Currents of knowledge: The Santo Daime bailado as danced resistance against epistemicide
Autor(a) principal: | |
---|---|
Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Brasileira de Estudos da Presença |
Texto Completo: | https://seer.ufrgs.br/index.php/presenca/article/view/128060 |
Resumo: | Santo Daime, an ayahuasca religion from the Brazilian Amazon, liturgically mobilizes a group dance called the bailado. Emerging in the 1930s from precarious circumstances instigated by rubber boom cycles of the late 19th and early 20th centuries, Santo Daime has proven resistant against global systems of epistemicide, the systematic killing off of knowledge forms (SANTOS, 2014). I argue the bailado is key to this resistance as corporeal self-knowledge choreographically positioning participants as both audience and performer. In this paper, teachings from Santo Daime hymns and eighteen years of participant observation are drawn upon to support this argument through choreographic analysis. |
id |
UFRGS-17_7373b0d1225de2255404f46c9966f4b8 |
---|---|
oai_identifier_str |
oai:seer.ufrgs.br:article/128060 |
network_acronym_str |
UFRGS-17 |
network_name_str |
Revista Brasileira de Estudos da Presença |
repository_id_str |
|
spelling |
Currents of knowledge: The Santo Daime bailado as danced resistance against epistemicideCurrents of Knowledge: the Santo Daime bailado as decolonial danceayahuascabailadochoreographyepistemicideSanto DaimeSanto DaimeBailadoAyahuascaTranscorporealityDecolonial DanceSanto Daime, an ayahuasca religion from the Brazilian Amazon, liturgically mobilizes a group dance called the bailado. Emerging in the 1930s from precarious circumstances instigated by rubber boom cycles of the late 19th and early 20th centuries, Santo Daime has proven resistant against global systems of epistemicide, the systematic killing off of knowledge forms (SANTOS, 2014). I argue the bailado is key to this resistance as corporeal self-knowledge choreographically positioning participants as both audience and performer. In this paper, teachings from Santo Daime hymns and eighteen years of participant observation are drawn upon to support this argument through choreographic analysis.Santo Daime, an ayahuasca religion of the Brazilian Amazon founded in 1930, has as one of its major practices a dance called the bailado that generates energetic currents through collective rocking. Practitioners take on roles of both audience and performer when dancing the bailado and engage in transcorporeal discourse with various beings. Drawing from Santo Daime hymns, participant observation and personal journal entries as a daimista, this paper argues that the bailado decolonizes dance in three ways: as part of a unique caboclo knowledge system; through cultivation of collective subjectivities by participants; and by challenging Eurocentric definitions of dance.Universidade Federal do Rio Grande do Sul2023-07-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://seer.ufrgs.br/index.php/presenca/article/view/128060Brazilian Journal on Presence Studies; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-26Révue Brésilienne d'Études de la Présence; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-26Révue Brésilienne d'Études de la Présence; Vol. 13 No 3 (2023): Jul./Set.2023; 1-26Revista Brasileira de Estudos da Presença; v. 13 n. 3 (2023): Jul./Set.2023; 1-262237-2660reponame:Revista Brasileira de Estudos da Presençainstname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/presenca/article/view/128060/89016Copyright (c) 2023 Revista Brasileira de Estudos da Presençainfo:eu-repo/semantics/openAccessFlecha, Ana2023-07-06T18:08:45Zoai:seer.ufrgs.br:article/128060Revistahttp://seer.ufrgs.br/presencaPUBhttps://seer.ufrgs.br/presenca/oai||rev.presenca@gmail.com2237-26602237-2660opendoar:2023-07-06T18:08:45Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Currents of knowledge: The Santo Daime bailado as danced resistance against epistemicide Currents of Knowledge: the Santo Daime bailado as decolonial dance |
title |
Currents of knowledge: The Santo Daime bailado as danced resistance against epistemicide |
spellingShingle |
Currents of knowledge: The Santo Daime bailado as danced resistance against epistemicide Flecha, Ana ayahuasca bailado choreography epistemicide Santo Daime Santo Daime Bailado Ayahuasca Transcorporeality Decolonial Dance |
title_short |
Currents of knowledge: The Santo Daime bailado as danced resistance against epistemicide |
title_full |
Currents of knowledge: The Santo Daime bailado as danced resistance against epistemicide |
title_fullStr |
Currents of knowledge: The Santo Daime bailado as danced resistance against epistemicide |
title_full_unstemmed |
Currents of knowledge: The Santo Daime bailado as danced resistance against epistemicide |
title_sort |
Currents of knowledge: The Santo Daime bailado as danced resistance against epistemicide |
author |
Flecha, Ana |
author_facet |
Flecha, Ana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Flecha, Ana |
dc.subject.por.fl_str_mv |
ayahuasca bailado choreography epistemicide Santo Daime Santo Daime Bailado Ayahuasca Transcorporeality Decolonial Dance |
topic |
ayahuasca bailado choreography epistemicide Santo Daime Santo Daime Bailado Ayahuasca Transcorporeality Decolonial Dance |
description |
Santo Daime, an ayahuasca religion from the Brazilian Amazon, liturgically mobilizes a group dance called the bailado. Emerging in the 1930s from precarious circumstances instigated by rubber boom cycles of the late 19th and early 20th centuries, Santo Daime has proven resistant against global systems of epistemicide, the systematic killing off of knowledge forms (SANTOS, 2014). I argue the bailado is key to this resistance as corporeal self-knowledge choreographically positioning participants as both audience and performer. In this paper, teachings from Santo Daime hymns and eighteen years of participant observation are drawn upon to support this argument through choreographic analysis. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-07-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/128060 |
url |
https://seer.ufrgs.br/index.php/presenca/article/view/128060 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/presenca/article/view/128060/89016 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Revista Brasileira de Estudos da Presença info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Revista Brasileira de Estudos da Presença |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Brazilian Journal on Presence Studies; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-26 Révue Brésilienne d'Études de la Présence; Vol. 13 No. 3 (2023): Jul./Set.2023; 1-26 Révue Brésilienne d'Études de la Présence; Vol. 13 No 3 (2023): Jul./Set.2023; 1-26 Revista Brasileira de Estudos da Presença; v. 13 n. 3 (2023): Jul./Set.2023; 1-26 2237-2660 reponame:Revista Brasileira de Estudos da Presença instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Revista Brasileira de Estudos da Presença |
collection |
Revista Brasileira de Estudos da Presença |
repository.name.fl_str_mv |
Revista Brasileira de Estudos da Presença - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||rev.presenca@gmail.com |
_version_ |
1799766310678167552 |