“If”, by Rudyard Kipling - an intermedial production
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Lumina |
Texto Completo: | https://lumina.ufjf.emnuvens.com.br/lumina/article/view/529 |
Resumo: | This paper aims to build a theoretical support in intermediality studies to a doc-poetry creation on the poem If by Rudyard Kipling. Despite of being short, If is a poem that offers multiple interpretations because it suggests cycles and growth, it stimulates the creation of images. This poem selection went through our perception of the central presence of the embodiment, and therefore it is quite translatable into body and image to create a new media. Its interpretation by the language of doc-poetry becomes a mean of establishing new creative ways of interpreting the poem. As a transcreation process, the choreography’s composition procedures have considered the original’s poem structure, and also the body’s perception. The creative ability of source text transformation into a different media can expand its interpretative possibilities. In this case, cinema, dance/body and poetry were used as media for creating a new artistic expression, which we not permanently term doc-poetry. The choreographic body and a mix of technicalities reveal a potentiality to express beyond the speeches. When crossing theory and practice it is possible to think and test the body in other media and also as a new media itself. Therefore, working the body and the film as artistic and interpretative possibilities of written text is a way of seeing new potentials when reading. Therefore, the research challenge was to work the poem If by the bias of embodiment, where the choreography turns theory, the body, a new media, while dance and cinema, a way of reading poetry. |
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“If”, by Rudyard Kipling - an intermedial productionDoc-poetry, intermediality, If, Rudyard Kipling, videodance.This paper aims to build a theoretical support in intermediality studies to a doc-poetry creation on the poem If by Rudyard Kipling. Despite of being short, If is a poem that offers multiple interpretations because it suggests cycles and growth, it stimulates the creation of images. This poem selection went through our perception of the central presence of the embodiment, and therefore it is quite translatable into body and image to create a new media. Its interpretation by the language of doc-poetry becomes a mean of establishing new creative ways of interpreting the poem. As a transcreation process, the choreography’s composition procedures have considered the original’s poem structure, and also the body’s perception. The creative ability of source text transformation into a different media can expand its interpretative possibilities. In this case, cinema, dance/body and poetry were used as media for creating a new artistic expression, which we not permanently term doc-poetry. The choreographic body and a mix of technicalities reveal a potentiality to express beyond the speeches. When crossing theory and practice it is possible to think and test the body in other media and also as a new media itself. Therefore, working the body and the film as artistic and interpretative possibilities of written text is a way of seeing new potentials when reading. Therefore, the research challenge was to work the poem If by the bias of embodiment, where the choreography turns theory, the body, a new media, while dance and cinema, a way of reading poetry.LuminaIgnácio da Costa, ÉricaSaber de Mello, Ines2015-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://lumina.ufjf.emnuvens.com.br/lumina/article/view/529Lumina; v. 9, n. 2 (2015): Dossiê Intermidialidadee-1981-40701516-0785reponame:Revista Luminainstname:Universidade Federal do Rio de Janeiroinstacron:UFRJenghttps://lumina.ufjf.emnuvens.com.br/lumina/article/view/529/397Direitos autorais 2015 Luminainfo:eu-repo/semantics/openAccess2019-01-29T20:26:52Zmail@mail.com - |
dc.title.none.fl_str_mv |
“If”, by Rudyard Kipling - an intermedial production |
title |
“If”, by Rudyard Kipling - an intermedial production |
spellingShingle |
“If”, by Rudyard Kipling - an intermedial production Ignácio da Costa, Érica Doc-poetry, intermediality, If, Rudyard Kipling, videodance. |
title_short |
“If”, by Rudyard Kipling - an intermedial production |
title_full |
“If”, by Rudyard Kipling - an intermedial production |
title_fullStr |
“If”, by Rudyard Kipling - an intermedial production |
title_full_unstemmed |
“If”, by Rudyard Kipling - an intermedial production |
title_sort |
“If”, by Rudyard Kipling - an intermedial production |
author |
Ignácio da Costa, Érica |
author_facet |
