Satire as poetics in the short story A Telephone Call, by Dorothy Parker: a portrait of woman's obsessive emotional dependency
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Pontos de Interrogação (Online) |
Texto Completo: | https://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p221 |
Resumo: | Based on gender studies and sociological theory, we conducted a comparative analysis and study of the short story “A Telephone Call” by Dorothy Parker (2020) and its homonymous audiovisual transposition (REDEMOINHO, 2021). Beyond the divergences and similarities between the two, we explored how historically constructed and reproduced gender roles affect and oppress the protagonist to the point of leading her to an obsessive emotional state while she waits for a phone call, observed in her interior monologue that tends towards the dramatic. The theoretical support was based on studies on gender devices (ZANELLO, 2018), the concept of gender technology (LAURETIS, 2019) and its examples (DEL PRIORE, 2005) as well as gendered processes of social interaction, habitus, and scripts (DIMEN, 1988; BOURDIEU, 1983; ZANELLO, 2018). We concluded the presence of the simultaneity of the theme of the internal conflict of what she wants as an ontological subject and what she should perform as a woman, that is, being adrift, waiting and passive, regardless of her will and desire. [Received on: March 28, 2023 - Accepted on: June 10, 2023] |
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Satire as poetics in the short story A Telephone Call, by Dorothy Parker: a portrait of woman's obsessive emotional dependencyA sátira como poética no conto Um telefonema, de Dorothy Parker: um retrato da dependência emocional obsediante da mulherPapéis de gêneroSofrimento psíquicoDependência emocionalGender rolesPsychological sufferingEmotional dependenceBased on gender studies and sociological theory, we conducted a comparative analysis and study of the short story “A Telephone Call” by Dorothy Parker (2020) and its homonymous audiovisual transposition (REDEMOINHO, 2021). Beyond the divergences and similarities between the two, we explored how historically constructed and reproduced gender roles affect and oppress the protagonist to the point of leading her to an obsessive emotional state while she waits for a phone call, observed in her interior monologue that tends towards the dramatic. The theoretical support was based on studies on gender devices (ZANELLO, 2018), the concept of gender technology (LAURETIS, 2019) and its examples (DEL PRIORE, 2005) as well as gendered processes of social interaction, habitus, and scripts (DIMEN, 1988; BOURDIEU, 1983; ZANELLO, 2018). We concluded the presence of the simultaneity of the theme of the internal conflict of what she wants as an ontological subject and what she should perform as a woman, that is, being adrift, waiting and passive, regardless of her will and desire. [Received on: March 28, 2023 - Accepted on: June 10, 2023]Com base nos estudos de gênero e na teoria sociológica, realizamos neste artigo uma análise e estudo comparado do conto Um telefonema de Dorothy Parker (2020) e de sua transposição audiovisual de mesmo nome (REDEMOINHO, 2021). Para além das divergências e similitudes entre ambos, exploramos de que modo os papéis de gênero historicamente construídos e reproduzidos afetam e oprimem a personagem protagonista a ponto de levá-la a um estado emocional obsediante enquanto está à espera de um telefonema, observado em seu monólogo interior que tende ao dramático. O respaldo teórico se deu nos estudos sobre dispositivos de gênero (ZANELLO, 2018), no conceito de tecnologia de gênero (LAURETIS, 2019) e seus exemplos (DEL PRIORE, 2005), assim como nos processos de interação social gendrados, habitus e scripts (DIMEN, 1988; BOURDIEU, 1983; ZANELLO, 2018). Concluímos a presença da simultaneidade do tema do conflito interno do que ela quer como sujeito ontológico e do que ela deveria performar como mulher, ou seja, estar à deriva, à espera e passiva, independentemente da sua vontade e desejo. [Recebido em: 28 mar. 2023 – Aceito em: 10 jun. 2023]Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural2023-08-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p22110.30620/pdi.v13n1.p221Pontos de Interrogação – Journal of Cultural Criticism; Vol. 13 No. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 221-237Pontos de Interrogação – Revista de Crítica Cultural; Vol. 13 Núm. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 221-237Pontos de Interrogação – Revista de Crítica Cultural; v. 13 n. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 221-2372237-9681reponame:Pontos de Interrogação (Online)instname:Universidade do Estado da Bahia (UNEB)instacron:UNEBporhttps://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p221/v13n1p221Copyright (c) 2023 Pontos de Interrogação – Revista de Crítica Culturalhttps://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessSergel, CarolineGudino, Mariana Elizabeth Ceris BurtettOliveira, Valdeci Batista de Melo2023-08-13T17:51:36Zoai:ojs.revistas.uneb.br:article/16977Revistahttps://www.revistas.uneb.br/index.php/pontosdeintPUBhttps://www.revistas.uneb.br/index.php/pontosdeint/oairevistaponti@gmail.com || osmar.moreira@uol.com.br2237-96812178-8952opendoar:2023-08-13T17:51:36Pontos de Interrogação (Online) - Universidade do Estado da Bahia (UNEB)false |
