, possibilities of increasing pedagogical repertoires and would escape the traditional teaching used. According to Bailey (1993), Berliner (1994), Swanwick (2008), Albino (2009) and Lino & Dorneles (2019) creative practices can be tools in the development of the learner, expanding criticality and their imaginative intelligence during musical cognitive development, practices that would contribute significantly for a more qualified training of undergraduates. It is proposed to create disciplines that are based on musical improvisation with the aim of inserting content on the theme of creative practices and improvisation and thus supply some deficits in teacher training.
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spelling Creative practices and improvisation: proposals for teacher of music educationPRÁTICAS CRIATIVAS E IMPROVISAÇÃO: PROPOSTAS PARA FORMAÇÃO DE PROFESSORES DE MÚSICAPrática criativaImprovisação musicalFormação docenteMúsica UFRRCreative practiceMusical improvisationTeacher formationUFRR MusicThis article is narrated of the experiences in a degree in music and in the process developed by the Course in the construction of a critical teacher. The Course offers several disciplines, but there are absences of creative practices throughout the formation, with them there would be greater independence from teachers in their teaching-learning process, possibilities of increasing pedagogical repertoires and would escape the traditional teaching used. According to Bailey (1993), Berliner (1994), Swanwick (2008), Albino (2009) and Lino & Dorneles (2019) creative practices can be tools in the development of the learner, expanding criticality and their imaginative intelligence during musical cognitive development, practices that would contribute significantly for a more qualified training of undergraduates. It is proposed to create disciplines that are based on musical improvisation with the aim of inserting content on the theme of creative practices and improvisation and thus supply some deficits in teacher training.Este artigo é um relato das experiências em uma licenciatura em música e no processo de desenvolvido pelo Curso na construção de um professor crítico. O Curso oferta diversas disciplinas, mas há ausências de práticas criativas ao longo da formação, com elas haveria maior independência do licenciandos no seu processo de ensino-aprendizagem, possibilidades de aumento dos repertórios pedagógicos e escaparia do tradicional ensino utilizado. Segundo Bailey (1993), Berliner (1994), Swanwick (2008), Albino (2009) e Lino & Dorneles (2019) as práticas criativas podem ser ferramentas no desenvolvimento do aprendiz, ampliando a criticidade e sua inteligência imaginativa durante o desenvolvimento cognitivo musical, práticas que presentes contribuiriam de maneira significativa para uma formação mais qualificada dos licenciandos. Propõe-se a criação de disciplinas que tenham como base a improvisação musical com o objetivo de inserir conteúdos sobre a temática das práticas criativas e da improvisação e assim suprir alguns déficits da formação docente.MUNDIS2022-08-23info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfapplication/pdfhttps://doi.org/10.37334/eras.v13i1.236https://doi.org/10.37334/eras.v13i1.236ERAS | Revista Europeia de Estudos Artísticos ; Vol. 13 N.º 1 (2022): 48.ª Edição | ERAS; 37-501647-35582184-2116reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporenghttps://eras.mundis.pt/index.php/eras/article/view/236https://eras.mundis.pt/index.php/eras/article/view/236/199https://eras.mundis.pt/index.php/eras/article/view/236/214Direitos de Autor (c) 2022 ERAS | Revista Europeia de Estudos Artísticosinfo:eu-repo/semantics/openAccessLopes, Fabricio de OliveiraSilva, Jefferson Tiago de Souza Mendes da2022-12-30T12:45:27Zoai:ojs2.eras.mundis.pt:article/236Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:10:52.858382Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Creative practices and improvisation: proposals for teacher of music education
PRÁTICAS CRIATIVAS E IMPROVISAÇÃO: PROPOSTAS PARA FORMAÇÃO DE PROFESSORES DE MÚSICA
title Creative practices and improvisation: proposals for teacher of music education
spellingShingle Creative practices and improvisation: proposals for teacher of music education
Lopes, Fabricio de Oliveira
Prática criativa
Improvisação musical
Formação docente
Música UFRR
Creative practice
Musical improvisation
Teacher formation
UFRR Music
title_short Creative practices and improvisation: proposals for teacher of music education
title_full Creative practices and improvisation: proposals for teacher of music education
title_fullStr Creative practices and improvisation: proposals for teacher of music education
title_full_unstemmed Creative practices and improvisation: proposals for teacher of music education
title_sort Creative practices and improvisation: proposals for teacher of music education
author Lopes, Fabricio de Oliveira
author_facet Lopes, Fabricio de Oliveira
Silva, Jefferson Tiago de Souza Mendes da
author_role author
author2 Silva, Jefferson Tiago de Souza Mendes da
author2_role author
dc.contributor.author.fl_str_mv Lopes, Fabricio de Oliveira
Silva, Jefferson Tiago de Souza Mendes da
dc.subject.por.fl_str_mv Prática criativa
Improvisação musical
Formação docente
Música UFRR
Creative practice
Musical improvisation
Teacher formation
UFRR Music
topic Prática criativa
Improvisação musical
Formação docente
Música UFRR
Creative practice
Musical improvisation
Teacher formation
UFRR Music
description This article is narrated of the experiences in a degree in music and in the process developed by the Course in the construction of a critical teacher. The Course offers several disciplines, but there are absences of creative practices throughout the formation, with them there would be greater independence from teachers in their teaching-learning process, possibilities of increasing pedagogical repertoires and would escape the traditional teaching used. According to Bailey (1993), Berliner (1994), Swanwick (2008), Albino (2009) and Lino & Dorneles (2019) creative practices can be tools in the development of the learner, expanding criticality and their imaginative intelligence during musical cognitive development, practices that would contribute significantly for a more qualified training of undergraduates. It is proposed to create disciplines that are based on musical improvisation with the aim of inserting content on the theme of creative practices and improvisation and thus supply some deficits in teacher training.
publishDate 2022
dc.date.none.fl_str_mv 2022-08-23
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv https://doi.org/10.37334/eras.v13i1.236
https://doi.org/10.37334/eras.v13i1.236
url https://doi.org/10.37334/eras.v13i1.236
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://eras.mundis.pt/index.php/eras/article/view/236
https://eras.mundis.pt/index.php/eras/article/view/236/199
https://eras.mundis.pt/index.php/eras/article/view/236/214
dc.rights.driver.fl_str_mv Direitos de Autor (c) 2022 ERAS | Revista Europeia de Estudos Artísticos
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos de Autor (c) 2022 ERAS | Revista Europeia de Estudos Artísticos
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv MUNDIS
publisher.none.fl_str_mv MUNDIS
dc.source.none.fl_str_mv ERAS | Revista Europeia de Estudos Artísticos ; Vol. 13 N.º 1 (2022): 48.ª Edição | ERAS; 37-50
1647-3558
2184-2116
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