Ignácio da Costa, Érica Saber de Mello, Ines |
author_role |
author |
author2 |
Saber de Mello, Ines |
author2_role |
author |
dc.contributor.none.fl_str_mv |
|
dc.contributor.author.fl_str_mv |
Ignácio da Costa, Érica Saber de Mello, Ines |
dc.subject.por.fl_str_mv |
Doc-poetry, intermediality, If, Rudyard Kipling, videodance. |
topic |
Doc-poetry, intermediality, If, Rudyard Kipling, videodance. |
dc.description.none.fl_txt_mv |
This paper aims to build a theoretical support in intermediality studies to a doc-poetry creation on the poem If by Rudyard Kipling. Despite of being short, If is a poem that offers multiple interpretations because it suggests cycles and growth, it stimulates the creation of images. This poem selection went through our perception of the central presence of the embodiment, and therefore it is quite translatable into body and image to create a new media. Its interpretation by the language of doc-poetry becomes a mean of establishing new creative ways of interpreting the poem. As a transcreation process, the choreography’s composition procedures have considered the original’s poem structure, and also the body’s perception. The creative ability of source text transformation into a different media can expand its interpretative possibilities. In this case, cinema, dance/body and poetry were used as media for creating a new artistic expression, which we not permanently term doc-poetry. The choreographic body and a mix of technicalities reveal a potentiality to express beyond the speeches. When crossing theory and practice it is possible to think and test the body in other media and also as a new media itself. Therefore, working the body and the film as artistic and interpretative possibilities of written text is a way of seeing new potentials when reading. Therefore, the research challenge was to work the poem If by the bias of embodiment, where the choreography turns theory, the body, a new media, while dance and cinema, a way of reading poetry. |
description |
This paper aims to build a theoretical support in intermediality studies to a doc-poetry creation on the poem If by Rudyard Kipling. Despite of being short, If is a poem that offers multiple interpretations because it suggests cycles and growth, it stimulates the creation of images. This poem selection went through our perception of the central presence of the embodiment, and therefore it is quite translatable into body and image to create a new media. Its interpretation by the language of doc-poetry becomes a mean of establishing new creative ways of interpreting the poem. As a transcreation process, the choreography’s composition procedures have considered the original’s poem structure, and also the body’s perception. The creative ability of source text transformation into a different media can expand its interpretative possibilities. In this case, cinema, dance/body and poetry were used as media for creating a new artistic expression, which we not permanently term doc-poetry. The choreographic body and a mix of technicalities reveal a potentiality to express beyond the speeches. When crossing theory and practice it is possible to think and test the body in other media and also as a new media itself. Therefore, working the body and the film as artistic and interpretative possibilities of written text is a way of seeing new potentials when reading. Therefore, the research challenge was to work the poem If by the bias of embodiment, where the choreography turns theory, the body, a new media, while dance and cinema, a way of reading poetry. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-12-01 |
dc.type.none.fl_str_mv |
|
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://lumina.ufjf.emnuvens.com.br/lumina/article/view/529 |
url |
https://lumina.ufjf.emnuvens.com.br/lumina/article/view/529 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://lumina.ufjf.emnuvens.com.br/lumina/article/view/529/397 |
dc.rights.driver.fl_str_mv |
Direitos autorais 2015 Lumina info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Direitos autorais 2015 Lumina |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Lumina |
publisher.none.fl_str_mv |
Lumina |
dc.source.none.fl_str_mv |
Lumina; v. 9, n. 2 (2015): Dossiê Intermidialidade e-1981-4070 1516-0785 reponame:Revista Lumina instname:Universidade Federal do Rio de Janeiro instacron:UFRJ |
reponame_str |
Revista Lumina |
collection |
Revista Lumina |
instname_str |
Universidade Federal do Rio de Janeiro |
instacron_str |
UFRJ |
institution |
UFRJ |
repository.name.fl_str_mv |
-
|
repository.mail.fl_str_mv |
mail@mail.com |
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1624478394402996224 |