The Chair as a portrait of human Body: The Representation of the Object to the Designers-Artists
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | DATJournal |
Texto Completo: | https://datjournal.anhembi.br/dat/article/view/112 |
Resumo: | The chair seats the human body, identifies and reflects the memory of its silhouette and gives meaning to what it reproduces, something or someone, for there is a presence that suggests a similar image, a mirror. Starting from the question “How to interpret the formal similarity of the chair with the body? “, This paper aims to show the chair as the real expression of the body, which, in turn, is the fact that generates its form. For the accomplishment of this study, the comparative and descriptive method was used, from which an investigationwas made on the furniture produced by designers-artists, allowing a comparison of the morphology adapted to the artifact. These have forms of corporeity, with which we have made comparisons and artistic overlays, demonstrating the use of the body as an image of universal value, in which it is a desire of the form that is indicated by the chair, causing new sensory perceptions. |
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The Chair as a portrait of human Body: The Representation of the Object to the Designers-ArtistsLa silla como retrato del cuerpo humano: la representatividad del objeto para diseñadores / artistasA cadeira como retrato do corpo humano: A representatividade do objeto para os designers/artistasCadeira e corpo humanoDesign-arteAspectos da formaChair and human bodyDesign-artAspects of formThe chair seats the human body, identifies and reflects the memory of its silhouette and gives meaning to what it reproduces, something or someone, for there is a presence that suggests a similar image, a mirror. Starting from the question “How to interpret the formal similarity of the chair with the body? “, This paper aims to show the chair as the real expression of the body, which, in turn, is the fact that generates its form. For the accomplishment of this study, the comparative and descriptive method was used, from which an investigationwas made on the furniture produced by designers-artists, allowing a comparison of the morphology adapted to the artifact. These have forms of corporeity, with which we have made comparisons and artistic overlays, demonstrating the use of the body as an image of universal value, in which it is a desire of the form that is indicated by the chair, causing new sensory perceptions.A cadeira assenta o corpo humano, identifica e reflete a memória de sua silhueta e dá significado àquilo que reproduz, algo ou alguém, pois existe uma presença que sugere uma imagem semelhante, um espelho. Partindo da questão “Como interpretar a semelhança formal da cadeira com o corpo? ”, a pesquisa tem por objetivo mostrar a cadeira como a própria expressão do corpo, que, por sua vez, é o fato gerador de sua forma. Para a realização deste estudo, foi utilizado o método comparativo e descritivo, a partir do qual foi feita uma investigação sobre o móvel produzido por designers-artistas, possibilitando uma comparação da morfologia adaptada ao artefato. Estas, possuem formas de corporeidade, com as quais fizemos comparações e sobreposições artísticas, demonstrando a utilização do corpo como imagem de valor universal, no qual o mesmo é um desejo da forma que se indicia pela cadeira, ocasionando novas percepções sensoriais.Universidade Anhambi Murumbi2019-05-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/11210.29147/dat.v4i1.112DAT Journal; Vol. 4 No. 1 (2019): Scientific articles from the 13th Brazilian Congress on Research and Development in Design; 65-79DAT Journal; Vol. 4 Núm. 1 (2019): Artículos científicos del 13 ° Congreso Brasileño de Investigación y Desarrollo en Diseño; 65-79DAT Journal; v. 4 n. 1 (2019): Artigos do 13º Congresso Brasileiro em Pesquisa e Desenvolvimento em Design; 65-792526-178910.29147/dat.v4i1reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/112/93Fernandes, Adriana SousaMariño, Suzi MariaGordilho, Maria Virginiainfo:eu-repo/semantics/openAccess2020-06-08T21:59:18Zoai:ojs.datjournal.anhembi.br:article/112Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2020-06-08T21:59:18DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false |
dc.title.none.fl_str_mv |
The Chair as a portrait of human Body: The Representation of the Object to the Designers-Artists La silla como retrato del cuerpo humano: la representatividad del objeto para diseñadores / artistas A cadeira como retrato do corpo humano: A representatividade do objeto para os designers/artistas |
title |
The Chair as a portrait of human Body: The Representation of the Object to the Designers-Artists |
spellingShingle |
The Chair as a portrait of human Body: The Representation of the Object to the Designers-Artists Fernandes, Adriana Sousa Cadeira e corpo humano Design-arte Aspectos da forma Chair and human body Design-art Aspects of form |
title_short |
The Chair as a portrait of human Body: The Representation of the Object to the Designers-Artists |
title_full |
The Chair as a portrait of human Body: The Representation of the Object to the Designers-Artists |
title_fullStr |
The Chair as a portrait of human Body: The Representation of the Object to the Designers-Artists |
title_full_unstemmed |
The Chair as a portrait of human Body: The Representation of the Object to the Designers-Artists |
title_sort |
The Chair as a portrait of human Body: The Representation of the Object to the Designers-Artists |
author |
Fernandes, Adriana Sousa |
author_facet |
Fernandes, Adriana Sousa Mariño, Suzi Maria Gordilho, Maria Virginia |
author_role |
author |
author2 |
Mariño, Suzi Maria Gordilho, Maria Virginia |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Fernandes, Adriana Sousa Mariño, Suzi Maria Gordilho, Maria Virginia |
dc.subject.por.fl_str_mv |
Cadeira e corpo humano Design-arte Aspectos da forma Chair and human body Design-art Aspects of form |
topic |
Cadeira e corpo humano Design-arte Aspectos da forma Chair and human body Design-art Aspects of form |
description |
The chair seats the human body, identifies and reflects the memory of its silhouette and gives meaning to what it reproduces, something or someone, for there is a presence that suggests a similar image, a mirror. Starting from the question “How to interpret the formal similarity of the chair with the body? “, This paper aims to show the chair as the real expression of the body, which, in turn, is the fact that generates its form. For the accomplishment of this study, the comparative and descriptive method was used, from which an investigationwas made on the furniture produced by designers-artists, allowing a comparison of the morphology adapted to the artifact. These have forms of corporeity, with which we have made comparisons and artistic overlays, demonstrating the use of the body as an image of universal value, in which it is a desire of the form that is indicated by the chair, causing new sensory perceptions. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-05-10 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/112 10.29147/dat.v4i1.112 |
url |
https://datjournal.anhembi.br/dat/article/view/112 |
identifier_str_mv |
10.29147/dat.v4i1.112 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/112/93 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
dc.source.none.fl_str_mv |
DAT Journal; Vol. 4 No. 1 (2019): Scientific articles from the 13th Brazilian Congress on Research and Development in Design; 65-79 DAT Journal; Vol. 4 Núm. 1 (2019): Artículos científicos del 13 ° Congreso Brasileño de Investigación y Desarrollo en Diseño; 65-79 DAT Journal; v. 4 n. 1 (2019): Artigos do 13º Congresso Brasileiro em Pesquisa e Desenvolvimento em Design; 65-79 2526-1789 10.29147/dat.v4i1 reponame:DATJournal instname:Universidade Anhembi Morumbi (ANHEMBI) instacron:ANHEMBI |
instname_str |
Universidade Anhembi Morumbi (ANHEMBI) |
instacron_str |
ANHEMBI |
institution |
ANHEMBI |
reponame_str |
DATJournal |
collection |
DATJournal |
repository.name.fl_str_mv |
DATJournal - Universidade Anhembi Morumbi (ANHEMBI) |
repository.mail.fl_str_mv |
||ppgdesign@anhembi.br |
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1797239920742367232 |