Videobrasil 40 Years Special. The Archive in Performance

Detalhes bibliográficos
Autor(a) principal: Jesus, Eduardo de
Data de Publicação: 2023
Outros Autores: Bergamaschi, Alessandra
Tipo de documento: Artigo
Idioma: por
Título da fonte: DATJournal
Texto Completo: https://datjournal.anhembi.br/dat/article/view/762
Resumo: The 22nd SESC_Videobrasil Biennial celebrates its 40-year journey in 2023, drawing inspiration from Waly Salomão’s poem: “Memory is a editing station.” The parallel and historical exhibition Videobrasil | 40 Years Special is a living archive, a space of activation, reverberation, and potential immersions into a collection comprising over 2,000 works. This recollection places the artworks in a series of new dialogues and contemporary approximations, within a performative process that triggers new layers of meaning in the gaps between the present and historical time. We will showcase the exhibition’s construction process, which attempts to narrate the history of Videobrasil through multiple axes and intersections. In doing so, we engage historical and conceptual questions, bringing together curation, design, and research.
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spelling Videobrasil 40 Years Special. The Archive in Performance40 años de Videobrasil. El archivo em performance40 anos de Videobrasil. O arquivo em performanceArqueologia das mídiasimagem em movimentoVideobrasilHistória da arteArquivo e conservaçãoMedia archaeologymoving imageVideobrasilArt historyArchive and preservationArqueología de los mediosimagen en movimientoVideobrasilHistoria del ArteArchivo y conservaciónThe 22nd SESC_Videobrasil Biennial celebrates its 40-year journey in 2023, drawing inspiration from Waly Salomão’s poem: “Memory is a editing station.” The parallel and historical exhibition Videobrasil | 40 Years Special is a living archive, a space of activation, reverberation, and potential immersions into a collection comprising over 2,000 works. This recollection places the artworks in a series of new dialogues and contemporary approximations, within a performative process that triggers new layers of meaning in the gaps between the present and historical time. We will showcase the exhibition’s construction process, which attempts to narrate the history of Videobrasil through multiple axes and intersections. In doing so, we engage historical and conceptual questions, bringing together curation, design, and research.En 2023, la 22ª Bienal SESC_Videobrasil celebra sus 40 años de trayectoria y se inspira en poema de Waly Salomão: “La memoria es una isla de edición”. La exposición paralela (y muestra histórica) Videobrasil | Especial 40 Años es un archivo vivo, un espacio de activación, reverberación y posibles inmersiones en la colección compuesta por más de 2.000 obras. Una rememoración que sitúa las obras en una serie de nuevos diálogos y enfoques contemporáneos, en un proceso performativo que desencadena nuevas capas de significado, en los vacíos entre el tiempo presente y el histórico. Mostraremos el proceso de construcción de la exposición que intenta contar, en múltiples ejes e intersecciones, la historia de Videobrasil. Para ello, ponemos en diálogo cuestiones históricas y conceptuales, acercando la curaduría, el diseño y la investigación.A 22ª Bienal SESC_Videobrasil celebra em 2023 sua trajetória de 40 anos de atividade e tem o poema de Waly Salomão como inspiração: “A memória é uma ilha de edição”. A exposição paralela (e mostra histórica) Videobrasil | Especial 40 anos é um arquivo vivo, um espaço de ativação, reverberação e possíveis mergulhos no acervo composto por mais de 2 mil obras. Uma rememoração que coloca as obras em uma série de novos diálogos e aproximações contemporâneas, em um processo performativo que deflagra novas camadas de sentido, nas frestas entre o presente e o tempo histórico. Vamos mostrar o processo de construção da exposição que tenta contar, em múltiplos eixos e cruzamentos, a história do Videobrasil. Para tanto colocamos em diálogo questões históricas e conceituais aproximando curadoria, design e pesquisa.Universidade Anhambi Murumbi2023-09-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/76210.29147/datjournal.v8i3.762DAT Journal; Vol. 8 No. 3 (2023): DESIGN, ART AND TECHNOLOGY + 4TH RETIINA E 4TH DATDOSSIER; 143-158DAT Journal; Vol. 8 Núm. 3 (2023): DISEÑO, ARTE Y TECNOLOGÍA + DOSSIER 4° RETIINA E 4° DAT; 143-158DAT Journal; v. 8 n. 3 (2023): DESIGN, ARTE E TECNOLOGIA + DOSSIÊ 4 RETIINA E 4 DAT; 143-1582526-178910.29147/datjournal.v8i3reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/762/555Copyright (c) 2023 DAT Journalhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessJesus, Eduardo deBergamaschi, Alessandra2023-09-28T18:45:22Zoai:ojs.datjournal.anhembi.br:article/762Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2023-09-28T18:45:22DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false
