Notes on fashion and cinema: Gilda de Mello e Souza and Paulo Emílio Salles Gomes

Detalhes bibliográficos
Autor(a) principal: Falcone, Giulia
Data de Publicação: 2022
Outros Autores: Vigneron, Victor Santos
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista dObra[s]
Texto Completo: https://dobras.emnuvens.com.br/dobras/article/view/1409
Resumo: This article aims to set a dialogue between fashion and cinema through the perspective of two prominent authors in the Brazilian academic field, the critics Gilda de Mello e Souza and Paulo Emílio Salles Gomes. Even though they retain their epistemological specializations, Gilda with the study of fashion and Paulo Emílio with the film critique, it appears that neither Gilda nor Paulo Emílio are strangers to the object inicially addressed by the other, as Gilda elaborates a series of analyses of national and foreign films while Paulo Emílio is not entirely extraneous to the matter of costume, and, consequently, of fashion, in his film critics. Hence, when analyzing the writings of Gilda and Paulo Emílio on fashion and cinema, it is noticeable that the issues of gender and sexuality stand out as relevant matters within their approach, although the perspective adopted by each one is different. At last, it is regarded that even if the analyzes developed by them on these themes are not exempt from reservations or reassessments, it offers an introductory bias to their respective works and their critical methods.
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spelling Notes on fashion and cinema: Gilda de Mello e Souza and Paulo Emílio Salles GomesModa e cinema em duas perspectivas: notas preliminares sobre figurino e relações de gênero em Gilda de Mello e Souza e Paulo Emílio Salles GomesFashionCinemaCostumeGilda de Mello e SouzaPaulo Emílio Salles GomesModaCinemaFigurinoGilda de Mello e SouzaPaulo Emílio Salles GomesThis article aims to set a dialogue between fashion and cinema through the perspective of two prominent authors in the Brazilian academic field, the critics Gilda de Mello e Souza and Paulo Emílio Salles Gomes. Even though they retain their epistemological specializations, Gilda with the study of fashion and Paulo Emílio with the film critique, it appears that neither Gilda nor Paulo Emílio are strangers to the object inicially addressed by the other, as Gilda elaborates a series of analyses of national and foreign films while Paulo Emílio is not entirely extraneous to the matter of costume, and, consequently, of fashion, in his film critics. Hence, when analyzing the writings of Gilda and Paulo Emílio on fashion and cinema, it is noticeable that the issues of gender and sexuality stand out as relevant matters within their approach, although the perspective adopted by each one is different. At last, it is regarded that even if the analyzes developed by them on these themes are not exempt from reservations or reassessments, it offers an introductory bias to their respective works and their critical methods.Este artigo propõe uma aproximação entre a moda e o cinema a partir de dois autores de destaque no campo acadêmico brasileiro, os críticos Gilda de Mello e Souza e Paulo Emílio Salles Gomes. Embora guardem especializações epistemológicas próprias, Gilda com o estudo da moda e Paulo Emílio com a crítica de cinema, constata-se que nem Gilda e nem Paulo Emílio são estranhos ao objeto originalmente abordado pelo outro, visto que Gilda elabora uma série de análises de filmes nacionais e estrangeiros, enquanto Paulo Emílio não é de todo alheio à questão do figurino, e, consequentemente, da moda, em suas críticas cinematográficas. Assim, ao analisar os escritos de Gilda e de Paulo Emílio sobre moda e cinema, nota-se como as relações de gênero e de sexualidade se sobressaem enquanto questões de relevância na abordagem de ambos os autores, ainda que a perspectiva adotada por cada um seja distinta. Considera-se, enfim, que mesmo se as análises desenvolvidas por eles acerca desses temas não sejam isentas de reservas ou reavaliações, elas oferecem um viés introdutório a suas respectivas obras e a seus métodos críticos.Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2022-07-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/140910.26563/dobras.i35.1409dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 35 (2022); 103-1202358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMporhttps://dobras.emnuvens.com.br/dobras/article/view/1409/758Copyright (c) 2022 Giulia Falcone, Victor Santos Vigneronhttps://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccessFalcone, GiuliaVigneron, Victor Santos2022-07-29T16:47:03Zoai:ojs.dobras.emnuvens.com.br:article/1409Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2023-01-12T16:05:46.888487Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)true
