Latin-American Literature and national allegories present in the “novella” Concierto Barroco - doi: 10.4025/actascilangcult.v33i1.6376
Autor(a) principal: | |
---|---|
Data de Publicação: | 2011 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Acta Scientiarum. Language and Culture (Online) |
Texto Completo: | http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6376 |
Resumo: | The problematical identity of Latin America is reflected on the recurrence of the theme in the literature created in this part of the continent. The images of Caliban and anthropophagy and the attribution of a Baroque meaning to the Latin American experience characterize an expressive part of such literature. By means of the character Amo, Carpentier's Concierto Barroco exemplifies the difficulties of the Creole elite in finding a noble origin for themselves in their ancestors' Europe, and in identifying themselves with it. The slave musician Filomeno and Amo naturalizes narrative, whereas Filomeno provocatively transits between the hierarchies, turning the Baroque meaning of identity into an allegory. Jazz is a Creole, anthropophagic and Baroque product whose erased origin was replaced by the fabled narrative in the Spirituals that renewed modern music. It is important to emphasize that Carpentier created, by means of Filomeno, the unity of the American experience whose frontier is Mexico. |
id |
UEM-2_25f81f6bdeb07938b431dc2b699683d7 |
---|---|
oai_identifier_str |
oai:periodicos.uem.br/ojs:article/6376 |
network_acronym_str |
UEM-2 |
network_name_str |
Acta Scientiarum. Language and Culture (Online) |
repository_id_str |
|
spelling |
Latin-American Literature and national allegories present in the “novella” Concierto Barroco - doi: 10.4025/actascilangcult.v33i1.6376A literatura latino-americana e as alegorias nacionais de Concierto Barroco - doi: 10.4025/actascilangcult.v33i1.6376BaroqueanthropophagyLatin-American literatureBarrocoantropofagialiteratura latino americanaThe problematical identity of Latin America is reflected on the recurrence of the theme in the literature created in this part of the continent. The images of Caliban and anthropophagy and the attribution of a Baroque meaning to the Latin American experience characterize an expressive part of such literature. By means of the character Amo, Carpentier's Concierto Barroco exemplifies the difficulties of the Creole elite in finding a noble origin for themselves in their ancestors' Europe, and in identifying themselves with it. The slave musician Filomeno and Amo naturalizes narrative, whereas Filomeno provocatively transits between the hierarchies, turning the Baroque meaning of identity into an allegory. Jazz is a Creole, anthropophagic and Baroque product whose erased origin was replaced by the fabled narrative in the Spirituals that renewed modern music. It is important to emphasize that Carpentier created, by means of Filomeno, the unity of the American experience whose frontier is Mexico.A identidade problemática da América Latina reflete-se na recorrência do tema na literatura realizada nessa parte do continente. As imagens de Caliban, do antropófago e a atribuição de um sentido barroco à experiência latino americana caracterizam uma parte expressiva da literatura em questão. O Concierto Barroco de Carpentier exemplifica, por meio do personagem Amo, as dificuldades da elite crioula em encontrar uma origem nobre para si na Europa de seus avós e mesmo de identificar-se com ela. O personagem escravo músico Filomeno naturaliza a fabulação, assim como o Amo, e transita abusadamente entre as hierarquias, alegorizando o sentido barroco da identidade em questão. O jazz é o produto crioulo, antropofágico e barroco de negros cuja origem apagada na história foi substituída pela fabulação nos spirituals, num caminho musical que renovou a música moderna no mundo todo. É significativo que Carpentier tenha criado por meio de Filomeno a unidade da experiência americana, cuja fronteira é o México.Universidade Estadual De Maringá2011-03-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionIntervenção ou interpretaçãoapplication/pdfapplication/mswordapplication/mswordhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/637610.4025/actascilangcult.v33i1.6376Acta Scientiarum. Language and Culture; Vol 33 No 1 (2011); 113-120Acta Scientiarum. Language and Culture; v. 33 n. 1 (2011); 113-1201983-46831983-4675reponame:Acta Scientiarum. Language and Culture (Online)instname:Universidade Estadual de Maringá (UEM)instacron:UEMporhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6376/6376http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6376/751375140948http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6376/751375140959Caixeta, Maryllu Oliveirainfo:eu-repo/semantics/openAccess2022-11-23T17:34:58Zoai:periodicos.uem.br/ojs:article/6376Revistahttp://periodicos.uem.br/ojs/index.php/ActaSciLangCultPUBhttp://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/oai||actalan@uem.br1983-46831983-4675opendoar:2022-11-23T17:34:58Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM)false |
