The time of Brazil: new perceptions about consumption and the resignification of Ceará handicraft
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista dObra[s] |
Texto Completo: | https://dobras.emnuvens.com.br/dobras/article/view/106 |
Resumo: | The globalized world presumes a massificated production. Against this system, there is a trend about the valorization of manual techniques in the making of objects. New actions in the field of design and fashion are encouraged, aiming the production of goods with a cultural identity and attractive features to the market. This was the case of the project The Time of Brazil, held in 2012 in Fortaleza, that sought to resignify the handicrafts by means of the union of professionals and local artisans. Through the analysis of the collection produced, as well as the catalog, videos and materials on specialized sites, we seek to understand how this crafts can be an object of desire in contemporary times, being a differentiating element in the massconsuming culture. |
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The time of Brazil: new perceptions about consumption and the resignification of Ceará handicraftA hora do Brasil: novas percepções sobre o consumo e a ressignificação do artesanato do Cearácraftsglobalizationdesignconsumption.artesanatoglobalizaçãodesignconsumo.The globalized world presumes a massificated production. Against this system, there is a trend about the valorization of manual techniques in the making of objects. New actions in the field of design and fashion are encouraged, aiming the production of goods with a cultural identity and attractive features to the market. This was the case of the project The Time of Brazil, held in 2012 in Fortaleza, that sought to resignify the handicrafts by means of the union of professionals and local artisans. Through the analysis of the collection produced, as well as the catalog, videos and materials on specialized sites, we seek to understand how this crafts can be an object of desire in contemporary times, being a differentiating element in the massconsuming culture.O mundo globalizado pressupõe a produção massificada. Na contramão desse sistema, existe uma tendência à valorização de técnicas manuais na confecção de objetos. Novas ações na área do design1 e da moda são estimuladas, visando à produção de bens com identidade cultural e com aspectos atrativos ao mercado. Esse foi o caso do projeto A hora do Brasil, realizado no ano de 2012 em Fortaleza, que buscou a ressignificação do artesanato por meio da união de profissionais e artesãos locais. Com a análise da coleção produzida, bem como do catálogo e de vídeos e matérias em sites especializados, busca-se entender como o artesanato pode ser, hoje, objeto de desejo, além de elemento de diferenciação em meio à cultura de consumo de massa.Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2015-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/10610.26563/dobras.v8i18.106dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 8 n. 18 (2015); 88-1052358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMporhttps://dobras.emnuvens.com.br/dobras/article/view/106/105Copyright (c) 2020 Pedro Renan de Oliveira, Francisca Raimunda Nogueira Mendesinfo:eu-repo/semantics/openAccessOliveira, Pedro Renan deMendes, Francisca Raimunda Nogueira2017-08-04T20:02:21Zoai:ojs.dobras.emnuvens.com.br:article/106Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2023-01-12T16:05:16.469152Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)true |
dc.title.none.fl_str_mv |
The time of Brazil: new perceptions about consumption and the resignification of Ceará handicraft A hora do Brasil: novas percepções sobre o consumo e a ressignificação do artesanato do Ceará |
title |
The time of Brazil: new perceptions about consumption and the resignification of Ceará handicraft |
spellingShingle |
The time of Brazil: new perceptions about consumption and the resignification of Ceará handicraft Oliveira, Pedro Renan de crafts globalization design consumption. artesanato globalização design consumo. |
title_short |
The time of Brazil: new perceptions about consumption and the resignification of Ceará handicraft |
title_full |
The time of Brazil: new perceptions about consumption and the resignification of Ceará handicraft |
title_fullStr |
The time of Brazil: new perceptions about consumption and the resignification of Ceará handicraft |
title_full_unstemmed |
The time of Brazil: new perceptions about consumption and the resignification of Ceará handicraft |
title_sort |
The time of Brazil: new perceptions about consumption and the resignification of Ceará handicraft |
author |
Oliveira, Pedro Renan de |
author_facet |
Oliveira, Pedro Renan de Mendes, Francisca Raimunda Nogueira |
author_role |
author |
author2 |
Mendes, Francisca Raimunda Nogueira |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira, Pedro Renan de Mendes, Francisca Raimunda Nogueira |
dc.subject.por.fl_str_mv |
crafts globalization design consumption. artesanato globalização design consumo. |
topic |
crafts globalization design consumption. artesanato globalização design consumo. |
description |
The globalized world presumes a massificated production. Against this system, there is a trend about the valorization of manual techniques in the making of objects. New actions in the field of design and fashion are encouraged, aiming the production of goods with a cultural identity and attractive features to the market. This was the case of the project The Time of Brazil, held in 2012 in Fortaleza, that sought to resignify the handicrafts by means of the union of professionals and local artisans. Through the analysis of the collection produced, as well as the catalog, videos and materials on specialized sites, we seek to understand how this crafts can be an object of desire in contemporary times, being a differentiating element in the massconsuming culture. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-12-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/106 10.26563/dobras.v8i18.106 |
url |
https://dobras.emnuvens.com.br/dobras/article/view/106 |
identifier_str_mv |
10.26563/dobras.v8i18.106 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/106/105 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Pedro Renan de Oliveira, Francisca Raimunda Nogueira Mendes info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Pedro Renan de Oliveira, Francisca Raimunda Nogueira Mendes |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
dc.source.none.fl_str_mv |
dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 8 n. 18 (2015); 88-105 2358-0003 1982-0313 reponame:Revista dObra[s] instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) instacron:ABEPEM |
instname_str |
Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
instacron_str |
ABEPEM |
institution |
ABEPEM |
reponame_str |
Revista dObra[s] |
collection |
Revista dObra[s] |
repository.name.fl_str_mv |
Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
repository.mail.fl_str_mv |
dobras.abepem@gmail.com |
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1797054039472472064 |