The woman on the track of the silk

Detalhes bibliográficos
Autor(a) principal: Massara, Izabel Haddad Marques
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista dObra[s]
Texto Completo: https://dobras.emnuvens.com.br/dobras/article/view/40
Resumo: This article presents the story of Marie Benjamin, a Parisian dressmaker and her curious passion for silk. The story takes place during the First Fashion Salon of Paris, inside the Belle Époque’s atmosphere. The starlight of that salon was the silk dress, and it would become an icon for the coming years. Marie Benjamin was somebody that developed the pathological behavior of stealing tissues, and was arrested twenty six times for that. She used to go to the stores, steal big pieces of silk and use it to masturbate compulsively, even while she was inside that stores. After being arrested, she was conducted to the district’s sanatoria, where she met Dr. Clérambault. This man was an eccentric psychiatrist who was not only passionate for his clinical work, but also for dressing, tissues and Arabic drapery. This article intends to present and discuss some aspects of the encounter between these two characters.
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spelling The woman on the track of the silkUma mulher no rastro da sedafashionsilkdressfemininecleptomania.modasedavestidofeminilidadecleptomania.This article presents the story of Marie Benjamin, a Parisian dressmaker and her curious passion for silk. The story takes place during the First Fashion Salon of Paris, inside the Belle Époque’s atmosphere. The starlight of that salon was the silk dress, and it would become an icon for the coming years. Marie Benjamin was somebody that developed the pathological behavior of stealing tissues, and was arrested twenty six times for that. She used to go to the stores, steal big pieces of silk and use it to masturbate compulsively, even while she was inside that stores. After being arrested, she was conducted to the district’s sanatoria, where she met Dr. Clérambault. This man was an eccentric psychiatrist who was not only passionate for his clinical work, but also for dressing, tissues and Arabic drapery. This article intends to present and discuss some aspects of the encounter between these two characters.O presente artigo apresenta a história de uma costureira parisiense e de sua curiosa paixão por sedas no ano em que o Primeiro Salão de Moda de Paris acontecia, alimentado pelos ares frutíferos da Belle Époque. Entre os lançamentos de moda estava o ícone dos últimos tempos: o vestido de seda. Foi nesse cenário que Marie Benjamin começou a furtar tecidos. Havia sido presa 26 vezes por pegar as sedas nas bancas dos magazines de tecidos da cidade. Além do roubo, masturbava-se compulsivamente com os retalhos em plena loja. Era presa e conduzida aos manicômios da cidade, onde conheceu o médico Gaetan Gatian de Clérambault, um psiquiatra excêntrico que amava, além da medicina, os tecidos e drapeados árabes. O encontroimprovável entre esses dois personagens é uma história real com nuances dos contos fantásticos do século XIX.Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2014-10-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/4010.26563/dobras.v7i16.40dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 7 n. 16 (2014); 119-1262358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMporhttps://dobras.emnuvens.com.br/dobras/article/view/40/40Copyright (c) 2020 Izabel Haddad Marques Massarainfo:eu-repo/semantics/openAccessMassara, Izabel Haddad Marques2017-08-04T20:02:21Zoai:ojs.dobras.emnuvens.com.br:article/40Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2023-01-12T16:05:13.463355Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)true
dc.title.none.fl_str_mv The woman on the track of the silk
Uma mulher no rastro da seda
title The woman on the track of the silk
spellingShingle The woman on the track of the silk
Massara, Izabel Haddad Marques
fashion
silk
dress
feminine
cleptomania.
moda
seda
vestido
feminilidade
cleptomania.
title_short The woman on the track of the silk
title_full The woman on the track of the silk
title_fullStr The woman on the track of the silk
title_full_unstemmed The woman on the track of the silk
title_sort The woman on the track of the silk
author Massara, Izabel Haddad Marques
author_facet Massara, Izabel Haddad Marques
author_role author
dc.contributor.author.fl_str_mv Massara, Izabel Haddad Marques
dc.subject.por.fl_str_mv fashion
silk
dress
feminine
cleptomania.
moda
seda
vestido
feminilidade
cleptomania.
topic fashion
silk
dress
feminine
cleptomania.
moda
seda
vestido
feminilidade
cleptomania.
description This article presents the story of Marie Benjamin, a Parisian dressmaker and her curious passion for silk. The story takes place during the First Fashion Salon of Paris, inside the Belle Époque’s atmosphere. The starlight of that salon was the silk dress, and it would become an icon for the coming years. Marie Benjamin was somebody that developed the pathological behavior of stealing tissues, and was arrested twenty six times for that. She used to go to the stores, steal big pieces of silk and use it to masturbate compulsively, even while she was inside that stores. After being arrested, she was conducted to the district’s sanatoria, where she met Dr. Clérambault. This man was an eccentric psychiatrist who was not only passionate for his clinical work, but also for dressing, tissues and Arabic drapery. This article intends to present and discuss some aspects of the encounter between these two characters.
publishDate 2014
dc.date.none.fl_str_mv 2014-10-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://dobras.emnuvens.com.br/dobras/article/view/40
10.26563/dobras.v7i16.40
url https://dobras.emnuvens.com.br/dobras/article/view/40
identifier_str_mv 10.26563/dobras.v7i16.40
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://dobras.emnuvens.com.br/dobras/article/view/40/40
dc.rights.driver.fl_str_mv Copyright (c) 2020 Izabel Haddad Marques Massara
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Izabel Haddad Marques Massara
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Associação Brasileira de Estudos e Pesquisas em Moda - Abepem
publisher.none.fl_str_mv Associação Brasileira de Estudos e Pesquisas em Moda - Abepem
dc.source.none.fl_str_mv dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 7 n. 16 (2014); 119-126
2358-0003
1982-0313
reponame:Revista dObra[s]
instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
instacron:ABEPEM
instname_str Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
instacron_str ABEPEM
institution ABEPEM
reponame_str Revista dObra[s]
collection Revista dObra[s]
repository.name.fl_str_mv Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)
repository.mail.fl_str_mv dobras.abepem@gmail.com
_version_ 1797054039381245952

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