Contemporary Jewelry Laboratory: the body as raw material of invention
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista dObra[s] |
Texto Completo: | https://dobras.emnuvens.com.br/dobras/article/view/1613 |
Resumo: | This article aims to report and discuss inventive learning dynamics, with a focus on body experience, used in the optional course Laboratório de Joalheria Contemporânea, offered at the School of Design at the State University of Minas Gerais, from 2017 to 2019. approaching the relationship between body and jewelry, thinking about the unfolding of this intertwining in the individuals who design and use them, the discipline proposed to explore the connection between being in the world and the lived world. Using Maurice Merleau-Ponty’s (2011) sense of “own body” as a reference, students were invited to experiment and create from their own bodies, exploring and interacting with collective territories. Through practical-reflective activities, the body dynamics allowed to extract motivations, reflections, for the development of a contemporary jewelry. By exploring different pedagogical formats, we seek to stimulate invention, foster the production of subjectivities, and create environments conducive to experimentation from the analysis and delivery of the body to the process and questioning of the contemporary. |
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Contemporary Jewelry Laboratory: the body as raw material of inventionLaboratório de Joalheria Contemporânea: o corpo como matéria-prima da invençãoContemporary jewelryBodyInventive learningJoalheria contemporâneaCorpoAprendizagem inventivaThis article aims to report and discuss inventive learning dynamics, with a focus on body experience, used in the optional course Laboratório de Joalheria Contemporânea, offered at the School of Design at the State University of Minas Gerais, from 2017 to 2019. approaching the relationship between body and jewelry, thinking about the unfolding of this intertwining in the individuals who design and use them, the discipline proposed to explore the connection between being in the world and the lived world. Using Maurice Merleau-Ponty’s (2011) sense of “own body” as a reference, students were invited to experiment and create from their own bodies, exploring and interacting with collective territories. Through practical-reflective activities, the body dynamics allowed to extract motivations, reflections, for the development of a contemporary jewelry. By exploring different pedagogical formats, we seek to stimulate invention, foster the production of subjectivities, and create environments conducive to experimentation from the analysis and delivery of the body to the process and questioning of the contemporary.Este artigo tem como objetivo relatar e discutir dinâmicas de aprendizagem inventiva, com foco na experiência corporal, utilizadas na disciplina optativa Laboratório de Joalheria Contemporânea, ofertada na Escola de Design da Universidade do Estado de Minas Gerais no período de 2017 a 2019. Ao abordar a relação entre corpo e joia, pensando nos desdobramentos desse entrelace nos indivíduos que projetam as peças e as usam, a disciplina propôs explorar a conexão entre ser no mundo e mundo vivido. Tendo como referência o sentido de corpo-próprio, de Maurice Merleau-Ponty (2011), os alunos foram convocados a experimentar e a criar a partir do próprio corpo, em interação com territórios coletivos. Por meio de atividades prático-reflexivas, as dinâmicas corporais permitiram extrair motivações e reflexões para o desenvolvimento de uma joia contemporânea. Ao explorar diferentes formatos pedagógicos, buscamos estimular a invenção, fomentar a produção de subjetividades e criar ambientes propícios à experimentação a partir da análise e da entrega do corpo ao processo e do questionamento do contemporâneo.Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2022-12-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/161310.26563/dobras.i36.1613dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 36 (2022); 221-2422358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMporhttps://dobras.emnuvens.com.br/dobras/article/view/1613/777https://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccessGomes Amorim, Wadson Magalhães Rigoni, Flávia MarietaÁlvares Correia Dias, Maria Regina2022-12-05T21:25:09Zoai:ojs.dobras.emnuvens.com.br:article/1613Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2023-01-12T16:05:50.247466Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)true |
dc.title.none.fl_str_mv |
Contemporary Jewelry Laboratory: the body as raw material of invention Laboratório de Joalheria Contemporânea: o corpo como matéria-prima da invenção |
title |
Contemporary Jewelry Laboratory: the body as raw material of invention |
spellingShingle |
Contemporary Jewelry Laboratory: the body as raw material of invention Gomes Amorim, Wadson Contemporary jewelry Body Inventive learning Joalheria contemporânea Corpo Aprendizagem inventiva |
title_short |
Contemporary Jewelry Laboratory: the body as raw material of invention |
title_full |
Contemporary Jewelry Laboratory: the body as raw material of invention |
title_fullStr |
Contemporary Jewelry Laboratory: the body as raw material of invention |
title_full_unstemmed |
Contemporary Jewelry Laboratory: the body as raw material of invention |
title_sort |
Contemporary Jewelry Laboratory: the body as raw material of invention |
author |
Gomes Amorim, Wadson |
author_facet |
Gomes Amorim, Wadson Magalhães Rigoni, Flávia Marieta Álvares Correia Dias, Maria Regina |
author_role |
author |
author2 |
Magalhães Rigoni, Flávia Marieta Álvares Correia Dias, Maria Regina |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Gomes Amorim, Wadson Magalhães Rigoni, Flávia Marieta Álvares Correia Dias, Maria Regina |
dc.subject.por.fl_str_mv |
Contemporary jewelry Body Inventive learning Joalheria contemporânea Corpo Aprendizagem inventiva |
topic |
Contemporary jewelry Body Inventive learning Joalheria contemporânea Corpo Aprendizagem inventiva |
description |
This article aims to report and discuss inventive learning dynamics, with a focus on body experience, used in the optional course Laboratório de Joalheria Contemporânea, offered at the School of Design at the State University of Minas Gerais, from 2017 to 2019. approaching the relationship between body and jewelry, thinking about the unfolding of this intertwining in the individuals who design and use them, the discipline proposed to explore the connection between being in the world and the lived world. Using Maurice Merleau-Ponty’s (2011) sense of “own body” as a reference, students were invited to experiment and create from their own bodies, exploring and interacting with collective territories. Through practical-reflective activities, the body dynamics allowed to extract motivations, reflections, for the development of a contemporary jewelry. By exploring different pedagogical formats, we seek to stimulate invention, foster the production of subjectivities, and create environments conducive to experimentation from the analysis and delivery of the body to the process and questioning of the contemporary. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-05 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1613 10.26563/dobras.i36.1613 |
url |
https://dobras.emnuvens.com.br/dobras/article/view/1613 |
identifier_str_mv |
10.26563/dobras.i36.1613 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1613/777 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
dc.source.none.fl_str_mv |
dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 36 (2022); 221-242 2358-0003 1982-0313 reponame:Revista dObra[s] instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) instacron:ABEPEM |
instname_str |
Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
instacron_str |
ABEPEM |
institution |
ABEPEM |
reponame_str |
Revista dObra[s] |
collection |
Revista dObra[s] |
repository.name.fl_str_mv |
Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
repository.mail.fl_str_mv |
dobras.abepem@gmail.com |
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1797054042220789760 |