dc.title.none.fl_str_mv |
Latin-American Literature and national allegories present in the “novella” Concierto Barroco - doi: 10.4025/actascilangcult.v33i1.6376 A literatura latino-americana e as alegorias nacionais de Concierto Barroco - doi: 10.4025/actascilangcult.v33i1.6376 |
title |
Latin-American Literature and national allegories present in the “novella” Concierto Barroco - doi: 10.4025/actascilangcult.v33i1.6376 |
spellingShingle |
Latin-American Literature and national allegories present in the “novella” Concierto Barroco - doi: 10.4025/actascilangcult.v33i1.6376 Caixeta, Maryllu Oliveira Baroque anthropophagy Latin-American literature Barroco antropofagia literatura latino americana |
title_short |
Latin-American Literature and national allegories present in the “novella” Concierto Barroco - doi: 10.4025/actascilangcult.v33i1.6376 |
title_full |
Latin-American Literature and national allegories present in the “novella” Concierto Barroco - doi: 10.4025/actascilangcult.v33i1.6376 |
title_fullStr |
Latin-American Literature and national allegories present in the “novella” Concierto Barroco - doi: 10.4025/actascilangcult.v33i1.6376 |
title_full_unstemmed |
Latin-American Literature and national allegories present in the “novella” Concierto Barroco - doi: 10.4025/actascilangcult.v33i1.6376 |
title_sort |
Latin-American Literature and national allegories present in the “novella” Concierto Barroco - doi: 10.4025/actascilangcult.v33i1.6376 |
author |
Caixeta, Maryllu Oliveira |
author_facet |
Caixeta, Maryllu Oliveira |
author_role |
author |
dc.contributor.author.fl_str_mv |
Caixeta, Maryllu Oliveira |
dc.subject.por.fl_str_mv |
Baroque anthropophagy Latin-American literature Barroco antropofagia literatura latino americana |
topic |
Baroque anthropophagy Latin-American literature Barroco antropofagia literatura latino americana |
description |
The problematical identity of Latin America is reflected on the recurrence of the theme in the literature created in this part of the continent. The images of Caliban and anthropophagy and the attribution of a Baroque meaning to the Latin American experience characterize an expressive part of such literature. By means of the character Amo, Carpentier's Concierto Barroco exemplifies the difficulties of the Creole elite in finding a noble origin for themselves in their ancestors' Europe, and in identifying themselves with it. The slave musician Filomeno and Amo naturalizes narrative, whereas Filomeno provocatively transits between the hierarchies, turning the Baroque meaning of identity into an allegory. Jazz is a Creole, anthropophagic and Baroque product whose erased origin was replaced by the fabled narrative in the Spirituals that renewed modern music. It is important to emphasize that Carpentier created, by means of Filomeno, the unity of the American experience whose frontier is Mexico. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-03-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Intervenção ou interpretação |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6376 10.4025/actascilangcult.v33i1.6376 |
url |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6376 |
identifier_str_mv |
10.4025/actascilangcult.v33i1.6376 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6376/6376 http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6376/751375140948 http://www.periodicos.uem.br/ojs/index.php/ActaSciLangCult/article/view/6376/751375140959 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/msword application/msword |
dc.publisher.none.fl_str_mv |
Universidade Estadual De Maringá |
publisher.none.fl_str_mv |
Universidade Estadual De Maringá |
dc.source.none.fl_str_mv |
Acta Scientiarum. Language and Culture; Vol 33 No 1 (2011); 113-120 Acta Scientiarum. Language and Culture; v. 33 n. 1 (2011); 113-120 1983-4683 1983-4675 reponame:Acta Scientiarum. Language and Culture (Online) instname:Universidade Estadual de Maringá (UEM) instacron:UEM |
instname_str |
Universidade Estadual de Maringá (UEM) |
instacron_str |
UEM |
institution |
UEM |
reponame_str |
Acta Scientiarum. Language and Culture (Online) |
collection |
Acta Scientiarum. Language and Culture (Online) |
repository.name.fl_str_mv |
Acta Scientiarum. Language and Culture (Online) - Universidade Estadual de Maringá (UEM) |
repository.mail.fl_str_mv |
||actalan@uem.br |
_version_ |
1799317464439324672 |