Moana Nui Social Art Practices in Aotearoa

Detalhes bibliográficos
Autor(a) principal: Vea, John
Data de Publicação: 2018
Outros Autores: Braddock, Chris
Tipo de documento: Artigo
Idioma: por
Título da fonte: DATJournal
Texto Completo: https://datjournal.anhembi.br/dat/article/view/95
Resumo: This article discusses emerging methodologies in Moana Nui a Kiwa (MNak) (Pasific Peoples) performance art practices in Aotearoa New Zealand (NZ). It explores the ways in which artistic research guides research questions and final research outputs within the context of a practice led PhD degree. John Vea’s (Tonga/NZ) underlying research methods reference Timote Vaioleti’s work on ‘talanoa’ as a MNak notion about respectfulness in personal encounters with people. Vea’s performance practice engages with MNak minority groups — exploring tropes of migration and subsequent interaction with hegemony — where ‘co-operations’ with collectives and small groups challenge some traditional research models of leadership and authorship. These indigenous approaches encourage a different reading of theorists such as Chantel Mouffe and her ideas of navigating artistic activism and agonistic spaces of shared cooperation.
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spelling Moana Nui Social Art Practices in AotearoaArte Social en Moana Nui, AotearoaArte Social em Moana Nui, AotearoaColetivosCooperaçãoAgonistaMoana Nui a KiwatalanoaCollectivesCooperationAgnosticMoana Nui a KiwatalanoaThis article discusses emerging methodologies in Moana Nui a Kiwa (MNak) (Pasific Peoples) performance art practices in Aotearoa New Zealand (NZ). It explores the ways in which artistic research guides research questions and final research outputs within the context of a practice led PhD degree. John Vea’s (Tonga/NZ) underlying research methods reference Timote Vaioleti’s work on ‘talanoa’ as a MNak notion about respectfulness in personal encounters with people. Vea’s performance practice engages with MNak minority groups — exploring tropes of migration and subsequent interaction with hegemony — where ‘co-operations’ with collectives and small groups challenge some traditional research models of leadership and authorship. These indigenous approaches encourage a different reading of theorists such as Chantel Mouffe and her ideas of navigating artistic activism and agonistic spaces of shared cooperation.Este artigo discute metodologias emergentes nas práticas artísticas performáticas Moana Nui a Kiwa (MNak) (Pasific1 Peoples) em Aotearo2 a, New Zealand (NZ). Explora maneiras nas quais a pesquisa artística orienta questões e resultados finais de investigação dentro do contexto de uma prática de doutorado. Os métodos de pesquisa de John Vea (Tonga / NZ) fazem referência ao trabalho de Timote Vaioleti sobre “talanoa” (1996) como uma noção MNak sobre o respeito em encontros com as pessoas. A prática de desempenho de Vea envolve grupos minoritários do MNak - explorando tropos de migração e subseqüente interação com a hegemonia – nas quais “cooperações” com grupos e pequenos grupos desafiam alguns modelos tradicionais de pesquisa de liderança e autoria. Essas abordagens indígenas encorajam uma leitura diferente de teóricos, como Chantel Mouffe e suas idéias de navegação no ativismo artístico e espaços agonísticos de cooperação compartilhada.Universidade Anhambi Murumbi2018-11-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/9510.29147/dat.v3i2.95DAT Journal; Vol. 3 No. 2 (2018): New Thinking & Emerging Thoughts: Practice As Research In Design, Art And Technology; 291-324DAT Journal; Vol. 3 Núm. 2 (2018): Nuevos pensamientos y pensamientos emergentes: práctica como investigación en diseño, arte y tecnologia; 291-324DAT Journal; v. 3 n. 2 (2018): Novos Pensamentos & Reflexões Emergentes: Prática enquanto pesquisa em arte, design e tecnologia; 291-3242526-178910.29147/dat.v3i2reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/95/83Vea, JohnBraddock, Chrisinfo:eu-repo/semantics/openAccess2020-06-08T22:06:18Zoai:ojs.datjournal.anhembi.br:article/95Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2020-06-08T22:06:18DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false
