LAS MENINAS: ANALYSIS OF THE VELÁZQUEZ WORK AND SOME READINGS
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10759 |
Resumo: | We are constantly surrounded by images, although we often do not look at them with a reflective eye. This article brings a reflection on image reading, how it can be conceived and understood as a text, something that can be decoded, read and interpreted. For this, we seek a basis in the ideas of some authors such as: Santaella (2005) and Charaudeau (2012), on the question of sign in visual language and communication; Ricoeur (1997), bringing the perspective of narrative and time in the poetics of the image; Durand (2002) and the symbolic imaginary; Hall (2016) and representations through language, among others. To exemplify, we compare the work of Velázquez, Las meninas, with some reinterpretations of the same work done by Picasso, showing how one can interpret a work of art through artistic making, with the intention that rereading is not copying, because the signs that are present in the work are open to interpretation. |
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LAS MENINAS: ANALYSIS OF THE VELÁZQUEZ WORK AND SOME READINGSLAS MENINAS: ANÁLISE DA OBRA DE VELÁZQUEZ E ALGUMAS RELEITURASVelázquezPicassoLeituraImagemLas meninasWe are constantly surrounded by images, although we often do not look at them with a reflective eye. This article brings a reflection on image reading, how it can be conceived and understood as a text, something that can be decoded, read and interpreted. For this, we seek a basis in the ideas of some authors such as: Santaella (2005) and Charaudeau (2012), on the question of sign in visual language and communication; Ricoeur (1997), bringing the perspective of narrative and time in the poetics of the image; Durand (2002) and the symbolic imaginary; Hall (2016) and representations through language, among others. To exemplify, we compare the work of Velázquez, Las meninas, with some reinterpretations of the same work done by Picasso, showing how one can interpret a work of art through artistic making, with the intention that rereading is not copying, because the signs that are present in the work are open to interpretation.Estamos constantemente rodeados por imagens, embora, muitas vezes, não olhemos com um olhar reflexivo sobre elas. Este artigo traz uma reflexão sobre a leitura de imagem, como se pode conceber e compreendê-la como um texto, algo que pode ser decodificado, lido e interpretado. Para isso, busca-se um embasamento nas ideias de alguns autores como: Santaella (2005) e Charaudeau (2012), sobre a questão signo na linguagem visual e na comunicação; Ricoeur (1997), trazendo a perspectiva da narrativa e do tempo na poética da imagem; Durand (2002) e o imaginário simbólico; Hall (2016) e as representações através da linguagem, dentre outros. Para exemplificar, compara-se a obra de Velázques, Las meninas, com algumas releituras da mesma obra feitas por Picasso, mostrando como se pode interpretar uma obra de arte através do fazer artístico, na intenção de que reler não é copiar, pois os signos que estão presentes na obra são passíveis de interpretação.Universidade do Sul de Santa Catarina2022-03-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/1075910.59306/rcc.v16e22021225-233Revista Crítica Cultural; v. 16 n. 2 (2021); 225-2331980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10759/6025Copyright (c) 2022 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessFrizon, Deise de Mouraschemes, claudia2023-04-14T22:06:15Zoai:portaldeperiodicos.animaeducacao.com.br:article/10759Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2023-04-14T22:06:15Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
LAS MENINAS: ANALYSIS OF THE VELÁZQUEZ WORK AND SOME READINGS LAS MENINAS: ANÁLISE DA OBRA DE VELÁZQUEZ E ALGUMAS RELEITURAS |
title |
LAS MENINAS: ANALYSIS OF THE VELÁZQUEZ WORK AND SOME READINGS |
spellingShingle |
LAS MENINAS: ANALYSIS OF THE VELÁZQUEZ WORK AND SOME READINGS Frizon, Deise de Moura Velázquez Picasso Leitura Imagem Las meninas |
title_short |
LAS MENINAS: ANALYSIS OF THE VELÁZQUEZ WORK AND SOME READINGS |
title_full |
LAS MENINAS: ANALYSIS OF THE VELÁZQUEZ WORK AND SOME READINGS |
title_fullStr |
LAS MENINAS: ANALYSIS OF THE VELÁZQUEZ WORK AND SOME READINGS |
title_full_unstemmed |
LAS MENINAS: ANALYSIS OF THE VELÁZQUEZ WORK AND SOME READINGS |
title_sort |
LAS MENINAS: ANALYSIS OF THE VELÁZQUEZ WORK AND SOME READINGS |
author |
Frizon, Deise de Moura |
author_facet |
Frizon, Deise de Moura schemes, claudia |
author_role |
author |
author2 |
schemes, claudia |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Frizon, Deise de Moura schemes, claudia |
dc.subject.por.fl_str_mv |
Velázquez Picasso Leitura Imagem Las meninas |
topic |
Velázquez Picasso Leitura Imagem Las meninas |
description |
We are constantly surrounded by images, although we often do not look at them with a reflective eye. This article brings a reflection on image reading, how it can be conceived and understood as a text, something that can be decoded, read and interpreted. For this, we seek a basis in the ideas of some authors such as: Santaella (2005) and Charaudeau (2012), on the question of sign in visual language and communication; Ricoeur (1997), bringing the perspective of narrative and time in the poetics of the image; Durand (2002) and the symbolic imaginary; Hall (2016) and representations through language, among others. To exemplify, we compare the work of Velázquez, Las meninas, with some reinterpretations of the same work done by Picasso, showing how one can interpret a work of art through artistic making, with the intention that rereading is not copying, because the signs that are present in the work are open to interpretation. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-03-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10759 10.59306/rcc.v16e22021225-233 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10759 |
identifier_str_mv |
10.59306/rcc.v16e22021225-233 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/10759/6025 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Revista Crítica Cultural info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Revista Crítica Cultural |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 16 n. 2 (2021); 225-233 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220553452191744 |