Unpredictability in live audiviovisual practices

Detalhes bibliográficos
Autor(a) principal: Giovannone Travisani, Tatiana
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: DATJournal
Texto Completo: https://datjournal.anhembi.br/dat/article/view/649
Resumo: The audiovisual performances in real time, are characterized primarily by non-linear narrative construction, in which the artist composes the work during his own event. It is a fact where both the data and the performance are decisive for the final result, an artist-device-viewer symbiosis occurs in which unpredictability and chance allow novel correlations. For this presentation we will discuss the non-linear narrative process in the practice of audiovisual in real time, making it possible to understand this (audiovisual) system as a set of components in a state of interaction. We will also present the system as an agglomeration of independent parts, discussing its formation from the understanding of the concept of codes, media and rhythms in this type of practice. To explain the information, we will present Clássicos de Calçada, showing in galleries and specifics places for those kinds of works, and so remotely by the web.
id ANHE-1_91934fd57c0f4d77aa890ab40eae54c5
oai_identifier_str oai:ojs.datjournal.anhembi.br:article/649
network_acronym_str ANHE-1
network_name_str DATJournal
repository_id_str
spelling Unpredictability in live audiviovisual practicesImprevisibilidad en la practica del audiovisual en tiempo realImprevisibilidade na prática do audiovisual em tempo realAV ao vivoLive performanceLive cinemaImprevisibilidadeLive performanceLive electronicLive cinemaGlitchLive performanceLive AVLive cinemaErrorThe audiovisual performances in real time, are characterized primarily by non-linear narrative construction, in which the artist composes the work during his own event. It is a fact where both the data and the performance are decisive for the final result, an artist-device-viewer symbiosis occurs in which unpredictability and chance allow novel correlations. For this presentation we will discuss the non-linear narrative process in the practice of audiovisual in real time, making it possible to understand this (audiovisual) system as a set of components in a state of interaction. We will also present the system as an agglomeration of independent parts, discussing its formation from the understanding of the concept of codes, media and rhythms in this type of practice. To explain the information, we will present Clássicos de Calçada, showing in galleries and specifics places for those kinds of works, and so remotely by the web.Las performances sonoro-visuales en tiempo real se caracterizan primordialmente por la construcción narrativa no lineal, en la que el artista compone la obra mientras esta ocurre. Es un hecho donde tanto los datos como la actuación son determinantes para el resultado final, ocurriendo una simbiosis artista-dispositivo-publico y con eso, la imprevisibilidad y el azar, resultan novedosas correlaciones. Para la presente ponencia discutiremos lo técnico y lo creativo en la práctica del audiovisual en tiempo real, posibilitando la comprensión de este sistema como un conjunto de componentes en estado de interacción. Presentaremos también el sistema como un conjunto de partes independientes, discutiendo su formación a partir de la comprensión del concepto de códigos, medios y ritmos en este tipo de práctica, así como el papel del público en estos eventos. Para aclarar las informaciones, traemos como estudio de caso la experiencia del dúo Clássicos de Calçada y sus performances presentadas en espacios de exposición, así como de modo remoto por la web.As performances audiovisuais em tempo real se caracterizam primordialmente pela construção narrativa não linear, onde o artista compõe a obra durante sua apresentação. Numa ação onde tanto os dados quanto a atuação são determinantes para o resultado final, através da integração entre artista- dispositivo-público e com isso a imprevisibilidade e o azar, resultam correlações únicas. Para o presente artigo discutiremos o processo técnico e criativo da prática de performance audiovisual em tempo real, possibilitando a compreensão do sistema como componentes em estado de interação, resultado de um conjunto de partes independentes, discutiremos sua formação a partir do conceito de códigos, meios e ritmos neste tipo de prática, assim como o papel do público. Para que as informações