Screendance as enactment in Maya Deren’s At Land: Enactive, embodied, and neurocinematic considerations

Detalhes bibliográficos
Autor(a) principal: Tikka, Pia
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: eng
Título da fonte: DATJournal
Texto Completo: https://datjournal.anhembi.br/dat/article/view/66
Resumo: The dancer, choreographer, and filmmaker Maya Deren can be seen as one of the pioneers of screendance. Her experimental films have challenged conventional plot- driven mainstream cinema by emphasizing an ambiguous experience, open for multiple interpretations. For Deren film viewing is a socially determined ritual embodying intersubjectively shared experiences of participants. This makes her films particularly interesting for today’s neurocinematic studies. Deren’s ideas also anticipate the recent enactive mind approach, according to which the body-brain system is in an inseparable manner situated and coupled with the world through interaction. It assumes that both private, such as perception and cognition, and intersubjective aspects of human enactment, such as culture, sciences, or the arts, are based on the embodiment of life experience. Reflecting this discourse, Deren’s film At Land is analyzed as an expression of a human body-brain system situated and enactive within the world, with references to neuroscience, neurocinematic studies, and screendance.
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spelling Screendance as enactment in Maya Deren’s At Land: Enactive, embodied, and neurocinematic considerationsScreendance como representación en Maya Deren's At Land: Consideraciones enactiva, encarnada y neurocinemática: Enactive, embodied, and neurocinematic considerationsVideodança como enação em At Land de Maya Deren: Considerações enativas, incorporadas e neurocinemáticasVideodançaCoreógrafaMaya DerenAt LandMente enativaNeurocinemáticaRitualPercepçãoIntersubjetividadeScreendanceChoreographerMaya DerenAt LandEnactive mindNeurocinematicsRitualPerceptionIntersubjectivityThe dancer, choreographer, and filmmaker Maya Deren can be seen as one of the pioneers of screendance. Her experimental films have challenged conventional plot- driven mainstream cinema by emphasizing an ambiguous experience, open for multiple interpretations. For Deren film viewing is a socially determined ritual embodying intersubjectively shared experiences of participants. This makes her films particularly interesting for today’s neurocinematic studies. Deren’s ideas also anticipate the recent enactive mind approach, according to which the body-brain system is in an inseparable manner situated and coupled with the world through interaction. It assumes that both private, such as perception and cognition, and intersubjective aspects of human enactment, such as culture, sciences, or the arts, are based on the embodiment of life experience. Reflecting this discourse, Deren’s film At Land is analyzed as an expression of a human body-brain system situated and enactive within the world, with references to neuroscience, neurocinematic studies, and screendance.A bailarina, coreógrafa e cineasta Maya Deren pode ser vista como uma das pioneiras da videodança. Seus filmes experimentais desafiaram as tramas convencionais do cinema ao enfatizar uma experiência ambígua, aberta para diversas interpretações. Para Deren, assistir filmes é um ritual socialmente determinado, incorporando experiências dos participantes, compartilhadas intersubjetivamente. Isso torna seus filmes particularmente interessantes para os estudos neurocinemáticos de hoje. Suas ideias também antecipam a recente abordagem sobre mentes enativas, conforme a qual o sistema corpo-cérebro é inseparavelmente situado e acoplado com o mundo pela interação. Isso faz supor que aspectos privados da enatividade humana, como a percepção e cognição, e intersubjetivos, como cultura, ciências ou artes, estão baseados na incorporação da experiência de vida. Refletindo esse raciocínio, o curta de Deren: At Land é analisado como uma expressão de um sistema corpo-cérebro situado e enativo no mundo, com referências à neurociência, estudos neurocinemáticos e videodança.Universidade Anhambi Murumbi2018-06-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/6610.29147/dat.v3i1.66DAT Journal; Vol. 3 No. 1 (2018): Body/Object/Space: Perceptions and Transductions; 9-28DAT Journal; Vol. 3 Núm. 1 (2018): Cuerpo/Objeto/ Espacio: Percepciones y Transducciones; 9-28DAT Journal; v. 3 n. 1 (2018): Corpo/objeto/espaço: Percepções e Transduções; 9-282526-178910.29147/dat.v3i1reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIenghttps://datjournal.anhembi.br/dat/article/view/66/59Tikka, Piainfo:eu-repo/semantics/openAccess2020-06-09T13:37:13Zoai:ojs.datjournal.anhembi.br:article/66Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2020-06-09T13:37:13DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false