dc.title.none.fl_str_mv |
Satire as poetics in the short story A Telephone Call, by Dorothy Parker: a portrait of woman's obsessive emotional dependency A sátira como poética no conto Um telefonema, de Dorothy Parker: um retrato da dependência emocional obsediante da mulher |
title |
Satire as poetics in the short story A Telephone Call, by Dorothy Parker: a portrait of woman's obsessive emotional dependency |
spellingShingle |
Satire as poetics in the short story A Telephone Call, by Dorothy Parker: a portrait of woman's obsessive emotional dependency Sergel, Caroline Papéis de gênero Sofrimento psíquico Dependência emocional Gender roles Psychological suffering Emotional dependence |
title_short |
Satire as poetics in the short story A Telephone Call, by Dorothy Parker: a portrait of woman's obsessive emotional dependency |
title_full |
Satire as poetics in the short story A Telephone Call, by Dorothy Parker: a portrait of woman's obsessive emotional dependency |
title_fullStr |
Satire as poetics in the short story A Telephone Call, by Dorothy Parker: a portrait of woman's obsessive emotional dependency |
title_full_unstemmed |
Satire as poetics in the short story A Telephone Call, by Dorothy Parker: a portrait of woman's obsessive emotional dependency |
title_sort |
Satire as poetics in the short story A Telephone Call, by Dorothy Parker: a portrait of woman's obsessive emotional dependency |
author |
Sergel, Caroline |
author_facet |
Sergel, Caroline Gudino, Mariana Elizabeth Ceris Burtett Oliveira, Valdeci Batista de Melo |
author_role |
author |
author2 |
Gudino, Mariana Elizabeth Ceris Burtett Oliveira, Valdeci Batista de Melo |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Sergel, Caroline Gudino, Mariana Elizabeth Ceris Burtett Oliveira, Valdeci Batista de Melo |
dc.subject.por.fl_str_mv |
Papéis de gênero Sofrimento psíquico Dependência emocional Gender roles Psychological suffering Emotional dependence |
topic |
Papéis de gênero Sofrimento psíquico Dependência emocional Gender roles Psychological suffering Emotional dependence |
description |
Based on gender studies and sociological theory, we conducted a comparative analysis and study of the short story “A Telephone Call” by Dorothy Parker (2020) and its homonymous audiovisual transposition (REDEMOINHO, 2021). Beyond the divergences and similarities between the two, we explored how historically constructed and reproduced gender roles affect and oppress the protagonist to the point of leading her to an obsessive emotional state while she waits for a phone call, observed in her interior monologue that tends towards the dramatic. The theoretical support was based on studies on gender devices (ZANELLO, 2018), the concept of gender technology (LAURETIS, 2019) and its examples (DEL PRIORE, 2005) as well as gendered processes of social interaction, habitus, and scripts (DIMEN, 1988; BOURDIEU, 1983; ZANELLO, 2018). We concluded the presence of the simultaneity of the theme of the internal conflict of what she wants as an ontological subject and what she should perform as a woman, that is, being adrift, waiting and passive, regardless of her will and desire. [Received on: March 28, 2023 - Accepted on: June 10, 2023] |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-08-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p221 10.30620/pdi.v13n1.p221 |
url |
https://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p221 |
identifier_str_mv |
10.30620/pdi.v13n1.p221 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.uneb.br/index.php/pontosdeint/article/view/v13n1p221/v13n1p221 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Pontos de Interrogação – Revista de Crítica Cultural https://creativecommons.org/licenses/by-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Pontos de Interrogação – Revista de Crítica Cultural https://creativecommons.org/licenses/by-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural |
publisher.none.fl_str_mv |
Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural |
dc.source.none.fl_str_mv |
Pontos de Interrogação – Journal of Cultural Criticism; Vol. 13 No. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 221-237 Pontos de Interrogação – Revista de Crítica Cultural; Vol. 13 Núm. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 221-237 Pontos de Interrogação – Revista de Crítica Cultural; v. 13 n. 1 (2023): Dossiê: Corpos, gêneros e literatura de autoria feminina; 221-237 2237-9681 reponame:Pontos de Interrogação (Online) instname:Universidade do Estado da Bahia (UNEB) instacron:UNEB |
instname_str |
Universidade do Estado da Bahia (UNEB) |
instacron_str |
UNEB |
institution |
UNEB |
reponame_str |
Pontos de Interrogação (Online) |
collection |
Pontos de Interrogação (Online) |
repository.name.fl_str_mv |
Pontos de Interrogação (Online) - Universidade do Estado da Bahia (UNEB) |
repository.mail.fl_str_mv |
revistaponti@gmail.com || osmar.moreira@uol.com.br |
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