Now I Know How Joan of Arc Felt: the myth of Joan of Arc and her legacy in contemporary fashion and visual culture

Detalhes bibliográficos
Autor(a) principal: Lucía Gómez-Chacón, Diana
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Revista dObra[s]
Texto Completo: https://dobras.emnuvens.com.br/dobras/article/view/1148
Resumo: Christine de Pizan, one of the main representatives of the Querelle des femmes – a late medieval literary debate that claimed women’s natural virtue – composed the Ditié de Jehanne d’Arc in 1429, that is to say, when her honoree was still alive. Thus, she gave rise to one of the longest-lived female myths in history. The present paper analyses how Joan of Arc, who has become an icon of female strength, freedom, virilization and mys-ticism, was since been a constant in the world of clothing and fashion, taking on special prominence in the contemporary catwalk, by some of the leading international designers such as Paco Rabanne, Jean Paul Gaultier, Alexander McQueen, John Galliano or Donatella Versace. All of them have transformed the Pucelle d’Orleans into a perfect combination of history, legend and aesthetics that proves fashion’s semiotic and symbolic value, as an artistic expression and an instrument of nonverbal communication.
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spelling Now I Know How Joan of Arc Felt: the myth of Joan of Arc and her legacy in contemporary fashion and visual cultureNow I Know How Joan of Arc Felt: el mito de Juana de Arco y su legado en la moda y cultura visual contemporáneasNow I Know How Joan of Arc Felt: o mito de Joana d’Arc e seu legado para a moda contemporânea e a cultura visualJoan of ArcCross-dressingPower-dressingWomen’s virilizationContempo-rary fashionJuana de ArcoCross-dressingPower-dressingVirilización de la mujeModa contemporáneaJoana d’ArcCross-dressingPower-dressingVirilização das mulheresModa contemporâneaChristine de Pizan, one of the main representatives of the Querelle des femmes – a late medieval literary debate that claimed women’s natural virtue – composed the Ditié de Jehanne d’Arc in 1429, that is to say, when her honoree was still alive. Thus, she gave rise to one of the longest-lived female myths in history. The present paper analyses how Joan of Arc, who has become an icon of female strength, freedom, virilization and mys-ticism, was since been a constant in the world of clothing and fashion, taking on special prominence in the contemporary catwalk, by some of the leading international designers such as Paco Rabanne, Jean Paul Gaultier, Alexander McQueen, John Galliano or Donatella Versace. All of them have transformed the Pucelle d’Orleans into a perfect combination of history, legend and aesthetics that proves fashion’s semiotic and symbolic value, as an artistic expression and an instrument of nonverbal communication.Christine de Pizan, una de las principales representantes de la Querella de las Mujeres – debate literario que a finales de la Edad Media reivindicó la virtud natural de la mujer – compuso en 1429, y, por lo tanto, en vida de la homenajeada, su Ditié de Jehanne d’Arc, dando origen a uno de los mitos femeninos más longevos de la historia. El presente trabajo analiza cómo Juana de Arco, convertida en icono de fortaleza, libertad, virilización y misticismo femeninos, ha sido, desde entonces, una constante en el mundo de la indu-mentaria y la moda, cobrando especial protagonismo en la pasarela contemporánea, de la mano de algunos de los principales diseñadores internacionales como Paco Rabanne, Jean Paul Gaultier, Alexander McQueen, John Galliano o Donatella Versace, quienes han hecho de la Doncella de Orleans una perfecta combinación de historia, leyenda y estética que no hace sino demostrar el valor semiótico y simbólico de la moda como expresión artística e instrumento de comunicación no verbal.Christine de Pizan, uma das principais representantes da Querelle de Fem-mes – um debate literário que no fim da Idade Média reivindicou a virtude natural das mulheres – composta em 1429, e, portanto, na vida do homenageado, a sua Ditié de Jehan-ne d’Arc, originou um dos mitos femininos mais antigos da história. O presente trabalho examina como Joana d’Arc, que se tornou ícone da força, da liberdade, da virilidade e do espiritualidade da mulher, tem sido desde então uma constante no mundo do vestuário e da moda, com protagonismo especial na passarela contemporânea conferido por alguns dos principais designers internacionais, como Paco Rabanne, Jean Paul Gaultier, Alexan-der McQueen, John Galliano e Donatella Versace, que fizeram da Donzela de Orléãns uma combinação perfeita de história, lenda e estética, demonstrando o valor semiótico e sim-bólico da moda como expressão artística e instrumento de comunicação não verbal.Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2020-08-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/114810.26563/dobras.v14i29.1148dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 14 n. 29 (2020); 295-3342358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMspahttps://dobras.emnuvens.com.br/dobras/article/view/1148/633Copyright (c) 2020 Diana Lucía Gómez-Chacóninfo:eu-repo/semantics/openAccessLucía Gómez-Chacón, Diana2020-08-03T21:06:25Zoai:ojs.dobras.emnuvens.com.br:article/1148Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2023-01-12T16:05:42.562983Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)true
