Hatred Among Us

Detalhes bibliográficos
Autor(a) principal: Lagnado, Lisette
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: eng
Título da fonte: DATJournal
Texto Completo: https://datjournal.anhembi.br/dat/article/view/230
Resumo: The article describes and analyzes in a historical context the Experiencias of Flávio de Carvalho (1899–1973) carried out since the first half of the 20th century, as well as presenting connections of those artistic actions with the contemporary cultural and political scene in Brazil, marked by religious interference. The artist ismentioned in the 11th edition of the Berlin Biennale, of which the author is one of the curators. The exhibition was structured based on the free updating of themes exposed in four “experiences” of FC. The exhibition is spread over four venues (until 11/1/2020), each with its own repertoire: the Anti-church (Kunst -Werke), the Showcase for dissident bodies (the daad), the inverted Museum (Gropius Bau) and the Living Archive (ExRotaprint). (This text was first published in Flávio de Carvalho: Experience no. 2, Performed on a Corpus Christi Procession. A Possible Theory and an Experiment, published by the Berlin Biennale for Contemporary Art, 2020. Copyright: Lisette Lagnado and Berlin Biennale for Contemporary Art).
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spelling Hatred Among UsOdio entre nosotrosÓdio entre nósFlavio de CarvalhoExperiênciasNacionalismoCAM (Clube dos Artistas Modernos)11a Bienal de BerlimFlavio de CarvalhoExperiênciasNationalismAM (Clube dos Artistas Modernos)11th Berlin BiennialFlavio de CarvalhoExperiênciasNacionalismoCAM (Clube dos Artistas Modernos)11ª Bienal de Berlin.The article describes and analyzes in a historical context the Experiencias of Flávio de Carvalho (1899–1973) carried out since the first half of the 20th century, as well as presenting connections of those artistic actions with the contemporary cultural and political scene in Brazil, marked by religious interference. The artist ismentioned in the 11th edition of the Berlin Biennale, of which the author is one of the curators. The exhibition was structured based on the free updating of themes exposed in four “experiences” of FC. The exhibition is spread over four venues (until 11/1/2020), each with its own repertoire: the Anti-church (Kunst -Werke), the Showcase for dissident bodies (the daad), the inverted Museum (Gropius Bau) and the Living Archive (ExRotaprint). (This text was first published in Flávio de Carvalho: Experience no. 2, Performed on a Corpus Christi Procession. A Possible Theory and an Experiment, published by the Berlin Biennale for Contemporary Art, 2020. Copyright: Lisette Lagnado and Berlin Biennale for Contemporary Art).El artículo describe y analiza en un contexto histórico las Experiencias de Flávio de Carvalho (1899–1973) llevadas a cabo desde la primera mitad del siglo XX, además de presentar conexiones entre esas acciones artísticas y la escena cultural y política contemporánea en Brasil, marcada por la interferencia religiosa.El artista es mencionado en la 11ª edición de la Bienal de Berlín, de la cual a autora es una de los curadores. La exposición se estructuró en base a la actualización de los temas expuestos en cuatro “experiencias” de FC. La exposición se distribuye en cuatro sedes (hasta el 1/11/2020), cada una con su repertorio propio: la Anti-iglesia (Kunst -Werke), la Escaparate de los cuerpos disidentes (el daad), el Museo invertido (Gropius Bau) y el Archivo Vivo (ExRotaprint). (Este texto se publico por primera vez en Flávio de Carvalho: Experience no. 2, Performed on a Corpus Christi Procession. A Possible Theory and an Experiment, published by the Berlin Biennale for Contemporary Art, 2020. Copyright: Lisette Lagnado and Berlin Biennale for Contemporary Art).O artigo descreve e analisa em contexto histórico as Experiências de Flávio de Carvalho (1899–1973) realizadas desde a primeira metade do século XX assim como apresenta conexões daquelas ações artística com a cena cultural e política contemporânea no Brasil, marcada por interferências religiosas.  