Fashion in the museum: Olly Reinheimer’s dresses at MAM-RJ (1969)

Detalhes bibliográficos
Autor(a) principal: Corrêa, Clecius Campos
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista dObra[s]
Texto Completo: https://dobras.emnuvens.com.br/dobras/article/view/988
Resumo: This article aims to present the German-Brazilian artist Olly Reinheimer’s exhibition Vestidos-objeto, held at the Modern Art Museum of Rio de Janeiro in 1969, as an example of a clothes exhibition at an art museum which was legitimized as art by the art critics. The exhibition is approached from its repercussion in Rio newspapers, with its opening in a fashion show format having been critically acclaimed as the “happening of the new fashion.” First, we mention the fashion show which took place in 1966 at Masp, showing that clothing and performance were part of Olly’s artistic project. The goal is to point out how the setting of the exhibition, the acceptance in the museum and the repercussion in the newspapers indicate Olly as an artist at the apex of art and fashion, someone who was able to insert clothing in the museum with the support of expert art critics.
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spelling Fashion in the museum: Olly Reinheimer’s dresses at MAM-RJ (1969)Moda no museu: os vestidos-objeto de Olly Reinheimer no MAM-RJ (1969)Fashion. Museum. Olly Reinheimer. Masp. MAM-RJ.Moda. Museu. Olly Reinheimer. Masp. MAM-RJ.This article aims to present the German-Brazilian artist Olly Reinheimer’s exhibition Vestidos-objeto, held at the Modern Art Museum of Rio de Janeiro in 1969, as an example of a clothes exhibition at an art museum which was legitimized as art by the art critics. The exhibition is approached from its repercussion in Rio newspapers, with its opening in a fashion show format having been critically acclaimed as the “happening of the new fashion.” First, we mention the fashion show which took place in 1966 at Masp, showing that clothing and performance were part of Olly’s artistic project. The goal is to point out how the setting of the exhibition, the acceptance in the museum and the repercussion in the newspapers indicate Olly as an artist at the apex of art and fashion, someone who was able to insert clothing in the museum with the support of expert art critics.Este artigo apresenta a exposição da artista alemã-brasileira Olly Reinheimer, Vestidos-objeto, realizada no Museu de Arte Moderna do Rio de Janeiro, em 1969, como exemplo de mostra de roupas em um museu de arte que foi legitimada como arte pela crítica. Explora-se a referida exposição a partir de sua repercussão em jornais cariocas, cuja abertura em formato de desfile foi chamada pela crítica de “happening da nova moda”. Antes, menciona-se o desfile ocorrido em 1966 no Masp, mostrando que a roupa e a performance eram partes do projeto artístico de Olly. O objetivo é apontar como a configuração da exposição, a aceitação no museu e a repercussão nos jornais indicaram Olly como uma artista no vértice da arte e da moda, capaz de atravessar o tema roupa no museu com o apoio da crítica especializada.Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2019-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/98810.26563/dobras.v12i27.988dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 12 n. 27 (2019); 165-1922358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMporhttps://dobras.emnuvens.com.br/dobras/article/view/988/589Copyright (c) 2020 Clecius Campos Corrêainfo:eu-repo/semantics/openAccessCorrêa, Clecius Campos2020-04-24T18:29:13Zoai:ojs.dobras.emnuvens.com.br:article/988Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2023-01-12T16:05:40.378230Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)true
dc.title.none.fl_str_mv Fashion in the museum: Olly Reinheimer’s dresses at MAM-RJ (1969)
Moda no museu: os vestidos-objeto de Olly Reinheimer no MAM-RJ (1969)
title Fashion in the museum: Olly Reinheimer’s dresses at MAM-RJ (1969)
spellingShingle Fashion in the museum: Olly Reinheimer’s dresses at MAM-RJ (1969)
Corrêa, Clecius Campos
Fashion. Museum. Olly Reinheimer. Masp. MAM-RJ.
Moda. Museu. Olly Reinheimer. Masp. MAM-RJ.
title_short Fashion in the museum: Olly Reinheimer’s dresses at MAM-RJ (1969)
title_full Fashion in the museum: Olly Reinheimer’s dresses at MAM-RJ (1969)
title_fullStr Fashion in the museum: Olly Reinheimer’s dresses at MAM-RJ (1969)
title_full_unstemmed Fashion in the museum: Olly Reinheimer’s dresses at MAM-RJ (1969)
title_sort Fashion in the museum: Olly Reinheimer’s dresses at MAM-RJ (1969)
author Corrêa, Clecius Campos
author_facet Corrêa, Clecius Campos
author_role author
dc.contributor.author.fl_str_mv Corrêa, Clecius Campos
dc.subject.por.fl_str_mv Fashion. Museum. Olly Reinheimer. Masp. MAM-RJ.
Moda. Museu. Olly Reinheimer. Masp. MAM-RJ.
topic Fashion. Museum. Olly Reinheimer. Masp. MAM-RJ.
Moda. Museu. Olly Reinheimer. Masp. MAM-RJ.
description This article aims to present the German-Brazilian artist Olly Reinheimer’s exhibition Vestidos-objeto, held at the Modern Art Museum of Rio de Janeiro in 1969, as an example of a clothes exhibition at an art museum which was legitimized as art by the art critics. The exhibition is approached from its repercussion in Rio newspapers, with its opening in a fashion show format having been critically acclaimed as the “happening of the new fashion.” First, we mention the fashion show which took place in 1966 at Masp, showing that clothing and performance were part of Olly’s artistic project. The goal is to point out how the setting of the exhibition, the acceptance in the museum and the repercussion in the newspapers indicate Olly as an artist at the apex of art and fashion, someone who was able to insert clothing in the museum with the support of expert art critics.
publishDate 2019
dc.date.none.fl_str_mv 2019-12-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://dobras.emnuvens.com.br/dobras/article/view/988
10.26563/dobras.v12i27.988
url https://dobras.emnuvens.com.br/dobras/article/view/988
identifier_str_mv 10.26563/dobras.v12i27.988
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://dobras.emnuvens.com.br/dobras/article/view/988/589
dc.rights.driver.fl_str_mv Copyright (c) 2020 Clecius Campos Corrêa
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Clecius Campos Corrêa
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Associação Brasileira de Estudos e Pesquisas em Moda - Abepem
publisher.none.fl_str_mv Associação Brasileira de Estudos e Pesquisas em Moda - Abepem
dc.source.none.fl_str_mv dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 12 n. 27 (2019); 165-192
2358-0003
1982-0313
reponame:Revista dObra[s]
instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
instacron:ABEPEM
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instacron_str ABEPEM
institution ABEPEM
reponame_str Revista dObra[s]
collection Revista dObra[s]
repository.name.fl_str_mv Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
repository.mail.fl_str_mv dobras.abepem@gmail.com
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