sejam visualizadas, traremos como estudo a experiência do dúo Clássicos de Calçada e suas performances realizadas em espaços de exibição, assim como de modo remoto pela webUniversidade Anhambi Murumbi2022-10-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/64910.29147/datjournal.v7i3.649DAT Journal; Vol. 7 No. 3 (2022): Design, Art and Technology + Jewelry Design Dossier ; 56-64DAT Journal; Vol. 7 Núm. 3 (2022): Design, Arte y Tecnología + Dossier De Diseño de Joyas; 56-64DAT Journal; v. 7 n. 3 (2022): Design, Arte E Tecnologia + Dossiê Design de Joias ; 56-642526-178910.29147/datjournal.v7i3reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/649/452https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGiovannone Travisani, Tatiana 2022-10-24T18:08:26Zoai:ojs.datjournal.anhembi.br:article/649Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-10-24T18:08:26DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false
dc.title.none.fl_str_mv Unpredictability in live audiviovisual practices
Imprevisibilidad en la practica del audiovisual en tiempo real
Imprevisibilidade na prática do audiovisual em tempo real
title Unpredictability in live audiviovisual practices
spellingShingle Unpredictability in live audiviovisual practices
Giovannone Travisani, Tatiana
AV ao vivo
Live performance
Live cinema
Imprevisibilidade
Live performance
Live electronic
Live cinema
Glitch
Live performance
Live AV
Live cinema
Error
title_short Unpredictability in live audiviovisual practices
title_full Unpredictability in live audiviovisual practices
title_fullStr Unpredictability in live audiviovisual practices
title_full_unstemmed Unpredictability in live audiviovisual practices
title_sort Unpredictability in live audiviovisual practices
author Giovannone Travisani, Tatiana
author_facet Giovannone Travisani, Tatiana
author_role author
dc.contributor.author.fl_str_mv Giovannone Travisani, Tatiana
dc.subject.por.fl_str_mv AV ao vivo
Live performance
Live cinema
Imprevisibilidade
Live performance
Live electronic
Live cinema
Glitch
Live performance
Live AV
Live cinema
Error
topic AV ao vivo
Live performance
Live cinema
Imprevisibilidade
Live performance
Live electronic
Live cinema
Glitch
Live performance
Live AV
Live cinema
Error
description The audiovisual performances in real time, are characterized primarily by non-linear narrative construction, in which the artist composes the work during his own event. It is a fact where both the data and the performance are decisive for the final result, an artist-device-viewer symbiosis occurs in which unpredictability and chance allow novel correlations. For this presentation we will discuss the non-linear narrative process in the practice of audiovisual in real time, making it possible to understand this (audiovisual) system as a set of components in a state of interaction. We will also present the system as an agglomeration of independent parts, discussing its formation from the understanding of the concept of codes, media and rhythms in this type of practice. To explain the information, we will present Clássicos de Calçada, showing in galleries and specifics places for those kinds of works, and so remotely by the web.
publishDate 2022
dc.date.none.fl_str_mv 2022-10-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://datjournal.anhembi.br/dat/article/view/649
10.29147/datjournal.v7i3.649
url https://datjournal.anhembi.br/dat/article/view/649
identifier_str_mv 10.29147/datjournal.v7i3.649
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://datjournal.anhembi.br/dat/article/view/649/452
dc.rights.driver.fl_str_mv https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Anhambi Murumbi
publisher.none.fl_str_mv Universidade Anhambi Murumbi
dc.source.none.fl_str_mv DAT Journal; Vol. 7 No. 3 (2022): Design, Art and Technology + Jewelry Design Dossier ; 56-64
DAT Journal; Vol. 7 Núm. 3 (2022): Design, Arte y Tecnología + Dossier De Diseño de Joyas; 56-64
DAT Journal; v. 7 n. 3 (2022): Design, Arte E Tecnologia + Dossiê Design de Joias ; 56-64
2526-1789
10.29147/datjournal.v7i3
reponame:DATJournal
instname:Universidade Anhembi Morumbi (ANHEMBI)
instacron:ANHEMBI
instname_str Universidade Anhembi Morumbi (ANHEMBI)
instacron_str ANHEMBI
institution ANHEMBI
reponame_str DATJournal
collection DATJournal
repository.name.fl_str_mv DATJournal - Universidade Anhembi Morumbi (ANHEMBI)
repository.mail.fl_str_mv ||ppgdesign@anhembi.br
_version_ 1797239922298454016

Registros relacionados