O artista é evocado na 11a edição da Bienal de Berlim, da qual a autora é uma das curadoras. A mostra foi estruturada a partir da livre atualização de temas expostos em quatro “experiências” de FC. A exposição se espalha em quatro sedes (até 1/11/2020), cada uma com um repertório próprio: a Anti-igreja (Kunst-Werke), a Vitrine para corpos dissidentes (o daad), o Museu invertido (Gropius Bau) e o Arquivo vivo (ExRotaprint). (Este texto foi primeiramente publicado em Flávio de Carvalho: Experience no. 2, Performed on a Corpus Christi Procession. A Possible Theory and an Experiment, published by the Berlin Biennale for Contemporary Art, 2020. Copyright: Lisette Lagnado and Berlin Biennale for Contemporary Art).Universidade Anhambi Murumbi2020-10-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/23010.29147/dat.v5i3.230DAT Journal; Vol. 5 No. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 33-41DAT Journal; Vol. 5 Núm. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 33-41DAT Journal; v. 5 n. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 33-412526-178910.29147/dat.v5i3reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIenghttps://datjournal.anhembi.br/dat/article/view/230/190Copyright (c) 2020 DAT Journalinfo:eu-repo/semantics/openAccessLagnado, Lisette 2021-10-22T15:01:31Zoai:ojs.datjournal.anhembi.br:article/230Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2021-10-22T15:01:31DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false
dc.title.none.fl_str_mv Hatred Among Us
Odio entre nosotros
Ódio entre nós
title Hatred Among Us
spellingShingle Hatred Among Us
Lagnado, Lisette
Flavio de Carvalho
Experiências
Nacionalismo
CAM (Clube dos Artistas Modernos)
11a Bienal de Berlim
Flavio de Carvalho
Experiências
Nationalism
AM (Clube dos Artistas Modernos)
11th Berlin Biennial
Flavio de Carvalho
Experiências
Nacionalismo
CAM (Clube dos Artistas Modernos)
11ª Bienal de Berlin.
title_short Hatred Among Us
title_full Hatred Among Us
title_fullStr Hatred Among Us
title_full_unstemmed Hatred Among Us
title_sort Hatred Among Us
author Lagnado, Lisette
author_facet Lagnado, Lisette
author_role author
dc.contributor.author.fl_str_mv Lagnado, Lisette
dc.subject.por.fl_str_mv Flavio de Carvalho
Experiências
Nacionalismo
CAM (Clube dos Artistas Modernos)
11a Bienal de Berlim
Flavio de Carvalho
Experiências
Nationalism
AM (Clube dos Artistas Modernos)
11th Berlin Biennial
Flavio de Carvalho
Experiências
Nacionalismo
CAM (Clube dos Artistas Modernos)
11ª Bienal de Berlin.
topic Flavio de Carvalho
Experiências
Nacionalismo
CAM (Clube dos Artistas Modernos)
11a Bienal de Berlim
Flavio de Carvalho
Experiências
Nationalism
AM (Clube dos Artistas Modernos)
11th Berlin Biennial
Flavio de Carvalho
Experiências
Nacionalismo
CAM (Clube dos Artistas Modernos)
11ª Bienal de Berlin.
description The article describes and analyzes in a historical context the Experiencias of Flávio de Carvalho (1899–1973) carried out since the first half of the 20th century, as well as presenting connections of those artistic actions with the contemporary cultural and political scene in Brazil, marked by religious interference. The artist ismentioned in the 11th edition of the Berlin Biennale, of which the author is one of the curators. The exhibition was structured based on the free updating of themes exposed in four “experiences” of FC. The exhibition is spread over four venues (until 11/1/2020), each with its own repertoire: the Anti-church (Kunst -Werke), the Showcase for dissident bodies (the daad), the inverted Museum (Gropius Bau) and the Living Archive (ExRotaprint). (This text was first published in Flávio de Carvalho: Experience no. 2, Performed on a Corpus Christi Procession. A Possible Theory and an Experiment, published by the Berlin Biennale for Contemporary Art, 2020. Copyright: Lisette Lagnado and Berlin Biennale for Contemporary Art).
publishDate 2020
dc.date.none.fl_str_mv 2020-10-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://datjournal.anhembi.br/dat/article/view/230
10.29147/dat.v5i3.230
url https://datjournal.anhembi.br/dat/article/view/230
identifier_str_mv 10.29147/dat.v5i3.230
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://datjournal.anhembi.br/dat/article/view/230/190
dc.rights.driver.fl_str_mv Copyright (c) 2020 DAT Journal
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 DAT Journal
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Anhambi Murumbi
publisher.none.fl_str_mv Universidade Anhambi Murumbi
dc.source.none.fl_str_mv DAT Journal; Vol. 5 No. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 33-41
DAT Journal; Vol. 5 Núm. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 33-41
DAT Journal; v. 5 n. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 33-41
2526-1789
10.29147/dat.v5i3
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