Soul sea waters
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | DATJournal |
Texto Completo: | https://datjournal.anhembi.br/dat/article/view/449 |
Resumo: | This article presents the reflections of the artist researchers who authored the video work Águas de al-mar, for the PANORAMA EXPO exhibition at LABLUZ, a panoramic and sound device located in the Josep Renau showroom of the Faculty of Fine Arts of the Polytechnic University of Valencia, Spain, presented to the public in June 2021 at the VIII SIIMI/International Seminar on Innovation in Interactive Media, #20 ART and 8th Balance-Unbalance. The piece presents a succession of vid-eo clips of the waters of Rio Grande do Norte, in a cinematic flow and metaphorical sound as emotions of the soul. The work is linked to the notions of expanded cinema and exhibition cinema, and is thought of in terms of their relationship with the cut, framing and scene in the audiovisual and with the options defined for the montage of the work, taking advantage of the horizontal frame cutout of the panoramic screen,among other issues. |
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Soul sea watersAguas de al-marÁguas de al-marThis article presents the reflections of the artist researchers who authored the video work Águas de al-mar, for the PANORAMA EXPO exhibition at LABLUZ, a panoramic and sound device located in the Josep Renau showroom of the Faculty of Fine Arts of the Polytechnic University of Valencia, Spain, presented to the public in June 2021 at the VIII SIIMI/International Seminar on Innovation in Interactive Media, #20 ART and 8th Balance-Unbalance. The piece presents a succession of vid-eo clips of the waters of Rio Grande do Norte, in a cinematic flow and metaphorical sound as emotions of the soul. The work is linked to the notions of expanded cinema and exhibition cinema, and is thought of in terms of their relationship with the cut, framing and scene in the audiovisual and with the options defined for the montage of the work, taking advantage of the horizontal frame cutout of the panoramic screen,among other issues.Este artículo presenta las reflexiones de los artistas investigadores autores de la obra de vídeo Águas de al-mar, realizada para la exposición PANORAMA EXPO en LABLUZ, un dispositivo panorámico y sonoro ubicado en la sala Josep Renau de la Facultad de Bellas Artes de la Universidad Politécnica de Valencia, España, presentado al público en junio de 2021 en el VIII SIIMI/Seminario Internacional sobre Innovación en Medios Interactivos, # 20 ART y 8th Balance-Unbalance. La obra presenta una sucesión de videoclips de las aguas de Rio Grande do Norte, en un fluir cinematográfico y sonoro que es metafórico en relación con las emociones del alma. La obra se vincula a las nociones de cine expandido y cine de exhibición, y reflexiona sobre sus relaciones con el corte, encuadre y escena en el audiovisual y sobre las opciones definidas para el montaje de la obra, aprovechando el corte horizontal de la pantalla panorámica, entre otras cuestiones.Este artigo apresenta as reflexões dos artistas pesquisadores autores da obra em vídeo Águas de al-mar, realizada para a exposição PANORAMA EXPO junto ao LABLUZ, dispositivo panorâmico e sonoro situado na sala Josep Renau da Faculdade de Belas Artes da Universidade Politécnica de Valência, Espanha, apresentada ao público em junho de 2021 junto ao VIII SIIMI/Seminário Internacional de Inovação em Mídias Interativas, # 20ART e 8o Balance-Unbalance. A peça apresenta uma sucessão de videoclipes das águas do Rio Grande do Norte, em um fluir cinemático e sonoro metafórico às emo-ções da alma. A obra é vinculada às noções de cinema expandido e cinema de exposição, e pensada em suas relações com o recorte, enquadramento e cena no audiovisual e com as opções definidas para a montagem da obra, tomando partido do recorte horizontal da tela panorâmica, entre outras questões.Universidade Anhambi Murumbi2021-10-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/44910.29147/dat.v6i3.449DAT Journal; Vol. 6 No. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 205-219DAT Journal; Vol. 6 Núm. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 205-219DAT Journal; v. 6 n. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 205-2192526-178910.29147/dat.v6i3reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/449/329https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSalles, Laurita Ricardo de Pereira, Leonardo Meneses 2022-03-29T12:24:22Zoai:ojs.datjournal.anhembi.br:article/449Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-03-29T12:24:22DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false |
dc.title.none.fl_str_mv |
Soul sea waters Aguas de al-mar Águas de al-mar |
title |
Soul sea waters |
spellingShingle |
Soul sea waters Salles, Laurita Ricardo de |
title_short |
Soul sea waters |
title_full |
Soul sea waters |
title_fullStr |
Soul sea waters |
title_full_unstemmed |
Soul sea waters |
title_sort |
Soul sea waters |
author |
Salles, Laurita Ricardo de |
author_facet |
Salles, Laurita Ricardo de Pereira, Leonardo Meneses |
author_role |
author |
author2 |
Pereira, Leonardo Meneses |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Salles, Laurita Ricardo de Pereira, Leonardo Meneses |
description |
This article presents the reflections of the artist researchers who authored the video work Águas de al-mar, for the PANORAMA EXPO exhibition at LABLUZ, a panoramic and sound device located in the Josep Renau showroom of the Faculty of Fine Arts of the Polytechnic University of Valencia, Spain, presented to the public in June 2021 at the VIII SIIMI/International Seminar on Innovation in Interactive Media, #20 ART and 8th Balance-Unbalance. The piece presents a succession of vid-eo clips of the waters of Rio Grande do Norte, in a cinematic flow and metaphorical sound as emotions of the soul. The work is linked to the notions of expanded cinema and exhibition cinema, and is thought of in terms of their relationship with the cut, framing and scene in the audiovisual and with the options defined for the montage of the work, taking advantage of the horizontal frame cutout of the panoramic screen,among other issues. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-10-18 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/449 10.29147/dat.v6i3.449 |
url |
https://datjournal.anhembi.br/dat/article/view/449 |
identifier_str_mv |
10.29147/dat.v6i3.449 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/449/329 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
dc.source.none.fl_str_mv |
DAT Journal; Vol. 6 No. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 205-219 DAT Journal; Vol. 6 Núm. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 205-219 DAT Journal; v. 6 n. 3 (2021): Design + Art + Dossiê PPG Design UFMA; 205-219 2526-1789 10.29147/dat.v6i3 reponame:DATJournal instname:Universidade Anhembi Morumbi (ANHEMBI) instacron:ANHEMBI |
instname_str |
Universidade Anhembi Morumbi (ANHEMBI) |
instacron_str |
ANHEMBI |
institution |
ANHEMBI |
reponame_str |
DATJournal |
collection |
DATJournal |
repository.name.fl_str_mv |
DATJournal - Universidade Anhembi Morumbi (ANHEMBI) |
repository.mail.fl_str_mv |
||ppgdesign@anhembi.br |
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1797239921773117440 |