La SAPE: wear to resist, resist to exist
Main Author: | |
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Publication Date: | 2022 |
Format: | Article |
Language: | por |
Source: | Revista dObra[s] |
Download full: | https://dobras.emnuvens.com.br/dobras/article/view/1604 |
Summary: | In this article, I present an analysis of La SAPE (Société des Ambianceurs et Personnes Élégantes), taking the act of getting dressed as an action of resistance aimed at ensuring the aesthetic existence of African bodies. My aim is to investigate how the study of the fashion and art culture can be extended to address the symbolic issues arising from the European colonization in Africa, particularly regarding the spread of Dandism during the colonization process. The article analyzes, from the perspective of aesthetic and historical criticism, the complexity of the act of getting dressed to gain a better understanding offashion in the context of contemporary artistic practices and investigate how its constitution is permeated by political issues related to the culture of contemporary visibility, to the discourses of power and to the actions of resistance arising from the phenomenon of fashion. |
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La SAPE: wear to resist, resist to existLa SAPE: vestir para resistir, resistir para existirLa SAPEArtFashionTo ResistTo ExistLa SAPEArteModaResistirExistirIn this article, I present an analysis of La SAPE (Société des Ambianceurs et Personnes Élégantes), taking the act of getting dressed as an action of resistance aimed at ensuring the aesthetic existence of African bodies. My aim is to investigate how the study of the fashion and art culture can be extended to address the symbolic issues arising from the European colonization in Africa, particularly regarding the spread of Dandism during the colonization process. The article analyzes, from the perspective of aesthetic and historical criticism, the complexity of the act of getting dressed to gain a better understanding offashion in the context of contemporary artistic practices and investigate how its constitution is permeated by political issues related to the culture of contemporary visibility, to the discourses of power and to the actions of resistance arising from the phenomenon of fashion.O estudo apresenta uma análise sobre La SAPE (Société des Ambianceurs et Personnes Elégantes) tomando o ato de enroupar-se como uma ação de resistência para assegurar a existência estética dos corpos africanos. Trata-se de pensar a extensão da cultura da moda e da arte para as questões simbólicas da colonização europeia na África, em particular, pela difusão do dandismo durante o processo de colonização. A pesquisa analisa, sob o ponto de vista da crítica estética e da história, a complexidade do vestir, a fim de melhor compreender a inserção da moda nas práticas artísticas contemporâneas. Pretende-se investigar como a sua constituição está permeada de questões políticas relacionadas à cultura da visibilidade contemporânea, aos discursos de poder e às ações de resistência advindas do fenômeno da moda.Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2022-12-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/160410.26563/dobras.i36.1604dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 36 (2022); 29-542358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMporhttps://dobras.emnuvens.com.br/dobras/article/view/1604/768https://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccess Adverse, Angélica2023-02-27T15:53:40Zoai:ojs.dobras.emnuvens.com.br:article/1604Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2023-02-27T15:53:40Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)false |
dc.title.none.fl_str_mv |
La SAPE: wear to resist, resist to exist La SAPE: vestir para resistir, resistir para existir |
title |
La SAPE: wear to resist, resist to exist |
spellingShingle |
La SAPE: wear to resist, resist to exist Adverse, Angélica La SAPE Art Fashion To Resist To Exist La SAPE Arte Moda Resistir Existir |
title_short |
La SAPE: wear to resist, resist to exist |
title_full |
La SAPE: wear to resist, resist to exist |
title_fullStr |
La SAPE: wear to resist, resist to exist |
title_full_unstemmed |
La SAPE: wear to resist, resist to exist |
title_sort |
La SAPE: wear to resist, resist to exist |
author |
Adverse, Angélica |
author_facet |
Adverse, Angélica |
author_role |
author |
dc.contributor.author.fl_str_mv |
Adverse, Angélica |
dc.subject.por.fl_str_mv |
La SAPE Art Fashion To Resist To Exist La SAPE Arte Moda Resistir Existir |
topic |
La SAPE Art Fashion To Resist To Exist La SAPE Arte Moda Resistir Existir |
description |
In this article, I present an analysis of La SAPE (Société des Ambianceurs et Personnes Élégantes), taking the act of getting dressed as an action of resistance aimed at ensuring the aesthetic existence of African bodies. My aim is to investigate how the study of the fashion and art culture can be extended to address the symbolic issues arising from the European colonization in Africa, particularly regarding the spread of Dandism during the colonization process. The article analyzes, from the perspective of aesthetic and historical criticism, the complexity of the act of getting dressed to gain a better understanding offashion in the context of contemporary artistic practices and investigate how its constitution is permeated by political issues related to the culture of contemporary visibility, to the discourses of power and to the actions of resistance arising from the phenomenon of fashion. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-05 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1604 10.26563/dobras.i36.1604 |
url |
https://dobras.emnuvens.com.br/dobras/article/view/1604 |
identifier_str_mv |
10.26563/dobras.i36.1604 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1604/768 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
dc.source.none.fl_str_mv |
dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 36 (2022); 29-54 2358-0003 1982-0313 reponame:Revista dObra[s] instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) instacron:ABEPEM |
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Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
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ABEPEM |
institution |
ABEPEM |
reponame_str |
Revista dObra[s] |
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Revista dObra[s] |
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Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
repository.mail.fl_str_mv |
dobras.abepem@gmail.com |
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1797054038982787072 |