The fragility of technology-dependent works and their documentation: a case study of the work of Anna Barros

Detalhes bibliográficos
Autor(a) principal: Landerdahl, Cristina
Data de Publicação: 2023
Outros Autores: Santos, Nara Cristina
Tipo de documento: Artigo
Idioma: por
Título da fonte: DATJournal
Texto Completo: https://datjournal.anhembi.br/dat/article/view/796
Resumo: This article discusses issues relating to the conservation and preservation of digital artworks in contemporary times, based on the case study of the work “200 Milhões de Anos: Árvore Pedra” (2010), by Anna Barros. It is based on bibliographical research and a technical visit to a recognised museum in the field of digital preservation. The text addresses the obsolescence of digital works and the challenges of safeguarding them. It delimits the concepts of conserving and preserving; it presents a work in the process of recovery at the ZKM in Karlsruhe; it defends the importance of expanded documentation for the maintenance of digital works. It presents an initial analysis of Barros’ work in the MACT/UFSM space, which opened in August 2021. This is the first work in the museum’s collection to be catalogued in Tainacan and later in Archivematica. A cataloguing model based on the ZKM model, Wiki Werke, is also being used as internal documentation, also in Tainacan and later in Archivematica, to guarantee safeguarding.
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spelling The fragility of technology-dependent works and their documentation: a case study of the work of Anna BarrosLa fragilidad de obras dependientes de la tecnologia y su documentación: un estudio de caso de la obra de Anna Barros A fragilidade das obras dependentes da tecnologia e sua documentação: um estudo de caso da obra de Anna BarrosArte contemporâneaConservação e PreservaçãoDocumentaçãoAnna BarrosContemporary ArtConservation and PreservationDocumentationAnna BarrosArte ContemporaneoConservación y PreservaciónDocumentaciónAnna BarrosThis article discusses issues relating to the conservation and preservation of digital artworks in contemporary times, based on the case study of the work “200 Milhões de Anos: Árvore Pedra” (2010), by Anna Barros. It is based on bibliographical research and a technical visit to a recognised museum in the field of digital preservation. The text addresses the obsolescence of digital works and the challenges of safeguarding them. It delimits the concepts of conserving and preserving; it presents a work in the process of recovery at the ZKM in Karlsruhe; it defends the importance of expanded documentation for the maintenance of digital works. It presents an initial analysis of Barros’ work in the MACT/UFSM space, which opened in August 2021. This is the first work in the museum’s collection to be catalogued in Tainacan and later in Archivematica. A cataloguing model based on the ZKM model, Wiki Werke, is also being used as internal documentation, also in Tainacan and later in Archivematica, to guarantee safeguarding.Este artículo aborda cuestiones de la conservación y preservación de obras digitales en la contemporaneidad, con el estudio de caso de la obra “200 Milhões de Anos: Árvore Pedra” (2010), de Anna Barros. Se basa en una investigación bibliográfica y en una visita técnica a un museo reconocido en el ámbito de la preservación digital. El texto aborda la obsolescencia de las obras digitales y los retos que plantea su salvaguardia. Delimita los conceptos de conservar y preservar; presenta una obra en proceso de recuperación en el ZKM de Karlsruhe; defiende la importancia de la documentación expandida para el mantenimiento de obras digitales. Presenta un primer análisis de la obra de Barros en el espacio MACT/UFSM, inaugurado en agosto de 2021. Se trata de la primera obra de la colección del museo que será catalogada en Tainacan y posteriormente en Archivematica. También se está utilizando un modelo de catalogación basado en el modelo ZKM, Wiki Werke, como documentación interna, también en Tainacan y posteriormente en Archivematica, para garantizar la salvaguarda.Este artigo fala de questões relativas à conservação e preservação de obras digitais na contemporaneidade, partir do estudo de caso da obra “200 Milhões de Anos: Árvore Pedra” (2010), de Anna Barros. Fundamenta-se em pesquisa bibliográfica, e visita técnica em instituição museal reconhecida nesta área de preservação digital. O texto aborda a obsolescência das obras digitais e seus desafios para sua salvaguarda. Delimitam-se os conceitos de conservar e preservar; apresenta uma obra em processo de recuperação no ZKM de Karlsruhe; defende a importância da documentação expandida para a manutenção de obras digitais. Apresenta análise inicial da obra de Barros no espaço do MACT/UFSM, inaugurado em agosto de 2021. Esta é a primeira obra do acervo do museu em processo de catalogação no Tainacan e, posteriormente no Archivematica. Utiliza-se ainda um modelo de catalogação baseada no modelo do ZKM, o Wiki Werke, como documentação interna, também no Tainacan e posteriormente no Archivematica, para garantir a salvaguarda.Universidade Anhambi Murumbi2023-12-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/79610.29147/datjournal.v8i4.796DAT Journal; Vol. 8 No. 4 (2023): 4º ENCONTRO DESIGN, ARTE E TECNOLOGIA; 42-56DAT Journal; Vol. 8 Núm. 4 (2023): 4º ENCONTRO DESIGN, ARTE E TECNOLOGIA; 42-56DAT Journal; v. 8 n. 4 (2023): 4º ENCONTRO DESIGN, ARTE E TECNOLOGIA; 42-562526-178910.29147/datjournal.v8i4reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/796/569Copyright (c) 2023 DAT Journalhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLanderdahl, CristinaSantos, Nara Cristina2023-12-28T12:52:11Zoai:ojs.datjournal.anhembi.br:article/796Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2023-12-28T12:52:11DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false
