The assemblage plant
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | DATJournal |
Texto Completo: | https://datjournal.anhembi.br/dat/article/view/561 |
Resumo: | The Anthropocene is a consequence of the great acceleration caused by technological advances, in which the human presence reconfigures the world from the perspective of the agency. The understanding of assemblage is the various philosophical currents that constitute the notion of a system. This article discusses the implications of understanding systems and agency in the Poetics of Complexity in Deleuze’s and Gilbert Simondon’s Assemblage. This discursive trajectory aims to position a bio-referenced aesthetic production in plants. This analysis defines plants as networks in exchange for information, made up of autonomous parts of computability and decidability. This plant is dependent on the construction of an associated medium for its survival. It is an assemblage. In defence of this notion of plant assemblage, the article then returns to discussions in the field of the Anthropocene. Since the concretization of this species creates cases of different levels of hybridization, the poetic powers of artistic creation present themselves as disruptions between the borders of the natural and the artificial. |
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The assemblage plantLa planta de ensamblajeO assemblage plantaBiomiméticaPlantasSistemas ComplexosAssemblageBiomimeticsPlantsComplex SystemsAssemblageBiomiméticaPlantasSistemas ComplejosEnsamblajeThe Anthropocene is a consequence of the great acceleration caused by technological advances, in which the human presence reconfigures the world from the perspective of the agency. The understanding of assemblage is the various philosophical currents that constitute the notion of a system. This article discusses the implications of understanding systems and agency in the Poetics of Complexity in Deleuze’s and Gilbert Simondon’s Assemblage. This discursive trajectory aims to position a bio-referenced aesthetic production in plants. This analysis defines plants as networks in exchange for information, made up of autonomous parts of computability and decidability. This plant is dependent on the construction of an associated medium for its survival. It is an assemblage. In defence of this notion of plant assemblage, the article then returns to discussions in the field of the Anthropocene. Since the concretization of this species creates cases of different levels of hybridization, the poetic powers of artistic creation present themselves as disruptions between the borders of the natural and the artificial.El Antropoceno es consecuencia de la gran aceleración provocada por los avances tecnológicos, en los que la presencia humana reconfigura el mundo desde la perspectiva del organismo. La comprensión de ensamblaje son las diversas corrientes filosóficas que constituyen la noción de sistema. Este artículo discute las implicaciones de comprender los sistemas y la agencia en la Poética de la Complejidad en el Assemblage de Deleuze y Gilbert Simondon. Esta trayectoria discursiva pretende posicionar una producción estética biorreferenciada en las plantas. Este análisis define las plantas como redes de intercambio de información, compuestas por partes autónomas de computabilidad y decidibilidad. Esta planta depende de la construcción de un medio asociado para su supervivencia. Es un ensamble. En defensa de esta noción de ensamblaje vegetal, el artículo vuelve luego a las discusiones en el campo del Antropoceno. Dado que la concreción de esta especie crea casos de diferentes niveles de hibridación, los poderes poéticos de la creación artística O Antropoceno é uma consequência da grande aceleração causada pelos avanços tecnológicos, nele, a presença humana reconfigura o mundo a partir da perspectiva do agenciamento. Na base do entendimento desse agenciamento se encontram as várias correntes filosóficas que constituem a noção de sistema. Este artigo discute as relações de implicação do entendimento dos sistemas e do agenciamento na Poética da Complexidade, no Assemblage de Deleuze e de Gilbert Simondon. Esta trajetória discursiva objetiva posicionar a uma produção estética bio-referênciada em plantas, e, a partir dessa análise, definir plantas como redes em troca de informação, constituídas de partes autônomas de computabilidade e decidibilidade. Essa