A Estação: a testimony of belle époque’s visual culture in the dissemination of dressmaking techniques
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista dObra[s] |
Texto Completo: | https://dobras.emnuvens.com.br/dobras/article/view/1138 |
Resumo: | This article investigates the use of visual culture as a vehicle for fashion information and dressmaking techniques published in the periodical A Estação (1879-1904). The study is based on the analysis of Portuguese and French issues of the journal (La Saison, 1883-1908), as well as a cut-and-sew manual that accompanied it. The aim is to understand the use of visual resources in fashion communication and the formation of French dressmaking culture – which entered the country via seaports before reaching the utter ends of Minas Gerais. In order to reach this objective, the textual and imagistic con-tents of the cited journal, the educational legislation of the First Republic, photographs, and a textile object were investigated. As a theoretical-methodological procedure, the ma-terial was intertwined with many other sources from a dialectical perspective. This choice makes it possible to situate the historical context and the visual culture resources, allow-ing us to understand its comprehensiveness when it comes to the absorption of fashion and the teaching of French dressmaking techniques in the Brazilian belle époque. |
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A Estação: a testimony of belle époque’s visual culture in the dissemination of dressmaking techniquesA Estação: um testemunho da cultura visual da belle époque na difusão das técnicas de construção de roupasCommunicationModern timesDressmaking techniquesBelle époqueBrazilComunicaçãoModernidadeTécnicas de construção de roupasBelle époqueBrasilThis article investigates the use of visual culture as a vehicle for fashion information and dressmaking techniques published in the periodical A Estação (1879-1904). The study is based on the analysis of Portuguese and French issues of the journal (La Saison, 1883-1908), as well as a cut-and-sew manual that accompanied it. The aim is to understand the use of visual resources in fashion communication and the formation of French dressmaking culture – which entered the country via seaports before reaching the utter ends of Minas Gerais. In order to reach this objective, the textual and imagistic con-tents of the cited journal, the educational legislation of the First Republic, photographs, and a textile object were investigated. As a theoretical-methodological procedure, the ma-terial was intertwined with many other sources from a dialectical perspective. This choice makes it possible to situate the historical context and the visual culture resources, allow-ing us to understand its comprehensiveness when it comes to the absorption of fashion and the teaching of French dressmaking techniques in the Brazilian belle époque.Neste artigo, investigo o uso da cultura visual como veículo de informação de moda e de técnicas de construção de roupas divulgadas no periódico A Estação (1879-1904). O estudo se baseia na análise de exemplares desse periódico, em português e em sua versão francesa (La Saison, 1883-1908), e de um exemplar do manual de corte e cos-tura que o complementava. Objetivo compreender o uso dos recursos visuais na comuni-cação de moda e na formação de uma cultura francesa de construção de roupas que, pelos portos litorâneos, entrava no país chegando aos confins de Minas Gerais. Para isso, investi-go os conteúdos textuais e imagéticos dos impressos, a legislação educacional da Primeira República, fotografias e um objeto têxtil. Como procedimento teórico-metodológico parto do entrecruzamento dos impressos com várias outras fontes numa perspectiva dialética que situa o contexto histórico e os recursos da cultura visual, permitindo compreender sua abrangência na absorção da moda e no ensino-aprendizagem das técnicas francesas de construção de roupas na belle époque brasileira.Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2020-08-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/113810.26563/dobras.v14i29.1138dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 14 n. 29 (2020); 83-1012358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMporhttps://dobras.emnuvens.com.br/dobras/article/view/1138/621Copyright (c) 2020 Maristela Novaesinfo:eu-repo/semantics/openAccessNovaes, Maristela2020-08-03T21:06:25Zoai:ojs.dobras.emnuvens.com.br:article/1138Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2023-01-12T16:05:41.970154Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)true |
dc.title.none.fl_str_mv |
A Estação: a testimony of belle époque’s visual culture in the dissemination of dressmaking techniques A Estação: um testemunho da cultura visual da belle époque na difusão das técnicas de construção de roupas |
title |
A Estação: a testimony of belle époque’s visual culture in the dissemination of dressmaking techniques |
spellingShingle |
A Estação: a testimony of belle époque’s visual culture in the dissemination of dressmaking techniques Novaes, Maristela Communication Modern times Dressmaking techniques Belle époque Brazil Comunicação Modernidade Técnicas de construção de roupas Belle époque Brasil |
title_short |
A Estação: a testimony of belle époque’s visual culture in the dissemination of dressmaking techniques |
title_full |
A Estação: a testimony of belle époque’s visual culture in the dissemination of dressmaking techniques |
title_fullStr |
A Estação: a testimony of belle époque’s visual culture in the dissemination of dressmaking techniques |
title_full_unstemmed |
A Estação: a testimony of belle époque’s visual culture in the dissemination of dressmaking techniques |
title_sort |
A Estação: a testimony of belle époque’s visual culture in the dissemination of dressmaking techniques |
author |
Novaes, Maristela |
author_facet |
Novaes, Maristela |
author_role |
author |
dc.contributor.author.fl_str_mv |
Novaes, Maristela |
dc.subject.por.fl_str_mv |
Communication Modern times Dressmaking techniques Belle époque Brazil Comunicação Modernidade Técnicas de construção de roupas Belle époque Brasil |
topic |
Communication Modern times Dressmaking techniques Belle époque Brazil Comunicação Modernidade Técnicas de construção de roupas Belle époque Brasil |
description |
This article investigates the use of visual culture as a vehicle for fashion information and dressmaking techniques published in the periodical A Estação (1879-1904). The study is based on the analysis of Portuguese and French issues of the journal (La Saison, 1883-1908), as well as a cut-and-sew manual that accompanied it. The aim is to understand the use of visual resources in fashion communication and the formation of French dressmaking culture – which entered the country via seaports before reaching the utter ends of Minas Gerais. In order to reach this objective, the textual and imagistic con-tents of the cited journal, the educational legislation of the First Republic, photographs, and a textile object were investigated. As a theoretical-methodological procedure, the ma-terial was intertwined with many other sources from a dialectical perspective. This choice makes it possible to situate the historical context and the visual culture resources, allow-ing us to understand its comprehensiveness when it comes to the absorption of fashion and the teaching of French dressmaking techniques in the Brazilian belle époque. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-08-03 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1138 10.26563/dobras.v14i29.1138 |
url |
https://dobras.emnuvens.com.br/dobras/article/view/1138 |
identifier_str_mv |
10.26563/dobras.v14i29.1138 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1138/621 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Maristela Novaes info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Maristela Novaes |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
dc.source.none.fl_str_mv |
dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 14 n. 29 (2020); 83-101 2358-0003 1982-0313 reponame:Revista dObra[s] instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) instacron:ABEPEM |
instname_str |
Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
instacron_str |
ABEPEM |
institution |
ABEPEM |
reponame_str |
Revista dObra[s] |
collection |
Revista dObra[s] |
repository.name.fl_str_mv |
Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
repository.mail.fl_str_mv |
dobras.abepem@gmail.com |
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1797054041506709504 |