dc.title.none.fl_str_mv Now I Know How Joan of Arc Felt: the myth of Joan of Arc and her legacy in contemporary fashion and visual culture
Now I Know How Joan of Arc Felt: el mito de Juana de Arco y su legado en la moda y cultura visual contemporáneas
Now I Know How Joan of Arc Felt: o mito de Joana d’Arc e seu legado para a moda contemporânea e a cultura visual
title Now I Know How Joan of Arc Felt: the myth of Joan of Arc and her legacy in contemporary fashion and visual culture
spellingShingle Now I Know How Joan of Arc Felt: the myth of Joan of Arc and her legacy in contemporary fashion and visual culture
Lucía Gómez-Chacón, Diana
Joan of Arc
Cross-dressing
Power-dressing
Women’s virilization
Contempo-rary fashion
Juana de Arco
Cross-dressing
Power-dressing
Virilización de la muje
Moda contemporánea
Joana d’Arc
Cross-dressing
Power-dressing
Virilização das mulheres
Moda contemporânea
title_short Now I Know How Joan of Arc Felt: the myth of Joan of Arc and her legacy in contemporary fashion and visual culture
title_full Now I Know How Joan of Arc Felt: the myth of Joan of Arc and her legacy in contemporary fashion and visual culture
title_fullStr Now I Know How Joan of Arc Felt: the myth of Joan of Arc and her legacy in contemporary fashion and visual culture
title_full_unstemmed Now I Know How Joan of Arc Felt: the myth of Joan of Arc and her legacy in contemporary fashion and visual culture
title_sort Now I Know How Joan of Arc Felt: the myth of Joan of Arc and her legacy in contemporary fashion and visual culture
author Lucía Gómez-Chacón, Diana
author_facet Lucía Gómez-Chacón, Diana
author_role author
dc.contributor.author.fl_str_mv Lucía Gómez-Chacón, Diana
dc.subject.por.fl_str_mv Joan of Arc
Cross-dressing
Power-dressing
Women’s virilization
Contempo-rary fashion
Juana de Arco
Cross-dressing
Power-dressing
Virilización de la muje
Moda contemporánea
Joana d’Arc
Cross-dressing
Power-dressing
Virilização das mulheres
Moda contemporânea
topic Joan of Arc
Cross-dressing
Power-dressing
Women’s virilization
Contempo-rary fashion
Juana de Arco
Cross-dressing
Power-dressing
Virilización de la muje
Moda contemporánea
Joana d’Arc
Cross-dressing
Power-dressing
Virilização das mulheres
Moda contemporânea
description Christine de Pizan, one of the main representatives of the Querelle des femmes – a late medieval literary debate that claimed women’s natural virtue – composed the Ditié de Jehanne d’Arc in 1429, that is to say, when her honoree was still alive. Thus, she gave rise to one of the longest-lived female myths in history. The present paper analyses how Joan of Arc, who has become an icon of female strength, freedom, virilization and mys-ticism, was since been a constant in the world of clothing and fashion, taking on special prominence in the contemporary catwalk, by some of the leading international designers such as Paco Rabanne, Jean Paul Gaultier, Alexander McQueen, John Galliano or Donatella Versace. All of them have transformed the Pucelle d’Orleans into a perfect combination of history, legend and aesthetics that proves fashion’s semiotic and symbolic value, as an artistic expression and an instrument of nonverbal communication.
publishDate 2020
dc.date.none.fl_str_mv 2020-08-03
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://dobras.emnuvens.com.br/dobras/article/view/1148
10.26563/dobras.v14i29.1148
url https://dobras.emnuvens.com.br/dobras/article/view/1148
identifier_str_mv 10.26563/dobras.v14i29.1148
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://dobras.emnuvens.com.br/dobras/article/view/1148/633
dc.rights.driver.fl_str_mv Copyright (c) 2020 Diana Lucía Gómez-Chacón
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Diana Lucía Gómez-Chacón
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Associação Brasileira de Estudos e Pesquisas em Moda - Abepem
publisher.none.fl_str_mv Associação Brasileira de Estudos e Pesquisas em Moda - Abepem
dc.source.none.fl_str_mv dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 14 n. 29 (2020); 295-334
2358-0003
1982-0313
reponame:Revista dObra[s]
instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
instacron:ABEPEM
instname_str Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
instacron_str ABEPEM
institution ABEPEM
reponame_str Revista dObra[s]
collection Revista dObra[s]
repository.name.fl_str_mv Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
repository.mail.fl_str_mv dobras.abepem@gmail.com
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