dc.title.none.fl_str_mv The fragility of technology-dependent works and their documentation: a case study of the work of Anna Barros
La fragilidad de obras dependientes de la tecnologia y su documentación: un estudio de caso de la obra de Anna Barros
A fragilidade das obras dependentes da tecnologia e sua documentação: um estudo de caso da obra de Anna Barros
title The fragility of technology-dependent works and their documentation: a case study of the work of Anna Barros
spellingShingle The fragility of technology-dependent works and their documentation: a case study of the work of Anna Barros
Landerdahl, Cristina
Arte contemporânea
Conservação e Preservação
Documentação
Anna Barros
Contemporary Art
Conservation and Preservation
Documentation
Anna Barros
Arte Contemporaneo
Conservación y Preservación
Documentación
Anna Barros
title_short The fragility of technology-dependent works and their documentation: a case study of the work of Anna Barros
title_full The fragility of technology-dependent works and their documentation: a case study of the work of Anna Barros
title_fullStr The fragility of technology-dependent works and their documentation: a case study of the work of Anna Barros
title_full_unstemmed The fragility of technology-dependent works and their documentation: a case study of the work of Anna Barros
title_sort The fragility of technology-dependent works and their documentation: a case study of the work of Anna Barros
author Landerdahl, Cristina
author_facet Landerdahl, Cristina
Santos, Nara Cristina
author_role author
author2 Santos, Nara Cristina
author2_role author
dc.contributor.author.fl_str_mv Landerdahl, Cristina
Santos, Nara Cristina
dc.subject.por.fl_str_mv Arte contemporânea
Conservação e Preservação
Documentação
Anna Barros
Contemporary Art
Conservation and Preservation
Documentation
Anna Barros
Arte Contemporaneo
Conservación y Preservación
Documentación
Anna Barros
topic Arte contemporânea
Conservação e Preservação
Documentação
Anna Barros
Contemporary Art
Conservation and Preservation
Documentation
Anna Barros
Arte Contemporaneo
Conservación y Preservación
Documentación
Anna Barros
description This article discusses issues relating to the conservation and preservation of digital artworks in contemporary times, based on the case study of the work “200 Milhões de Anos: Árvore Pedra” (2010), by Anna Barros. It is based on bibliographical research and a technical visit to a recognised museum in the field of digital preservation. The text addresses the obsolescence of digital works and the challenges of safeguarding them. It delimits the concepts of conserving and preserving; it presents a work in the process of recovery at the ZKM in Karlsruhe; it defends the importance of expanded documentation for the maintenance of digital works. It presents an initial analysis of Barros’ work in the MACT/UFSM space, which opened in August 2021. This is the first work in the museum’s collection to be catalogued in Tainacan and later in Archivematica. A cataloguing model based on the ZKM model, Wiki Werke, is also being used as internal documentation, also in Tainacan and later in Archivematica, to guarantee safeguarding.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://datjournal.anhembi.br/dat/article/view/796
10.29147/datjournal.v8i4.796
url https://datjournal.anhembi.br/dat/article/view/796
identifier_str_mv 10.29147/datjournal.v8i4.796
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://datjournal.anhembi.br/dat/article/view/796/569
dc.rights.driver.fl_str_mv Copyright (c) 2023 DAT Journal
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 DAT Journal
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Anhambi Murumbi
publisher.none.fl_str_mv Universidade Anhambi Murumbi
dc.source.none.fl_str_mv DAT Journal; Vol. 8 No. 4 (2023): 4º ENCONTRO DESIGN, ARTE E TECNOLOGIA; 42-56
DAT Journal; Vol. 8 Núm. 4 (2023): 4º ENCONTRO DESIGN, ARTE E TECNOLOGIA; 42-56
DAT Journal; v. 8 n. 4 (2023): 4º ENCONTRO DESIGN, ARTE E TECNOLOGIA; 42-56
2526-1789
10.29147/datjournal.v8i4
reponame:DATJournal
instname:Universidade Anhembi Morumbi (ANHEMBI)
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reponame_str DATJournal
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repository.name.fl_str_mv DATJournal - Universidade Anhembi Morumbi (ANHEMBI)
repository.mail.fl_str_mv ||ppgdesign@anhembi.br
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