dc.title.none.fl_str_mv Notes on fashion and cinema: Gilda de Mello e Souza and Paulo Emílio Salles Gomes
Moda e cinema em duas perspectivas: notas preliminares sobre figurino e relações de gênero em Gilda de Mello e Souza e Paulo Emílio Salles Gomes
title Notes on fashion and cinema: Gilda de Mello e Souza and Paulo Emílio Salles Gomes
spellingShingle Notes on fashion and cinema: Gilda de Mello e Souza and Paulo Emílio Salles Gomes
Falcone, Giulia
Fashion
Cinema
Costume
Gilda de Mello e Souza
Paulo Emílio Salles Gomes
Moda
Cinema
Figurino
Gilda de Mello e Souza
Paulo Emílio Salles Gomes
title_short Notes on fashion and cinema: Gilda de Mello e Souza and Paulo Emílio Salles Gomes
title_full Notes on fashion and cinema: Gilda de Mello e Souza and Paulo Emílio Salles Gomes
title_fullStr Notes on fashion and cinema: Gilda de Mello e Souza and Paulo Emílio Salles Gomes
title_full_unstemmed Notes on fashion and cinema: Gilda de Mello e Souza and Paulo Emílio Salles Gomes
title_sort Notes on fashion and cinema: Gilda de Mello e Souza and Paulo Emílio Salles Gomes
author Falcone, Giulia
author_facet Falcone, Giulia
Vigneron, Victor Santos
author_role author
author2 Vigneron, Victor Santos
author2_role author
dc.contributor.author.fl_str_mv Falcone, Giulia
Vigneron, Victor Santos
dc.subject.por.fl_str_mv Fashion
Cinema
Costume
Gilda de Mello e Souza
Paulo Emílio Salles Gomes
Moda
Cinema
Figurino
Gilda de Mello e Souza
Paulo Emílio Salles Gomes
topic Fashion
Cinema
Costume
Gilda de Mello e Souza
Paulo Emílio Salles Gomes
Moda
Cinema
Figurino
Gilda de Mello e Souza
Paulo Emílio Salles Gomes
description This article aims to set a dialogue between fashion and cinema through the perspective of two prominent authors in the Brazilian academic field, the critics Gilda de Mello e Souza and Paulo Emílio Salles Gomes. Even though they retain their epistemological specializations, Gilda with the study of fashion and Paulo Emílio with the film critique, it appears that neither Gilda nor Paulo Emílio are strangers to the object inicially addressed by the other, as Gilda elaborates a series of analyses of national and foreign films while Paulo Emílio is not entirely extraneous to the matter of costume, and, consequently, of fashion, in his film critics. Hence, when analyzing the writings of Gilda and Paulo Emílio on fashion and cinema, it is noticeable that the issues of gender and sexuality stand out as relevant matters within their approach, although the perspective adopted by each one is different. At last, it is regarded that even if the analyzes developed by them on these themes are not exempt from reservations or reassessments, it offers an introductory bias to their respective works and their critical methods.
publishDate 2022
dc.date.none.fl_str_mv 2022-07-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://dobras.emnuvens.com.br/dobras/article/view/1409
10.26563/dobras.i35.1409
url https://dobras.emnuvens.com.br/dobras/article/view/1409
identifier_str_mv 10.26563/dobras.i35.1409
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://dobras.emnuvens.com.br/dobras/article/view/1409/758
dc.rights.driver.fl_str_mv Copyright (c) 2022 Giulia Falcone, Victor Santos Vigneron
https://creativecommons.org/licenses/by-nc-sa/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Giulia Falcone, Victor Santos Vigneron
https://creativecommons.org/licenses/by-nc-sa/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Associação Brasileira de Estudos e Pesquisas em Moda - Abepem
publisher.none.fl_str_mv Associação Brasileira de Estudos e Pesquisas em Moda - Abepem
dc.source.none.fl_str_mv dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 35 (2022); 103-120
2358-0003
1982-0313
reponame:Revista dObra[s]
instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
instacron:ABEPEM
instname_str Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
instacron_str ABEPEM
institution ABEPEM
reponame_str Revista dObra[s]
collection Revista dObra[s]
repository.name.fl_str_mv Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
repository.mail.fl_str_mv dobras.abepem@gmail.com
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