Art, Design, Media: Memorials of Latin America
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | DATJournal |
Texto Completo: | https://datjournal.anhembi.br/dat/article/view/489 |
Resumo: | On the occasion of the Third DAT Symposium, I propose an analytical journey through a series of exhibitions that took place in Latin America that refer to a memory on the ways of designing, representing and putting into work problems that make critical readings of our continent. They are the various artistic processes that, from the exhibition point of view, think significantly and propose stories about our region and about the same technological visual arts. An analytical panorama that includes experimental cinema, television, video art, multimedia, bio-art as part of a set that questions and critically relates contemporary art with design and media art. These hybrid movements involve contaminations that transcend the borders of the media and that we can consider under the concept of “discursive extremities” as defined by Christine Melo. A tour of the works of Albertina Carri and Andrés Denegri (Argentina), Gilbertto Prado (Brazil), José Alejandro Restrepo (Colombia), Gerardo Suter (Mexico) and Irina Raffo (Uruguay) whose processes I have closely followed offer a significant sample of readings of the continent, which dialogue with the urban context in which they were deployed: Buenos Aires, Mexico, Montevideo, Salta. Exhibitions that propose a reading of personal memories, of particular stories from the recent history of the continent and that refer to the means applied in each sample where the practice of installation prevails, which is deployed under different supports and technological devices. |
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Art, Design, Media: Memorials of Latin AmericaArte, diseño, medios: Memoriales de América LatinaArte, Design, Mídia: Memoriais da América LatinaArteDesignMediaAmérica LatinaArtDesignMediaLatin AmericaArteDiseñoMediosAmérica LatinaOn the occasion of the Third DAT Symposium, I propose an analytical journey through a series of exhibitions that took place in Latin America that refer to a memory on the ways of designing, representing and putting into work problems that make critical readings of our continent. They are the various artistic processes that, from the exhibition point of view, think significantly and propose stories about our region and about the same technological visual arts. An analytical panorama that includes experimental cinema, television, video art, multimedia, bio-art as part of a set that questions and critically relates contemporary art with design and media art. These hybrid movements involve contaminations that transcend the borders of the media and that we can consider under the concept of “discursive extremities” as defined by Christine Melo. A tour of the works of Albertina Carri and Andrés Denegri (Argentina), Gilbertto Prado (Brazil), José Alejandro Restrepo (Colombia), Gerardo Suter (Mexico) and Irina Raffo (Uruguay) whose processes I have closely followed offer a significant sample of readings of the continent, which dialogue with the urban context in which they were deployed: Buenos Aires, Mexico, Montevideo, Salta. Exhibitions that propose a reading of personal memories, of particular stories from the recent history of the continent and that refer to the means applied in each sample where the practice of installation prevails, which is deployed under different supports and technological devices.En ocasión del Tercer Simposio DAT propongo un recorrido analítico por una serie de muestras que tuvieron lugar en América Latina que remiten a una memoria sobre las maneras de diseñar, representar y poner en obra problemáticas que hacen a lecturas críticas de nuestro continente. Son los diversos procesos artísticos que desde lo expositivo piensan significativamente y proponen relatos sobre nuestra región y sobre las mismas artes visuales tecnológicas. Un panorama analítico que comprende el cine experimental, la televisión, el video arte, el multimedia, el bioarte como parte de un conjunto que interpela y relaciona críticamente el arte contemporáneo con el diseño y arte mediático. Estos movimientos híbridos implican contaminaciones que trascienden las fronteras de los medios y que podemos considerar bajo el concepto de “extremidades discursivas” como lo define Christine Melo. Un recorrido por las obras de Albertina Carri y Andrés Denegri (Argentina), Gilbertto Prado (Brasil), José Alejandro Restrepo (Colombia), Gerardo Suter (México) e Irina Raffo (Uruguay) cuyos procesos he seguido de cerca ofrecen un muestrario significativo de lecturas del continente, las cuales dialogan con el contexto urbano en las cuales se desplegaron: Buenos Aires, México, Montevideo, Salta. Exposiciones que proponen una lectura de memorias personales, de relatos particulares por la historia reciente del continente y que referencian los medios aplicados en sendas muestras donde prima la práctica de la instalación la cual se despliega bajo diferentes soportes y dispositivos tecnológicos.Por ocasião do III Simpósio DAT, proponho um percurso analítico por meio de uma série de exposições realizadas na América Latina que remetem a uma memória sobre as formas de desenhar, representar e operacionalizar problemas que fazem leituras críticas de nosso continente. São os diversos processos artísticos que, do ponto de vista expositivo, pensam significativamente e propõem histórias sobre a nossa região