dc.title.none.fl_str_mv Moana Nui Social Art Practices in Aotearoa
Arte Social en Moana Nui, Aotearoa
Arte Social em Moana Nui, Aotearoa
title Moana Nui Social Art Practices in Aotearoa
spellingShingle Moana Nui Social Art Practices in Aotearoa
Vea, John
Coletivos
Cooperação
Agonista
Moana Nui a Kiwa
talanoa
Collectives
Cooperation
Agnostic
Moana Nui a Kiwa
talanoa
title_short Moana Nui Social Art Practices in Aotearoa
title_full Moana Nui Social Art Practices in Aotearoa
title_fullStr Moana Nui Social Art Practices in Aotearoa
title_full_unstemmed Moana Nui Social Art Practices in Aotearoa
title_sort Moana Nui Social Art Practices in Aotearoa
author Vea, John
author_facet Vea, John
Braddock, Chris
author_role author
author2 Braddock, Chris
author2_role author
dc.contributor.author.fl_str_mv Vea, John
Braddock, Chris
dc.subject.por.fl_str_mv Coletivos
Cooperação
Agonista
Moana Nui a Kiwa
talanoa
Collectives
Cooperation
Agnostic
Moana Nui a Kiwa
talanoa
topic Coletivos
Cooperação
Agonista
Moana Nui a Kiwa
talanoa
Collectives
Cooperation
Agnostic
Moana Nui a Kiwa
talanoa
description This article discusses emerging methodologies in Moana Nui a Kiwa (MNak) (Pasific Peoples) performance art practices in Aotearoa New Zealand (NZ). It explores the ways in which artistic research guides research questions and final research outputs within the context of a practice led PhD degree. John Vea’s (Tonga/NZ) underlying research methods reference Timote Vaioleti’s work on ‘talanoa’ as a MNak notion about respectfulness in personal encounters with people. Vea’s performance practice engages with MNak minority groups — exploring tropes of migration and subsequent interaction with hegemony — where ‘co-operations’ with collectives and small groups challenge some traditional research models of leadership and authorship. These indigenous approaches encourage a different reading of theorists such as Chantel Mouffe and her ideas of navigating artistic activism and agonistic spaces of shared cooperation.
publishDate 2018
dc.date.none.fl_str_mv 2018-11-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://datjournal.anhembi.br/dat/article/view/95
10.29147/dat.v3i2.95
url https://datjournal.anhembi.br/dat/article/view/95
identifier_str_mv 10.29147/dat.v3i2.95
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://datjournal.anhembi.br/dat/article/view/95/83
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Anhambi Murumbi
publisher.none.fl_str_mv Universidade Anhambi Murumbi
dc.source.none.fl_str_mv DAT Journal; Vol. 3 No. 2 (2018): New Thinking & Emerging Thoughts: Practice As Research In Design, Art And Technology; 291-324
DAT Journal; Vol. 3 Núm. 2 (2018): Nuevos pensamientos y pensamientos emergentes: práctica como investigación en diseño, arte y tecnologia; 291-324
DAT Journal; v. 3 n. 2 (2018): Novos Pensamentos & Reflexões Emergentes: Prática enquanto pesquisa em arte, design e tecnologia; 291-324
2526-1789
10.29147/dat.v3i2
reponame:DATJournal
instname:Universidade Anhembi Morumbi (ANHEMBI)
instacron:ANHEMBI
instname_str Universidade Anhembi Morumbi (ANHEMBI)
instacron_str ANHEMBI
institution ANHEMBI
reponame_str DATJournal
collection DATJournal
repository.name.fl_str_mv DATJournal - Universidade Anhembi Morumbi (ANHEMBI)
repository.mail.fl_str_mv ||ppgdesign@anhembi.br
_version_ 1797239920726638592

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