Cora in Colors

• Autor(a) principal: de Sousa Rocha, Cleomar
• Data de Publicação: 2019
• Outros Autores: Saraiva Rodrigues, Olira, dos Santos Araújo, Cláudia, da Costa Marcon, Mary Aurorar
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: DATJournal
• Texto Completo: https://datjournal.anhembi.br/dat/article/view/149
• topic: Museu Casa de Cora Coralina; Projeto Expográfico; Tecnologias Poéticas; Casa de Cora Coralina Museum; Expographic Project; Poetical Technologies

This research aims to establish relationships between the technical and poetic scopes of interventions performed at the Casa de Cora Coralina Museum, inthe city of Goiás, on the banks of the Rio Vermelho, revealing technological patterns resonated with the author’s poetic senses. Metaphorically, the author’s writing flows of consciousness sound like escapism in her memories, in which the river and the red earth, elements of her home, translate their strictly visceral blood relation into its essence. The earth, water and air, stained, represent, in this interface, the triangle of life, being central elements of the coming and going of Cora’s poetry. Portraits of local color, the methodological path, with a phenomenological approach, travels through streets, alleys and spouts, producing boils, murmurs, echoing and draining poetry. Technology, as a cultural artifact, is inscribed in this rhetoric of poetry as symbiosis between the author’s lyrics, verses, poetry and prose, as well aswalkers who glimpse a path of dissociative voices in the city of Goiás