dc.title.none.fl_str_mv Screendance as enactment in Maya Deren’s At Land: Enactive, embodied, and neurocinematic considerations
Screendance como representación en Maya Deren's At Land: Consideraciones enactiva, encarnada y neurocinemática: Enactive, embodied, and neurocinematic considerations
Videodança como enação em At Land de Maya Deren: Considerações enativas, incorporadas e neurocinemáticas
title Screendance as enactment in Maya Deren’s At Land: Enactive, embodied, and neurocinematic considerations
spellingShingle Screendance as enactment in Maya Deren’s At Land: Enactive, embodied, and neurocinematic considerations
Tikka, Pia
Videodança
Coreógrafa
Maya Deren
At Land
Mente enativa
Neurocinemática
Ritual
Percepção
Intersubjetividade
Screendance
Choreographer
Maya Deren
At Land
Enactive mind
Neurocinematics
Ritual
Perception
Intersubjectivity
title_short Screendance as enactment in Maya Deren’s At Land: Enactive, embodied, and neurocinematic considerations
title_full Screendance as enactment in Maya Deren’s At Land: Enactive, embodied, and neurocinematic considerations
title_fullStr Screendance as enactment in Maya Deren’s At Land: Enactive, embodied, and neurocinematic considerations
title_full_unstemmed Screendance as enactment in Maya Deren’s At Land: Enactive, embodied, and neurocinematic considerations
title_sort Screendance as enactment in Maya Deren’s At Land: Enactive, embodied, and neurocinematic considerations
author Tikka, Pia
author_facet Tikka, Pia
author_role author
dc.contributor.author.fl_str_mv Tikka, Pia
dc.subject.por.fl_str_mv Videodança
Coreógrafa
Maya Deren
At Land
Mente enativa
Neurocinemática
Ritual
Percepção
Intersubjetividade
Screendance
Choreographer
Maya Deren
At Land
Enactive mind
Neurocinematics
Ritual
Perception
Intersubjectivity
topic Videodança
Coreógrafa
Maya Deren
At Land
Mente enativa
Neurocinemática
Ritual
Percepção
Intersubjetividade
Screendance
Choreographer
Maya Deren
At Land
Enactive mind
Neurocinematics
Ritual
Perception
Intersubjectivity
description The dancer, choreographer, and filmmaker Maya Deren can be seen as one of the pioneers of screendance. Her experimental films have challenged conventional plot- driven mainstream cinema by emphasizing an ambiguous experience, open for multiple interpretations. For Deren film viewing is a socially determined ritual embodying intersubjectively shared experiences of participants. This makes her films particularly interesting for today’s neurocinematic studies. Deren’s ideas also anticipate the recent enactive mind approach, according to which the body-brain system is in an inseparable manner situated and coupled with the world through interaction. It assumes that both private, such as perception and cognition, and intersubjective aspects of human enactment, such as culture, sciences, or the arts, are based on the embodiment of life experience. Reflecting this discourse, Deren’s film At Land is analyzed as an expression of a human body-brain system situated and enactive within the world, with references to neuroscience, neurocinematic studies, and screendance.
publishDate 2018
dc.date.none.fl_str_mv 2018-06-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://datjournal.anhembi.br/dat/article/view/66
10.29147/dat.v3i1.66
url https://datjournal.anhembi.br/dat/article/view/66
identifier_str_mv 10.29147/dat.v3i1.66
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://datjournal.anhembi.br/dat/article/view/66/59
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Anhambi Murumbi
publisher.none.fl_str_mv Universidade Anhambi Murumbi
dc.source.none.fl_str_mv DAT Journal; Vol. 3 No. 1 (2018): Body/Object/Space: Perceptions and Transductions; 9-28
DAT Journal; Vol. 3 Núm. 1 (2018): Cuerpo/Objeto/ Espacio: Percepciones y Transducciones; 9-28
DAT Journal; v. 3 n. 1 (2018): Corpo/objeto/espaço: Percepções e Transduções; 9-28
2526-1789
10.29147/dat.v3i1
reponame:DATJournal
instname:Universidade Anhembi Morumbi (ANHEMBI)
instacron:ANHEMBI
instname_str Universidade Anhembi Morumbi (ANHEMBI)
instacron_str ANHEMBI
institution ANHEMBI
reponame_str DATJournal
collection DATJournal
repository.name.fl_str_mv DATJournal - Universidade Anhembi Morumbi (ANHEMBI)
repository.mail.fl_str_mv ||ppgdesign@anhembi.br
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