The Imaginary Realism of the First War Photographs
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Digital do LAV ( Laboratório de Artes Visuais) |
Texto Completo: | http://periodicos.ufsm.br/revislav/article/view/2186 |
Resumo: | The photo like a technique image having the illusion for nothing could interfere with the camera and the object photographed. Presented reflections of authors such as Susan Sontag about photographic look and whats sensations offered by the images of war on society involved in conflicts. The study goes back to the first armed conflict has been documented in photos that seen: the Crimean War. Pioneers of war photography are named, such as Roger Fenton, Karl von Szathmari Baptist, Gilbert Elliott and Richard Nicklin. Particularly Fenton, sponsored by the British Crown, was crucial in the intuit to calm the public opinion about the conflict. Already, in American Civil War, the telegraph becomes essential for conflict´s development. In a time, the images of this war shocked the society by exposing bodies on the battlefield, but at the same time were considered true, or, by words of the photographer Mathew Brady, the eye of history. |
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Revista Digital do LAV ( Laboratório de Artes Visuais) |
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The Imaginary Realism of the First War PhotographsO Realismo Imaginário das Primeiras Fotografias de GuerraPhotographWarCrimeaAmerican Civil WarFotografiaGuerraCriméiaSecessãoThe photo like a technique image having the illusion for nothing could interfere with the camera and the object photographed. Presented reflections of authors such as Susan Sontag about photographic look and whats sensations offered by the images of war on society involved in conflicts. The study goes back to the first armed conflict has been documented in photos that seen: the Crimean War. Pioneers of war photography are named, such as Roger Fenton, Karl von Szathmari Baptist, Gilbert Elliott and Richard Nicklin. Particularly Fenton, sponsored by the British Crown, was crucial in the intuit to calm the public opinion about the conflict. Already, in American Civil War, the telegraph becomes essential for conflict´s development. In a time, the images of this war shocked the society by exposing bodies on the battlefield, but at the same time were considered true, or, by words of the photographer Mathew Brady, the eye of history.A fotografia como imagem técnica trouxe a ilusão de que nada poderia interferir entre a câmara e o objeto fotografado. Para isso, são apresentadas reflexões de autores como Susan Sontag sobre o condicionamento do olhar fotográfico e as prováveis sensações propiciadas pelas imagens de guerra na sociedade envolvida nos conflitos. O estudo remonta ao primeiro conflito armado que foi documentado em fotos que se tem notícia: a Guerra da Criméia. Pioneiros da fotografia de guerra são citados, tais como Roger Fenton, Karl Baptist von Szathmari, Gilbert Elliott e Richard Nicklin, tendo o primeiro, papel fundamental na tarefa, patrocinada pela coroa britânica, de acalmar a opinião pública sobre o conflito. Já na Guerra de Secessão, o telégrafo tornou-se peça fundamental no desenvolvimento do conflito. As imagens desta guerra chocaram a sociedade à época por expor corpos no campo de batalha, mas ao mesmo tempo, foram consideradas verdadeiras, ou segundo o fotógrafo Mathew Brady, o olho da história.Universidade Federal de Santa Maria2010-10-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/218610.5902/198373482186Revista Digital do LAV; No. 2 (2009): Revista Digital do LAV - Ano II – Número 02 – Março de 2009; 142-161Revista Digital do LAV; n. 2 (2009): Revista Digital do LAV - Ano II – Número 02 – Março de 2009; 142-1611983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/2186/1332Ferreira, Adrianainfo:eu-repo/semantics/openAccess2020-06-08T13:36:08Zoai:ojs.pkp.sfu.ca:article/2186Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2020-06-08T13:36:08Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
The Imaginary Realism of the First War Photographs O Realismo Imaginário das Primeiras Fotografias de Guerra |
title |
The Imaginary Realism of the First War Photographs |
spellingShingle |
The Imaginary Realism of the First War Photographs Ferreira, Adriana Photograph War Crimea American Civil War Fotografia Guerra Criméia Secessão |
title_short |
The Imaginary Realism of the First War Photographs |
title_full |
The Imaginary Realism of the First War Photographs |
title_fullStr |
The Imaginary Realism of the First War Photographs |
title_full_unstemmed |
The Imaginary Realism of the First War Photographs |
title_sort |
The Imaginary Realism of the First War Photographs |
author |
Ferreira, Adriana |
author_facet |
Ferreira, Adriana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Ferreira, Adriana |
dc.subject.por.fl_str_mv |
Photograph War Crimea American Civil War Fotografia Guerra Criméia Secessão |
topic |
Photograph War Crimea American Civil War Fotografia Guerra Criméia Secessão |
description |
The photo like a technique image having the illusion for nothing could interfere with the camera and the object photographed. Presented reflections of authors such as Susan Sontag about photographic look and whats sensations offered by the images of war on society involved in conflicts. The study goes back to the first armed conflict has been documented in photos that seen: the Crimean War. Pioneers of war photography are named, such as Roger Fenton, Karl von Szathmari Baptist, Gilbert Elliott and Richard Nicklin. Particularly Fenton, sponsored by the British Crown, was crucial in the intuit to calm the public opinion about the conflict. Already, in American Civil War, the telegraph becomes essential for conflict´s development. In a time, the images of this war shocked the society by exposing bodies on the battlefield, but at the same time were considered true, or, by words of the photographer Mathew Brady, the eye of history. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-10-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/2186 10.5902/198373482186 |
url |
http://periodicos.ufsm.br/revislav/article/view/2186 |
identifier_str_mv |
10.5902/198373482186 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/2186/1332 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Revista Digital do LAV; No. 2 (2009): Revista Digital do LAV - Ano II – Número 02 – Março de 2009; 142-161 Revista Digital do LAV; n. 2 (2009): Revista Digital do LAV - Ano II – Número 02 – Março de 2009; 142-161 1983-7348 1983-7348 reponame:Revista Digital do LAV ( Laboratório de Artes Visuais) instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
collection |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
repository.name.fl_str_mv |
Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
revistadigitaldolav@gmail.com||daniel@rswa.com.br |
_version_ |
1789434624180486144 |