Scenographic design in museums: the Tim Burton exhibition
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Data de Publicação: | 2020 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | DATJournal |
Texto Completo: | https://datjournal.anhembi.br/dat/article/view/262 |
Resumo: | Since its beginnings, cinema has included scenography, or scenographic design, as an auxiliary device in the construction of the film narrative. Museums, on the other hand, have developed different approaches to scenography, according to their typology. In the case of the Museu da Imagem e do Som of São Paulo, MIS-SP, which houses an eminently audiovisual collection, the scenography is often used as a factor to attract the public, transforming its exhibitions into shows. Assuming this, the present article is made up of three parts. The first comprises notes on the relationship between cinema and scenography. The second lists the affinities of scenographic design in museums. The final part, formats the case study of the exhibition about the filmmaker Tim Burton, comprising the use of scenography in the museum environment. The references will be borrowed from Urssi (2006), Cohen (2015), Gonçalves (2004) and others. |
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Scenographic design in museums: the Tim Burton exhibitionDiseño escenográfico en museos: el caso de Tim BurtonDesign cenográfico em museus: o caso Tim BurtonExposiçãoMuseuCenografiaMISExhibitionMuseumScenographyMISExposiciónMuseoEscenografiaMISSince its beginnings, cinema has included scenography, or scenographic design, as an auxiliary device in the construction of the film narrative. Museums, on the other hand, have developed different approaches to scenography, according to their typology. In the case of the Museu da Imagem e do Som of São Paulo, MIS-SP, which houses an eminently audiovisual collection, the scenography is often used as a factor to attract the public, transforming its exhibitions into shows. Assuming this, the present article is made up of three parts. The first comprises notes on the relationship between cinema and scenography. The second lists the affinities of scenographic design in museums. The final part, formats the case study of the exhibition about the filmmaker Tim Burton, comprising the use of scenography in the museum environment. The references will be borrowed from Urssi (2006), Cohen (2015), Gonçalves (2004) and others.Desde su inicio, el cine ha incluido la escenografía, o diseño escenográfico, como dispositivo auxiliar en la construcción de la narrativa cinematográfica. Los museos, por su parte, han desarrollado diferentes aproximaciones con la escenografía, según su tipología. En el caso del Museu da Imagem e do Som de São Paulo, MIS-SP, que alberga una colección eminentemente audiovisual, la escenografía se utiliza a menudo como una forma de atraer al público, transformando sus exposiciones en espectáculos. Basado en esta suposición, este artículo consta de tres partes. El primero incluye notas sobre la relación entre cine y escenografía. El segundo enumera las afinidades del diseño escenográfico en los museos. La parte final da formato al caso de estudio de la exposición sobre el cineasta Tim Burton, que comprende el uso de la escenografía en el ambiente del museo. Las referencias serán tomadas de Urssi (2006), Cohen (2015), Gonçalves (2004) y otros.O cinema engloba, desde seus primórdios, a cenografia, ou design cenográfico, como dispositivo auxiliar na construção da narrativa fílmica. Já os museus desenvolveram aproximações diversas com a cenografia, de acordo com a sua tipologia. No caso do Museu da Imagem e do Som de São Paulo, MIS-SP, que abriga um acervo eminentemente audiovisual, tal ferramenta é utilizada, muitas vezes, como forma de atrair o público, transformando suas exposições em espetáculos. Partindo deste pressuposto este artigo é formado por três partes. A primeira, compreende apontamentos das relações entre o cinema e a cenografia. A segunda, elenca as afinidades do design cenográfico em museus. A parte final, formata o estudo de caso da mostra sobre o cineasta Tim Burton, compreendendo a utilização da cenografia no ambiente museal. As referências serão emprestadadas de Urssi (2006), Cohen (2015), Gonçalves (2004) e outros.Universidade Anhambi Murumbi2020-10-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/26210.29147/dat.v5i3.262DAT Journal; Vol. 5 No. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 126-143DAT Journal; Vol. 5 Núm. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 126-143DAT Journal; v. 5 n. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 126-1432526-178910.29147/dat.v5i3reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/262/182Silva Neto, Alceu Almeida Cunha Arantes, Priscila info:eu-repo/semantics/openAccess2022-03-29T12:29:28Zoai:ojs.datjournal.anhembi.br:article/262Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-03-29T12:29:28DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false |
dc.title.none.fl_str_mv |
Scenographic design in museums: the Tim Burton exhibition Diseño escenográfico en museos: el caso de Tim Burton Design cenográfico em museus: o caso Tim Burton |
title |
Scenographic design in museums: the Tim Burton exhibition |
spellingShingle |
Scenographic design in museums: the Tim Burton exhibition Silva Neto, Alceu Exposição Museu Cenografia MIS Exhibition Museum Scenography MIS Exposición Museo Escenografia MIS |
title_short |
Scenographic design in museums: the Tim Burton exhibition |
title_full |
Scenographic design in museums: the Tim Burton exhibition |
title_fullStr |
Scenographic design in museums: the Tim Burton exhibition |
title_full_unstemmed |
Scenographic design in museums: the Tim Burton exhibition |
title_sort |
Scenographic design in museums: the Tim Burton exhibition |
author |
Silva Neto, Alceu |
author_facet |
Silva Neto, Alceu Almeida Cunha Arantes, Priscila |
author_role |
author |
author2 |
Almeida Cunha Arantes, Priscila |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Silva Neto, Alceu Almeida Cunha Arantes, Priscila |
dc.subject.por.fl_str_mv |
Exposição Museu Cenografia MIS Exhibition Museum Scenography MIS Exposición Museo Escenografia MIS |
topic |
Exposição Museu Cenografia MIS Exhibition Museum Scenography MIS Exposición Museo Escenografia MIS |
description |
Since its beginnings, cinema has included scenography, or scenographic design, as an auxiliary device in the construction of the film narrative. Museums, on the other hand, have developed different approaches to scenography, according to their typology. In the case of the Museu da Imagem e do Som of São Paulo, MIS-SP, which houses an eminently audiovisual collection, the scenography is often used as a factor to attract the public, transforming its exhibitions into shows. Assuming this, the present article is made up of three parts. The first comprises notes on the relationship between cinema and scenography. The second lists the affinities of scenographic design in museums. The final part, formats the case study of the exhibition about the filmmaker Tim Burton, comprising the use of scenography in the museum environment. The references will be borrowed from Urssi (2006), Cohen (2015), Gonçalves (2004) and others. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-10-20 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/262 10.29147/dat.v5i3.262 |
url |
https://datjournal.anhembi.br/dat/article/view/262 |
identifier_str_mv |
10.29147/dat.v5i3.262 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/262/182 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
dc.source.none.fl_str_mv |
DAT Journal; Vol. 5 No. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 126-143 DAT Journal; Vol. 5 Núm. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 126-143 DAT Journal; v. 5 n. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 126-143 2526-1789 10.29147/dat.v5i3 reponame:DATJournal instname:Universidade Anhembi Morumbi (ANHEMBI) instacron:ANHEMBI |
instname_str |
Universidade Anhembi Morumbi (ANHEMBI) |
instacron_str |
ANHEMBI |
institution |
ANHEMBI |
reponame_str |
DATJournal |
collection |
DATJournal |
repository.name.fl_str_mv |
DATJournal - Universidade Anhembi Morumbi (ANHEMBI) |
repository.mail.fl_str_mv |
||ppgdesign@anhembi.br |
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1797239921253023744 |