Visualities and visibilities of black women: a study about scenography of the Recife’s carnival in 2006

Detalhes bibliográficos
Autor(a) principal: Bezerra, Natasha
Data de Publicação: 2022
Outros Autores: Lima, Haidée Cristina Câmara
Tipo de documento: Artigo
Idioma: por
Título da fonte: DATJournal
Texto Completo: https://datjournal.anhembi.br/dat/article/view/618
Resumo: This article presents a study of the visualities and visibilities of black women in the scenography of the Recife’s Carnival in the year 2006. Based on a literature review, it seeks to study the structural relationships of these regimes and examine aesthetics and representation as instruments of power using semiotic analysis as a tool to discuss the meanings of the images studied, in addition to verifying whether these modes of representation produce identification in these women.
id ANHE-1_db1517b384691e0157da2593ee7d3219
oai_identifier_str oai:ojs.datjournal.anhembi.br:article/618
network_acronym_str ANHE-1
network_name_str DATJournal
repository_id_str
spelling Visualities and visibilities of black women: a study about scenography of the Recife’s carnival in 2006Visualidades y visibilidades de mujeres negras:un estudio sobre la escenografía del carnaval de Recife en 2006Visualidades e visibilidades das mulheres negras: um estudo sobre a cenografia do carnaval recifense de 2006Carnaval do RecifeMulheres NegrasVisibilidadesVisualidadesRecife’s CarnivalBlack WomenVisibilitiesVisualitiesCarnaval de RecifeMujeres NegrasVisibilidadesVisualidadesThis article presents a study of the visualities and visibilities of black women in the scenography of the Recife’s Carnival in the year 2006. Based on a literature review, it seeks to study the structural relationships of these regimes and examine aesthetics and representation as instruments of power using semiotic analysis as a tool to discuss the meanings of the images studied, in addition to verifying whether these modes of representation produce identification in these women.Este artículo presenta un estudio de las visualidades y visibilidades de las mujeres negras en las representaciones imaginarias de la escenografía del Carnaval de Recife en el año 2006. A partir de una revisión bibliográfica, busca estudiar las relaciones estructurales de estos regímenes y examinar la estética y la representación como instrumentos de poder utilizando el análisis semiótico como herramienta para discutir los sentidos de estas imágenes, además de verificar si estos modos de representación producen identificación en estas mujeres.Este artigo apresenta um estudo das visualidades e visibilidades das mulheres negras na cenografia do carnaval do Recife no ano 2006. Feito a partir de revisão bibliográfica, busca estudar as relações estruturais destes regimes e examinar a estética e representação enquanto instrumentos de poder usando a análise semiótica como ferramenta para discutir os sentidos destas imagens, além de verificar se estes modos de representação geram identificação nestas mulheres.Universidade Anhambi Murumbi2022-06-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/61810.29147/datjournal.v7i2.618DAT Journal; Vol. 7 No. 2 (2022): Design, Art and Technology + Cesar School Dossier; 290-304DAT Journal; Vol. 7 Núm. 2 (2022): Diseño, Arte y Tecnología + Dossier Cesar School; 290-304DAT Journal; v. 7 n. 2 (2022): Design, Arte e Tecnologia + Dossiê Cesar School ; 290-3042526-178910.29147/datjournal.v7i2reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/618/439https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBezerra, NatashaLima, Haidée Cristina Câmara2022-06-22T20:54:10Zoai:ojs.datjournal.anhembi.br:article/618Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-06-22T20:54:10DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false
dc.title.none.fl_str_mv Visualities and visibilities of black women: a study about scenography of the Recife’s carnival in 2006
Visualidades y visibilidades de mujeres negras:un estudio sobre la escenografía del carnaval de Recife en 2006
Visualidades e visibilidades das mulheres negras: um estudo sobre a cenografia do carnaval recifense de 2006
title Visualities and visibilities of black women: a study about scenography of the Recife’s carnival in 2006
spellingShingle Visualities and visibilities of black women: a study about scenography of the Recife’s carnival in 2006
Bezerra, Natasha
Carnaval do Recife
Mulheres Negras
Visibilidades
Visualidades
Recife’s Carnival
Black Women
Visibilities
Visualities
Carnaval de Recife
Mujeres Negras
Visibilidades
Visualidades
title_short Visualities and visibilities of black women: a study about scenography of the Recife’s carnival in 2006
title_full Visualities and visibilities of black women: a study about scenography of the Recife’s carnival in 2006
title_fullStr Visualities and visibilities of black women: a study about scenography of the Recife’s carnival in 2006
title_full_unstemmed Visualities and visibilities of black women: a study about scenography of the Recife’s carnival in 2006
title_sort Visualities and visibilities of black women: a study about scenography of the Recife’s carnival in 2006
author Bezerra, Natasha
author_facet Bezerra, Natasha
Lima, Haidée Cristina Câmara
author_role author
author2 Lima, Haidée Cristina Câmara
author2_role author
dc.contributor.author.fl_str_mv Bezerra, Natasha
Lima, Haidée Cristina Câmara
dc.subject.por.fl_str_mv Carnaval do Recife
Mulheres Negras
Visibilidades
Visualidades
Recife’s Carnival
Black Women
Visibilities
Visualities
Carnaval de Recife
Mujeres Negras
Visibilidades
Visualidades
topic Carnaval do Recife
Mulheres Negras
Visibilidades
Visualidades
Recife’s Carnival
Black Women
Visibilities
Visualities
Carnaval de Recife
Mujeres Negras
Visibilidades
Visualidades
description This article presents a study of the visualities and visibilities of black women in the scenography of the Recife’s Carnival in the year 2006. Based on a literature review, it seeks to study the structural relationships of these regimes and examine aesthetics and representation as instruments of power using semiotic analysis as a tool to discuss the meanings of the images studied, in addition to verifying whether these modes of representation produce identification in these women.
publishDate 2022
dc.date.none.fl_str_mv 2022-06-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://datjournal.anhembi.br/dat/article/view/618
10.29147/datjournal.v7i2.618
url https://datjournal.anhembi.br/dat/article/view/618
identifier_str_mv 10.29147/datjournal.v7i2.618
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://datjournal.anhembi.br/dat/article/view/618/439
dc.rights.driver.fl_str_mv https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Anhambi Murumbi
publisher.none.fl_str_mv Universidade Anhambi Murumbi
dc.source.none.fl_str_mv DAT Journal; Vol. 7 No. 2 (2022): Design, Art and Technology + Cesar School Dossier; 290-304
DAT Journal; Vol. 7 Núm. 2 (2022): Diseño, Arte y Tecnología + Dossier Cesar School; 290-304
DAT Journal; v. 7 n. 2 (2022): Design, Arte e Tecnologia + Dossiê Cesar School ; 290-304
2526-1789
10.29147/datjournal.v7i2
reponame:DATJournal
instname:Universidade Anhembi Morumbi (ANHEMBI)
instacron:ANHEMBI
instname_str Universidade Anhembi Morumbi (ANHEMBI)
instacron_str ANHEMBI
institution ANHEMBI
reponame_str DATJournal
collection DATJournal
repository.name.fl_str_mv DATJournal - Universidade Anhembi Morumbi (ANHEMBI)
repository.mail.fl_str_mv ||ppgdesign@anhembi.br
_version_ 1797239922258608128

Registros relacionados