Enlarged paintings: a proposal for classification

Detalhes bibliográficos
Autor(a) principal: López Bonilla, Ana Isabel
Data de Publicação: 2021
Outros Autores: Barros García, José Manuel, Martín Rey, Susana
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
Texto Completo: https://doi.org/10.14568/cp2019032
Resumo: The concept of enlarged painting refers to the technique of extending the support of an easel painting as well as its compositional space, to simulate a continuity with the original painting. Enlargements of support are considered historical additions with a huge documentary weight, so making decisions about their conservation entails great responsibility. Furthermore, additions can be key for a painting to fulfil its function within a certain social assemblage or network, so to promote correct decision making, it is vital to know the reasons why a painting was enlarged. The aim of this research has been to develop a classification of enlarged paintings, according to the purpose of the enlargement. The classification includes the following categories: updating pictures, adaptation to a new space and/or a new frame, completing mutilated paintings, changes in iconography, enlargement in order to create independent works, and grouping paintings together.
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spelling Enlarged paintings: a proposal for classificationPinturas ampliadas: uma proposta de classificaçãoArticlesThe concept of enlarged painting refers to the technique of extending the support of an easel painting as well as its compositional space, to simulate a continuity with the original painting. Enlargements of support are considered historical additions with a huge documentary weight, so making decisions about their conservation entails great responsibility. Furthermore, additions can be key for a painting to fulfil its function within a certain social assemblage or network, so to promote correct decision making, it is vital to know the reasons why a painting was enlarged. The aim of this research has been to develop a classification of enlarged paintings, according to the purpose of the enlargement. The classification includes the following categories: updating pictures, adaptation to a new space and/or a new frame, completing mutilated paintings, changes in iconography, enlargement in order to create independent works, and grouping paintings together.O conceito de pintura ampliada refere-se à técnica de aumentar o suporte de uma pintura de cavalete, bem como o seu espaço composicional, para simular uma continuidade com a pintura original. As ampliações de suporte são consideradas acréscimos históricos com um grande peso documental, pelo que a tomada de decisão sobre a sua conservação implica uma grande responsabilidade. Além disso, os acréscimos podem ser fundamentais para que uma pintura cumpra a sua função dentro de uma determinada rede ou montagem social, portanto, para promover uma tomada de decisão correta, é fundamental conhecer os motivos que levaram uma pintura a ser ampliada. O objetivo desta investigação foi desenvolver uma classificação para as pinturas ampliadas, de acordo com a finalidade dessa ampliação. A classificação inclui as seguintes categorias: atualização de imagens, adaptação a um novo espaço e/ou uma nova moldura, conclusão de pinturas mutiladas, mudanças na iconografia, ampliação para criação de obras independentes e agrupamento de pinturas.ARP - Associação Profissional de Conservadores-Restauradores de Portugal2021-05-31T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://doi.org/10.14568/cp2019032eng2182-99421646-043XLópez Bonilla, Ana IsabelBarros García, José ManuelMartín Rey, Susanainfo:eu-repo/semantics/openAccessreponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãoinstacron:RCAAP2022-09-20T11:11:15Zoai:ojs.revistas.rcaap.pt:article/21401Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireopendoar:71602024-03-19T15:49:07.471555Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informaçãofalse
dc.title.none.fl_str_mv Enlarged paintings: a proposal for classification
Pinturas ampliadas: uma proposta de classificação
title Enlarged paintings: a proposal for classification
spellingShingle Enlarged paintings: a proposal for classification
López Bonilla, Ana Isabel
Articles
title_short Enlarged paintings: a proposal for classification
title_full Enlarged paintings: a proposal for classification
title_fullStr Enlarged paintings: a proposal for classification
title_full_unstemmed Enlarged paintings: a proposal for classification
title_sort Enlarged paintings: a proposal for classification
author López Bonilla, Ana Isabel
author_facet López Bonilla, Ana Isabel
Barros García, José Manuel
Martín Rey, Susana
author_role author
author2 Barros García, José Manuel
Martín Rey, Susana
author2_role author
author
dc.contributor.author.fl_str_mv López Bonilla, Ana Isabel
Barros García, José Manuel
Martín Rey, Susana
dc.subject.por.fl_str_mv Articles
topic Articles
description The concept of enlarged painting refers to the technique of extending the support of an easel painting as well as its compositional space, to simulate a continuity with the original painting. Enlargements of support are considered historical additions with a huge documentary weight, so making decisions about their conservation entails great responsibility. Furthermore, additions can be key for a painting to fulfil its function within a certain social assemblage or network, so to promote correct decision making, it is vital to know the reasons why a painting was enlarged. The aim of this research has been to develop a classification of enlarged paintings, according to the purpose of the enlargement. The classification includes the following categories: updating pictures, adaptation to a new space and/or a new frame, completing mutilated paintings, changes in iconography, enlargement in order to create independent works, and grouping paintings together.
publishDate 2021
dc.date.none.fl_str_mv 2021-05-31T00:00:00Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://doi.org/10.14568/cp2019032
url https://doi.org/10.14568/cp2019032
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 2182-9942
1646-043X
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.publisher.none.fl_str_mv ARP - Associação Profissional de Conservadores-Restauradores de Portugal
publisher.none.fl_str_mv ARP - Associação Profissional de Conservadores-Restauradores de Portugal
dc.source.none.fl_str_mv reponame:Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
instname:Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron:RCAAP
instname_str Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
instacron_str RCAAP
institution RCAAP
reponame_str Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
collection Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos)
repository.name.fl_str_mv Repositório Científico de Acesso Aberto de Portugal (Repositórios Cientìficos) - Agência para a Sociedade do Conhecimento (UMIC) - FCT - Sociedade da Informação
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