Transits and Corridors: Maria Rosa Lojo's Library in Solo queda saltar (2018)
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://dx.doi.org/10.5209/alhi.79789 http://hdl.handle.net/11449/218572 |
Resumo: | The Argentine writer Maria Rosa Lojo is an author of a diversified works. In the literary area includes poems, collections of stories and several novels. In the literary critical essays, she also produced important works, including books and varied articles, about culture and argentine literature. Since the publication of her first book in 1984, she has been occupying a prominent place in the Argentine letters. In the long list of his fictional works, the narratives almost always are made in the blurred boundaries between history and fiction, which in general address historical and identity issues associated with transits and borders. When the limits of the traditional genres are erased, with the mixture of various types of discourse, dialogues between the various modalities of fictional and historical narratives are frequent. The present work, based on the mapping of the fictional works of Maria Rosa Lojo, discusses how these works transit in the texture of her latest novel, Solo queda saltar (2018) and how the intertextual dialogue that takes place reiterates the presence of usual themes and forms in his work. |
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Transits and Corridors: Maria Rosa Lojo's Library in Solo queda saltar (2018)exileborder and cultural transitintertextual relationshipscontemporary Argentine narrativeMaria Rosa LojoSolo queda saltarThe Argentine writer Maria Rosa Lojo is an author of a diversified works. In the literary area includes poems, collections of stories and several novels. In the literary critical essays, she also produced important works, including books and varied articles, about culture and argentine literature. Since the publication of her first book in 1984, she has been occupying a prominent place in the Argentine letters. In the long list of his fictional works, the narratives almost always are made in the blurred boundaries between history and fiction, which in general address historical and identity issues associated with transits and borders. When the limits of the traditional genres are erased, with the mixture of various types of discourse, dialogues between the various modalities of fictional and historical narratives are frequent. The present work, based on the mapping of the fictional works of Maria Rosa Lojo, discusses how these works transit in the texture of her latest novel, Solo queda saltar (2018) and how the intertextual dialogue that takes place reiterates the presence of usual themes and forms in his work.UNESP, Assis, BrazilUNESP, Assis, BrazilUniv Complutense Madrid, Servicio PublicacionesUniversidade Estadual Paulista (UNESP)Esteves, Antonio R. [UNESP]2022-04-28T17:21:47Z2022-04-28T17:21:47Z2021-01-01info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article41-48http://dx.doi.org/10.5209/alhi.79789Anales De Literatura Hispanoamericana. Madrid: Univ Complutense Madrid, Servicio Publicaciones, v. 50, p. 41-48, 2021.0210-4547http://hdl.handle.net/11449/21857210.5209/alhi.79789WOS:000761686700005Web of Sciencereponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPspaAnales De Literatura Hispanoamericanainfo:eu-repo/semantics/openAccess2022-04-28T17:21:47Zoai:repositorio.unesp.br:11449/218572Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462022-04-28T17:21:47Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
Transits and Corridors: Maria Rosa Lojo's Library in Solo queda saltar (2018) |
title |
Transits and Corridors: Maria Rosa Lojo's Library in Solo queda saltar (2018) |
spellingShingle |
Transits and Corridors: Maria Rosa Lojo's Library in Solo queda saltar (2018) Esteves, Antonio R. [UNESP] exile border and cultural transit intertextual relationships contemporary Argentine narrative Maria Rosa Lojo Solo queda saltar |
title_short |
Transits and Corridors: Maria Rosa Lojo's Library in Solo queda saltar (2018) |
title_full |
Transits and Corridors: Maria Rosa Lojo's Library in Solo queda saltar (2018) |
title_fullStr |
Transits and Corridors: Maria Rosa Lojo's Library in Solo queda saltar (2018) |
title_full_unstemmed |
Transits and Corridors: Maria Rosa Lojo's Library in Solo queda saltar (2018) |
title_sort |
Transits and Corridors: Maria Rosa Lojo's Library in Solo queda saltar (2018) |
author |
Esteves, Antonio R. [UNESP] |
author_facet |
Esteves, Antonio R. [UNESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (UNESP) |
dc.contributor.author.fl_str_mv |
Esteves, Antonio R. [UNESP] |
dc.subject.por.fl_str_mv |
exile border and cultural transit intertextual relationships contemporary Argentine narrative Maria Rosa Lojo Solo queda saltar |
topic |
exile border and cultural transit intertextual relationships contemporary Argentine narrative Maria Rosa Lojo Solo queda saltar |
description |
The Argentine writer Maria Rosa Lojo is an author of a diversified works. In the literary area includes poems, collections of stories and several novels. In the literary critical essays, she also produced important works, including books and varied articles, about culture and argentine literature. Since the publication of her first book in 1984, she has been occupying a prominent place in the Argentine letters. In the long list of his fictional works, the narratives almost always are made in the blurred boundaries between history and fiction, which in general address historical and identity issues associated with transits and borders. When the limits of the traditional genres are erased, with the mixture of various types of discourse, dialogues between the various modalities of fictional and historical narratives are frequent. The present work, based on the mapping of the fictional works of Maria Rosa Lojo, discusses how these works transit in the texture of her latest novel, Solo queda saltar (2018) and how the intertextual dialogue that takes place reiterates the presence of usual themes and forms in his work. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-01-01 2022-04-28T17:21:47Z 2022-04-28T17:21:47Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://dx.doi.org/10.5209/alhi.79789 Anales De Literatura Hispanoamericana. Madrid: Univ Complutense Madrid, Servicio Publicaciones, v. 50, p. 41-48, 2021. 0210-4547 http://hdl.handle.net/11449/218572 10.5209/alhi.79789 WOS:000761686700005 |
url |
http://dx.doi.org/10.5209/alhi.79789 http://hdl.handle.net/11449/218572 |
identifier_str_mv |
Anales De Literatura Hispanoamericana. Madrid: Univ Complutense Madrid, Servicio Publicaciones, v. 50, p. 41-48, 2021. 0210-4547 10.5209/alhi.79789 WOS:000761686700005 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
Anales De Literatura Hispanoamericana |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
41-48 |
dc.publisher.none.fl_str_mv |
Univ Complutense Madrid, Servicio Publicaciones |
publisher.none.fl_str_mv |
Univ Complutense Madrid, Servicio Publicaciones |
dc.source.none.fl_str_mv |
Web of Science reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
|
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1799964989917757440 |