dc.title.none.fl_str_mv Videobrasil 40 Years Special. The Archive in Performance
40 años de Videobrasil. El archivo em performance
40 anos de Videobrasil. O arquivo em performance
title Videobrasil 40 Years Special. The Archive in Performance
spellingShingle Videobrasil 40 Years Special. The Archive in Performance
Jesus, Eduardo de
Arqueologia das mídias
imagem em movimento
Videobrasil
História da arte
Arquivo e conservação
Media archaeology
moving image
Videobrasil
Art history
Archive and preservation
Arqueología de los medios
imagen en movimiento
Videobrasil
Historia del Arte
Archivo y conservación
title_short Videobrasil 40 Years Special. The Archive in Performance
title_full Videobrasil 40 Years Special. The Archive in Performance
title_fullStr Videobrasil 40 Years Special. The Archive in Performance
title_full_unstemmed Videobrasil 40 Years Special. The Archive in Performance
title_sort Videobrasil 40 Years Special. The Archive in Performance
author Jesus, Eduardo de
author_facet Jesus, Eduardo de
Bergamaschi, Alessandra
author_role author
author2 Bergamaschi, Alessandra
author2_role author
dc.contributor.author.fl_str_mv Jesus, Eduardo de
Bergamaschi, Alessandra
dc.subject.por.fl_str_mv Arqueologia das mídias
imagem em movimento
Videobrasil
História da arte
Arquivo e conservação
Media archaeology
moving image
Videobrasil
Art history
Archive and preservation
Arqueología de los medios
imagen en movimiento
Videobrasil
Historia del Arte
Archivo y conservación
topic Arqueologia das mídias
imagem em movimento
Videobrasil
História da arte
Arquivo e conservação
Media archaeology
moving image
Videobrasil
Art history
Archive and preservation
Arqueología de los medios
imagen en movimiento
Videobrasil
Historia del Arte
Archivo y conservación
description The 22nd SESC_Videobrasil Biennial celebrates its 40-year journey in 2023, drawing inspiration from Waly Salomão’s poem: “Memory is a editing station.” The parallel and historical exhibition Videobrasil | 40 Years Special is a living archive, a space of activation, reverberation, and potential immersions into a collection comprising over 2,000 works. This recollection places the artworks in a series of new dialogues and contemporary approximations, within a performative process that triggers new layers of meaning in the gaps between the present and historical time. We will showcase the exhibition’s construction process, which attempts to narrate the history of Videobrasil through multiple axes and intersections. In doing so, we engage historical and conceptual questions, bringing together curation, design, and research.
publishDate 2023
dc.date.none.fl_str_mv 2023-09-25
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://datjournal.anhembi.br/dat/article/view/762
10.29147/datjournal.v8i3.762
url https://datjournal.anhembi.br/dat/article/view/762
identifier_str_mv 10.29147/datjournal.v8i3.762
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://datjournal.anhembi.br/dat/article/view/762/555
dc.rights.driver.fl_str_mv Copyright (c) 2023 DAT Journal
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 DAT Journal
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Anhambi Murumbi
publisher.none.fl_str_mv Universidade Anhambi Murumbi
dc.source.none.fl_str_mv DAT Journal; Vol. 8 No. 3 (2023): DESIGN, ART AND TECHNOLOGY + 4TH RETIINA E 4TH DATDOSSIER; 143-158
DAT Journal; Vol. 8 Núm. 3 (2023): DISEÑO, ARTE Y TECNOLOGÍA + DOSSIER 4° RETIINA E 4° DAT; 143-158
DAT Journal; v. 8 n. 3 (2023): DESIGN, ARTE E TECNOLOGIA + DOSSIÊ 4 RETIINA E 4 DAT; 143-158
2526-1789
10.29147/datjournal.v8i3
reponame:DATJournal
instname:Universidade Anhembi Morumbi (ANHEMBI)
instacron:ANHEMBI
instname_str Universidade Anhembi Morumbi (ANHEMBI)
instacron_str ANHEMBI
institution ANHEMBI
reponame_str DATJournal
collection DATJournal
repository.name.fl_str_mv DATJournal - Universidade Anhembi Morumbi (ANHEMBI)
repository.mail.fl_str_mv ||ppgdesign@anhembi.br
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