Berimbau's "use value" and "exchange value": production and consumption as symbols of freedom in contemporary global Capoeira Angola

Detalhes bibliográficos
Autor(a) principal: Brito,Celso de
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Vibrant
Texto Completo: http://old.scielo.br/scielo.php?script=sci_arttext&pid=S1809-43412012000200004
Resumo: This article approaches the historical transformations surrounding the use of the berimbau - a musical instrument of African origin, which became Capoeira's greatest symbol - and the relation between this process with the history of the Afro-Brazilian population. In the perspective of the Anthropology of Economics, the berimbau is analyzed from the beginnings of its presence in Brazil taking into account the relation between production and consumption, leading to the examination of its insertion in the international market. The argumentation is based on data collected between 2008 and 2010 in the Brazilian cities of Curitiba and Salvador; in the French cities of Lyon, Grenoble and Montelimar; and in the Spanish city of Santiago de Compostela. Specialized websites were also used as reference. The article suggests that the berimbau would symbolize the different meanings of freedom corresponding to the demands of the Afro-Brazilian population in several historical contexts, either as a religious fetish, as a working tool or even as merchandise. It is also suggested that the search for freedom in the Afro-Brazilian social segment is still in course nowadays, though inserted in the context of the international market in which the berimbau and the practice of Capoeira Angola that associates with it become merchandises, and, as such, a means of acquiring a specific type of freedom: the freedom of consumption.
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spelling Berimbau's "use value" and "exchange value": production and consumption as symbols of freedom in contemporary global Capoeira AngolaBerimbauCapoeiraConsumptionFreedomThis article approaches the historical transformations surrounding the use of the berimbau - a musical instrument of African origin, which became Capoeira's greatest symbol - and the relation between this process with the history of the Afro-Brazilian population. In the perspective of the Anthropology of Economics, the berimbau is analyzed from the beginnings of its presence in Brazil taking into account the relation between production and consumption, leading to the examination of its insertion in the international market. The argumentation is based on data collected between 2008 and 2010 in the Brazilian cities of Curitiba and Salvador; in the French cities of Lyon, Grenoble and Montelimar; and in the Spanish city of Santiago de Compostela. Specialized websites were also used as reference. The article suggests that the berimbau would symbolize the different meanings of freedom corresponding to the demands of the Afro-Brazilian population in several historical contexts, either as a religious fetish, as a working tool or even as merchandise. It is also suggested that the search for freedom in the Afro-Brazilian social segment is still in course nowadays, though inserted in the context of the international market in which the berimbau and the practice of Capoeira Angola that associates with it become merchandises, and, as such, a means of acquiring a specific type of freedom: the freedom of consumption.Associação Brasileira de Antropologia (ABA)2012-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontext/htmlhttp://old.scielo.br/scielo.php?script=sci_arttext&pid=S1809-43412012000200004Vibrant: Virtual Brazilian Anthropology v.9 n.2 2012reponame:Vibrantinstname:Associação Brasileira de Antropologiainstacron:ABA10.1590/S1809-43412012000200004info:eu-repo/semantics/openAccessBrito,Celso deeng2013-01-21T00:00:00Zoai:scielo:S1809-43412012000200004Revistahttp://www.vibrant.org.br/https://old.scielo.br/oai/scielo-oai.phpvibrant.aba@gmail.com1809-43411809-4341opendoar:2013-01-21T00:00Vibrant - Associação Brasileira de Antropologiafalse
dc.title.none.fl_str_mv Berimbau's "use value" and "exchange value": production and consumption as symbols of freedom in contemporary global Capoeira Angola
title Berimbau's "use value" and "exchange value": production and consumption as symbols of freedom in contemporary global Capoeira Angola
spellingShingle Berimbau's "use value" and "exchange value": production and consumption as symbols of freedom in contemporary global Capoeira Angola
Brito,Celso de
Berimbau
Capoeira
Consumption
Freedom
title_short Berimbau's "use value" and "exchange value": production and consumption as symbols of freedom in contemporary global Capoeira Angola
title_full Berimbau's "use value" and "exchange value": production and consumption as symbols of freedom in contemporary global Capoeira Angola
title_fullStr Berimbau's "use value" and "exchange value": production and consumption as symbols of freedom in contemporary global Capoeira Angola
title_full_unstemmed Berimbau's "use value" and "exchange value": production and consumption as symbols of freedom in contemporary global Capoeira Angola
title_sort Berimbau's "use value" and "exchange value": production and consumption as symbols of freedom in contemporary global Capoeira Angola
author Brito,Celso de
author_facet Brito,Celso de
author_role author
dc.contributor.author.fl_str_mv Brito,Celso de
dc.subject.por.fl_str_mv Berimbau
Capoeira
Consumption
Freedom
topic Berimbau
Capoeira
Consumption
Freedom
description This article approaches the historical transformations surrounding the use of the berimbau - a musical instrument of African origin, which became Capoeira's greatest symbol - and the relation between this process with the history of the Afro-Brazilian population. In the perspective of the Anthropology of Economics, the berimbau is analyzed from the beginnings of its presence in Brazil taking into account the relation between production and consumption, leading to the examination of its insertion in the international market. The argumentation is based on data collected between 2008 and 2010 in the Brazilian cities of Curitiba and Salvador; in the French cities of Lyon, Grenoble and Montelimar; and in the Spanish city of Santiago de Compostela. Specialized websites were also used as reference. The article suggests that the berimbau would symbolize the different meanings of freedom corresponding to the demands of the Afro-Brazilian population in several historical contexts, either as a religious fetish, as a working tool or even as merchandise. It is also suggested that the search for freedom in the Afro-Brazilian social segment is still in course nowadays, though inserted in the context of the international market in which the berimbau and the practice of Capoeira Angola that associates with it become merchandises, and, as such, a means of acquiring a specific type of freedom: the freedom of consumption.
publishDate 2012
dc.date.none.fl_str_mv 2012-12-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv http://old.scielo.br/scielo.php?script=sci_arttext&pid=S1809-43412012000200004
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dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 10.1590/S1809-43412012000200004
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv text/html
dc.publisher.none.fl_str_mv Associação Brasileira de Antropologia (ABA)
publisher.none.fl_str_mv Associação Brasileira de Antropologia (ABA)
dc.source.none.fl_str_mv Vibrant: Virtual Brazilian Anthropology v.9 n.2 2012
reponame:Vibrant
instname:Associação Brasileira de Antropologia
instacron:ABA
instname_str Associação Brasileira de Antropologia
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