e sobre as mesmas artes visuais tecnológicas. Um panorama analítico que inclui o cinema experimental, a televisão, a videoarte, a multimídia, a bioarte em um conjunto que questiona e relaciona criticamente a arte contemporânea com o design e a arte midiática. Esses movimentos híbridos envolvem contaminações que transcendem as fronteiras da mídia e que podemos considerar sob o conceito de “extremidades discursivas” conforme definido por Christine Melo. Um tour pelas obras de Albertina Carri e Andrés Denegri (Argentina), Gilbertto Prado (Brasil), José Alejandro Restrepo (Colômbia), Gerardo Suter (México) e Irina Raffo (Uruguai) cujos processos acompanhei de perto oferecem uma amostra significativa de leituras do continente, que dialogam com o contexto urbano em que foram implantadas: Buenos Aires, México, Montevidéu, Salta. Exposições que proponham uma leitura de memórias pessoais, de histórias particulares da história recente do continente e que se refiram aos meios aplicados em cada amostra onde prevalece a prática da instalação, que se desenvolve sob diferentes suportes e dispositivos tecnológicos.Universidade Anhambi Murumbi2021-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/48910.29147/datjournal.v6i4.489DAT Journal; Vol. 6 No. 4 (2021): Design + Art + Technology; 26-47DAT Journal; Vol. 6 Núm. 4 (2021): Diseño + Arte + Tecnología; 26-47DAT Journal; v. 6 n. 4 (2021): Design + Arte + Tecnologia; 26-472526-178910.29147/datjournal.v6i4reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIspahttps://datjournal.anhembi.br/dat/article/view/489/347https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLa Ferla, Jorge2022-03-29T12:21:54Zoai:ojs.datjournal.anhembi.br:article/489Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-03-29T12:21:54DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false |
dc.title.none.fl_str_mv |
Art, Design, Media: Memorials of Latin America Arte, diseño, medios: Memoriales de América Latina Arte, Design, Mídia: Memoriais da América Latina |
title |
Art, Design, Media: Memorials of Latin America |
spellingShingle |
Art, Design, Media: Memorials of Latin America La Ferla, Jorge Arte Design Media América Latina Art Design Media Latin America Arte Diseño Medios América Latina |
title_short |
Art, Design, Media: Memorials of Latin America |
title_full |
Art, Design, Media: Memorials of Latin America |
title_fullStr |
Art, Design, Media: Memorials of Latin America |
title_full_unstemmed |
Art, Design, Media: Memorials of Latin America |
title_sort |
Art, Design, Media: Memorials of Latin America |
author |
La Ferla, Jorge |
author_facet |
La Ferla, Jorge |
author_role |
author |
dc.contributor.author.fl_str_mv |
La Ferla, Jorge |
dc.subject.por.fl_str_mv |
Arte Design Media América Latina Art Design Media Latin America Arte Diseño Medios América Latina |
topic |
Arte Design Media América Latina Art Design Media Latin America Arte Diseño Medios América Latina |
description |
On the occasion of the Third DAT Symposium, I propose an analytical journey through a series of exhibitions that took place in Latin America that refer to a memory on the ways of designing, representing and putting into work problems that make critical readings of our continent. They are the various artistic processes that, from the exhibition point of view, think significantly and propose stories about our region and about the same technological visual arts. An analytical panorama that includes experimental cinema, television, video art, multimedia, bio-art as part of a set that questions and critically relates contemporary art with design and media art. These hybrid movements involve contaminations that transcend the borders of the media and that we can consider under the concept of “discursive extremities” as defined by Christine Melo. A tour of the works of Albertina Carri and Andrés Denegri (Argentina), Gilbertto Prado (Brazil), José Alejandro Restrepo (Colombia), Gerardo Suter (Mexico) and Irina Raffo (Uruguay) whose processes I have closely followed offer a significant sample of readings of the continent, which dialogue with the urban context in which they were deployed: Buenos Aires, Mexico, Montevideo, Salta. Exhibitions that propose a reading of personal memories, of particular stories from the recent history of the continent and that refer to the means applied in each sample where the practice of installation prevails, which is deployed under different supports and technological devices. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-12-21 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/489 10.29147/datjournal.v6i4.489 |
url |
https://datjournal.anhembi.br/dat/article/view/489 |
identifier_str_mv |
10.29147/datjournal.v6i4.489 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/489/347 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
dc.source.none.fl_str_mv |
DAT Journal; Vol. 6 No. 4 (2021): Design + Art + Technology; 26-47 DAT Journal; Vol. 6 Núm. 4 (2021): Diseño + Arte + Tecnología; 26-47 DAT Journal; v. 6 n. 4 (2021): Design + Arte + Tecnologia; 26-47 2526-1789 10.29147/datjournal.v6i4 reponame:DATJournal instname:Universidade Anhembi Morumbi (ANHEMBI) instacron:ANHEMBI |
instname_str |
Universidade Anhembi Morumbi (ANHEMBI) |
instacron_str |
ANHEMBI |
institution |
ANHEMBI |
reponame_str |
DATJournal |
collection |
DATJournal |
repository.name.fl_str_mv |
DATJournal - Universidade Anhembi Morumbi (ANHEMBI) |
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1797239921809817600 |