planta é dependente da construção de um meio associado para sua sobrevivência, ela é um assemblage. Na defesa dessa noção de assemblage planta, o artigo então retorna a discussões ao campo do antropoceno. Uma vez que, a concretização dessa espécie cria casos de diferentes níveis de hibridização, as potências poéticas de criação artística, se apresentam enquanto disrupções entre as fronteiras do natural e do artificial. Universidade Anhambi Murumbi2022-03-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/56110.29147/datjournal.v7i1.561DAT Journal; Vol. 7 No. 1 (2022): Art, Design and Technology + UFAM Dossier; 19-32DAT Journal; Vol. 7 Núm. 1 (2022): Arte, Diseño y Tecnología + Dossier UFAM; 19-32DAT Journal; v. 7 n. 1 (2022): Arte, Design e Tecnologia + Dossiê UFAM; 19-322526-178910.29147/datjournal.v7i1reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/561/375https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBergamo, Marília Lyra2022-03-28T18:52:19Zoai:ojs.datjournal.anhembi.br:article/561Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-03-28T18:52:19DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false |
dc.title.none.fl_str_mv |
The assemblage plant La planta de ensamblaje O assemblage planta |
title |
The assemblage plant |
spellingShingle |
The assemblage plant Bergamo, Marília Lyra Biomimética Plantas Sistemas Complexos Assemblage Biomimetics Plants Complex Systems Assemblage Biomimética Plantas Sistemas Complejos Ensamblaje |
title_short |
The assemblage plant |
title_full |
The assemblage plant |
title_fullStr |
The assemblage plant |
title_full_unstemmed |
The assemblage plant |
title_sort |
The assemblage plant |
author |
Bergamo, Marília Lyra |
author_facet |
Bergamo, Marília Lyra |
author_role |
author |
dc.contributor.author.fl_str_mv |
Bergamo, Marília Lyra |
dc.subject.por.fl_str_mv |
Biomimética Plantas Sistemas Complexos Assemblage Biomimetics Plants Complex Systems Assemblage Biomimética Plantas Sistemas Complejos Ensamblaje |
topic |
Biomimética Plantas Sistemas Complexos Assemblage Biomimetics Plants Complex Systems Assemblage Biomimética Plantas Sistemas Complejos Ensamblaje |
description |
The Anthropocene is a consequence of the great acceleration caused by technological advances, in which the human presence reconfigures the world from the perspective of the agency. The understanding of assemblage is the various philosophical currents that constitute the notion of a system. This article discusses the implications of understanding systems and agency in the Poetics of Complexity in Deleuze’s and Gilbert Simondon’s Assemblage. This discursive trajectory aims to position a bio-referenced aesthetic production in plants. This analysis defines plants as networks in exchange for information, made up of autonomous parts of computability and decidability. This plant is dependent on the construction of an associated medium for its survival. It is an assemblage. In defence of this notion of plant assemblage, the article then returns to discussions in the field of the Anthropocene. Since the concretization of this species creates cases of different levels of hybridization, the poetic powers of artistic creation present themselves as disruptions between the borders of the natural and the artificial. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-03-23 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/561 10.29147/datjournal.v7i1.561 |
url |
https://datjournal.anhembi.br/dat/article/view/561 |
identifier_str_mv |
10.29147/datjournal.v7i1.561 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/561/375 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
dc.source.none.fl_str_mv |
DAT Journal; Vol. 7 No. 1 (2022): Art, Design and Technology + UFAM Dossier; 19-32 DAT Journal; Vol. 7 Núm. 1 (2022): Arte, Diseño y Tecnología + Dossier UFAM; 19-32 DAT Journal; v. 7 n. 1 (2022): Arte, Design e Tecnologia + Dossiê UFAM; 19-32 2526-1789 10.29147/datjournal.v7i1 reponame:DATJournal instname:Universidade Anhembi Morumbi (ANHEMBI) instacron:ANHEMBI |
instname_str |
Universidade Anhembi Morumbi (ANHEMBI) |
instacron_str |
ANHEMBI |
institution |
ANHEMBI |
reponame_str |
DATJournal |
collection |
DATJournal |
repository.name.fl_str_mv |
DATJournal - Universidade Anhembi Morumbi (ANHEMBI) |
repository.mail.fl_str_mv |
||ppgdesign@anhembi.br |
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1797239922158993408 |