Material and technical study of Diogo Teixeira’s paintings support from the Monastery of Arouca

Detalhes bibliográficos
Autor(a) principal: Sousa, Maria João
Data de Publicação: 2014
Outros Autores: Cruz, António João, Calvo, Ana
Tipo de documento: Artigo
Idioma: por
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.34618/ecr.6.7523
Resumo: The altarpiece painted by Diogo Teixeira to the Arouca Monestery is composed by the panels Ascension of Christ; Incredulity of St. Thomas; Pentecost; Eternal Father; San Sebastian, Santa Lucia and Santa Barbara; Santa Scholastica, Santa Euphemia and San Maurus. The analysis of the panels support follows the investigation of the techniques and materials present in the work of this painter and was developed with direct observation (with different kinds of illumination), photography with visible radiation, radiography and portable optical microscope. This study supports the identification of the technical execution of the wooden panels and also the restorations that were made throughout its history.
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spelling Material and technical study of Diogo Teixeira’s paintings support from the Monastery of AroucaEstudio técnico y material del suporte de las pinturas de Diogo Teixeira realizadas para el Monasterio de AroucaEstudo técnico e material do suporte das pinturas de Diogo Teixeira realizadas para o Mosteiro de AroucaThe altarpiece painted by Diogo Teixeira to the Arouca Monestery is composed by the panels Ascension of Christ; Incredulity of St. Thomas; Pentecost; Eternal Father; San Sebastian, Santa Lucia and Santa Barbara; Santa Scholastica, Santa Euphemia and San Maurus. The analysis of the panels support follows the investigation of the techniques and materials present in the work of this painter and was developed with direct observation (with different kinds of illumination), photography with visible radiation, radiography and portable optical microscope. This study supports the identification of the technical execution of the wooden panels and also the restorations that were made throughout its history.El retablo pintado por Diogo Teixeira para el Monasterio de Arouca se compone de los paneles de la Ascensión de Cristo; Incredulidad de Santo Tomás; Pentecostés; Padre Eterno; San Sebastián, Santa Lucía y Santa Bárbara; Santa Escolástica, Santa Eufemia y San Mauro. El análisis del soporte de estas pinturas constituye una parte de la investigación sobre las técnicas y los materiales presentes en la obra de este pintor y se ha llevado a cabo mediante la observación a simple vista (usando diferentes condiciones de iluminación), fotografía de radiación visible y radiografía. Se utilizó puntualmente un microscopio óptico portátil. Este estudio ayudó a identificar la técnica de ejecución de los paneles así como las intervenciones de conservación y restauración que se habían realizado a lo largo de su historia.O conjunto retabular pintado por Diogo Teixeira para o Mosteiro de Arouca é composto pelos painéis Ascensão de Cristo; Incredulidade de São Tomé; Pentecostes; Padre Eterno; São Sebastião, Santa Luzia e Santa Bárbara; Santa Escolástica, Santa Eufémia e São Mauro. A análise do suporte destas pinturas surge no seguimento da investigação acerca das técnicas e materiais presentes na obra do pintor e desenvolveu‑se através da observação à vista desarmada (usando diferentes condições de iluminação), da fotografia de radiação visível e da radiografia. Pontualmente foi utilizado o microscópio ótico portátil. Este estudo permitiu conhecer as técnicas de execução dos painéis e identificar intervenções de conservação e restauro de que foram alvo ao longo da sua história.Universidade Católica Portuguesa2014-01-01T00:00:00Zjournal articleinfo:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://doi.org/10.34618/ecr.6.7523oai:ojs.revistas.ucp.pt:article/7902Estudos de Conservação e Restauro; No 6 (2014); 38-59Estudos de Conservação e Restauro; n. 6 (2014); 38-591647-209810.34618/ecr.6.7562reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAPporhttps://revistas.ucp.pt/index.php/ecr/article/view/7902https://doi.org/10.34618/ecr.6.7523https://revistas.ucp.pt/index.php/ecr/article/view/7902/8056Copyright (c) 2014 Maria João Sousa, António João Cruz, Ana Calvohttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessSousa, Maria JoãoCruz, António JoãoCalvo, Ana2022-09-22T10:29:11ZPortal AgregadorONG
dc.title.none.fl_str_mv Material and technical study of Diogo Teixeira’s paintings support from the Monastery of Arouca
Estudio técnico y material del suporte de las pinturas de Diogo Teixeira realizadas para el Monasterio de Arouca
Estudo técnico e material do suporte das pinturas de Diogo Teixeira realizadas para o Mosteiro de Arouca
title Material and technical study of Diogo Teixeira’s paintings support from the Monastery of Arouca
spellingShingle Material and technical study of Diogo Teixeira’s paintings support from the Monastery of Arouca
Sousa, Maria João
title_short Material and technical study of Diogo Teixeira’s paintings support from the Monastery of Arouca
title_full Material and technical study of Diogo Teixeira’s paintings support from the Monastery of Arouca
title_fullStr Material and technical study of Diogo Teixeira’s paintings support from the Monastery of Arouca
title_full_unstemmed Material and technical study of Diogo Teixeira’s paintings support from the Monastery of Arouca
title_sort Material and technical study of Diogo Teixeira’s paintings support from the Monastery of Arouca
author Sousa, Maria João
author_facet Sousa, Maria João
Cruz, António João
Calvo, Ana
author_role author
author2 Cruz, António João
Calvo, Ana
author2_role author
author
dc.contributor.author.fl_str_mv Sousa, Maria João
Cruz, António João
Calvo, Ana
description The altarpiece painted by Diogo Teixeira to the Arouca Monestery is composed by the panels Ascension of Christ; Incredulity of St. Thomas; Pentecost; Eternal Father; San Sebastian, Santa Lucia and Santa Barbara; Santa Scholastica, Santa Euphemia and San Maurus. The analysis of the panels support follows the investigation of the techniques and materials present in the work of this painter and was developed with direct observation (with different kinds of illumination), photography with visible radiation, radiography and portable optical microscope. This study supports the identification of the technical execution of the wooden panels and also the restorations that were made throughout its history.
publishDate 2014
dc.date.none.fl_str_mv 2014-01-01T00:00:00Z
dc.type.driver.fl_str_mv journal article
info:eu-repo/semantics/article
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.34618/ecr.6.7523
oai:ojs.revistas.ucp.pt:article/7902
url https://doi.org/10.34618/ecr.6.7523
identifier_str_mv oai:ojs.revistas.ucp.pt:article/7902
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.ucp.pt/index.php/ecr/article/view/7902
https://doi.org/10.34618/ecr.6.7523
https://revistas.ucp.pt/index.php/ecr/article/view/7902/8056
dc.rights.driver.fl_str_mv Copyright (c) 2014 Maria João Sousa, António João Cruz, Ana Calvo
http://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2014 Maria João Sousa, António João Cruz, Ana Calvo
http://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Católica Portuguesa
publisher.none.fl_str_mv Universidade Católica Portuguesa
dc.source.none.fl_str_mv Estudos de Conservação e Restauro; No 6 (2014); 38-59
Estudos de Conservação e Restauro; n. 6 (2014); 38-59
1647-2098
10.34618/ecr.6.7562
reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
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