As categorias filosóficas de Gilbert Simondon e suas relações com o objeto técnico do campo de saber do design
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do ANHEMBI |
Texto Completo: | http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1707 |
Resumo: | This thesis tried to investigate and study the cycles of design reorganization with respect to the programs of the main design education institutions to delimit both the thinking that constitutes the cultural object and the very field of design knowledge using the philosophical categories of Gilbert Simondon. In other words the main objective of this research was to deal with the cultural object of the design field aided by the philosophical categories of Gilbert Simondon to reconstruct the forms of analysis and the understanding models needed to describe the operations and the functions of the supra-structural components of "information systems" as design cultural objects. The methodology sought to provoke the rise of different sets of explanations in order to stimulate processes of differentiation, integration and dedifferentiation capable of elucidating both the dynamic nature of the design knowledge and the renewal dynamics of the design cultural object. The thesis relevance is precisely based on the importance of characterizing and understanding the proper space and time of the becoming of design, seeking to foresee what has previously been announced in the symptoms emitted as signals by the system. It also tries to break with the reading logic of "information systems", which are based on the understanding of the aesthetic qualities of its parts rather than on the supra-structures that articulate and integrate the object constitution. However, the first impression is that the field of design is a passing territory, which reorganizes itself as the caravans pass by, so it should not be surprising that the field of design knowledge is always described through other fields of the knowledge. The focus on the surface of what is visible can not reveal the supra- structure that sustains the skin of the design object. |
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Oliveira, Mirtes Cristina Marins dehttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4248692Z5FARIA, José Neto de2018-10-04T14:52:04Z2017-03-20FARIA, José Neto de. As categorias filosóficas de Gilbert Simondon e suas relações com o objeto técnico do campo de saber do design. 2017. 342 f. Tese( Programa de Pós-Graduação Doutorado em Design) - Universidade Anhembi Morumbi, São Paulo.http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1707This thesis tried to investigate and study the cycles of design reorganization with respect to the programs of the main design education institutions to delimit both the thinking that constitutes the cultural object and the very field of design knowledge using the philosophical categories of Gilbert Simondon. In other words the main objective of this research was to deal with the cultural object of the design field aided by the philosophical categories of Gilbert Simondon to reconstruct the forms of analysis and the understanding models needed to describe the operations and the functions of the supra-structural components of "information systems" as design cultural objects. The methodology sought to provoke the rise of different sets of explanations in order to stimulate processes of differentiation, integration and dedifferentiation capable of elucidating both the dynamic nature of the design knowledge and the renewal dynamics of the design cultural object. The thesis relevance is precisely based on the importance of characterizing and understanding the proper space and time of the becoming of design, seeking to foresee what has previously been announced in the symptoms emitted as signals by the system. It also tries to break with the reading logic of "information systems", which are based on the understanding of the aesthetic qualities of its parts rather than on the supra-structures that articulate and integrate the object constitution. However, the first impression is that the field of design is a passing territory, which reorganizes itself as the caravans pass by, so it should not be surprising that the field of design knowledge is always described through other fields of the knowledge. The focus on the surface of what is visible can not reveal the supra- structure that sustains the skin of the design object.A presente tese buscou pesquisar e estudar os ciclos de reorganização do design em função dos currículos das principais instituições de ensino do design com o intuito de delimitar o pensamento que constitui tanto o objeto cultural quanto o próprio campo de saber do design através das categorias filosóficas de Gilbert Simondon. Assim, a pesquisa tem como principal objetivo abordar o objeto cultural do campo do design com o auxílio das categorias filosóficas de Gilbert Simondon, a fim de reconstruir as formas de análise e os modelos de compreensão necessários à descrição das operações e das funções das supraestruturas constituintes dos sistemas de informação enquanto objeto cultural do design. A metodologia buscou provocar o surgimento de conjuntos de explicações concorrentes a fim de que pudesse ser instigado o surgimento de processos de diferenciação, de integração e de desdiferenciação capazes de induzir elucidações tanto sobre a constituição dinâmica do campo de saber do design quanto da dinâmica de renovação do objeto cultural do design. A tese tem a sua relevância baseada justamente na importância de se caracterizar e compreender o espaço e o tempo próprios do devir do design, buscando antever aquilo que previamente se anuncia nos sintomas emitidos como formas de sinais pelo sistema, por tentar romper com a lógica de leitura dos sistemas de informação baseada na compreensão mais das qualidades estéticas de suas partes do que propriamente das supraestruturas articuladoras e integradoras de constituição do objeto. No entanto, a primeira impressão é de que o campo do design é um território de passagem, que conforme as caravanas passam, se reorganiza, por isso não se deve estranhar que o campo de saber do design seja sempre descrito a partir de outros campos do conhecimento. O foco na superfície do que se vê não pode revelar a supraestrutura que sustenta a pele do objeto do design.Submitted by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2018-10-03T21:02:33Z No. of bitstreams: 1 Jose Neto de Faria.pdf: 17062766 bytes, checksum: 1659485ffb025186791c5015c7bb71f2 (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2018-10-04T14:51:32Z (GMT) No. of bitstreams: 1 Jose Neto de Faria.pdf: 17062766 bytes, checksum: 1659485ffb025186791c5015c7bb71f2 (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2018-10-04T14:51:51Z (GMT) No. of bitstreams: 1 Jose Neto de Faria.pdf: 17062766 bytes, checksum: 1659485ffb025186791c5015c7bb71f2 (MD5)Made available in DSpace on 2018-10-04T14:52:04Z (GMT). No. of bitstreams: 1 Jose Neto de Faria.pdf: 17062766 bytes, checksum: 1659485ffb025186791c5015c7bb71f2 (MD5) Previous issue date: 2017-03-20Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Anhembi MorumbiPrograma de Pós-Graduação Doutorado em DesignUAMBrasilUniversidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto SensuDesign; Design - História; Design - Estudo e ensino; Arquitetura de informação; Sistemas de informaçãoDesign History; Design Education; Gilbert Simondon; SuprastructureCIENCIAS SOCIAIS APLICADASAs categorias filosóficas de Gilbert Simondon e suas relações com o objeto técnico do campo de saber do designinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis-12303619301067730956006006006003930158860712739524-19880619442701333922075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do ANHEMBIinstname:Universidade Anhembi Morumbiinstacron:ANHEMBILICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1707/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51ORIGINALJose Neto de Faria.pdfJose Neto de Faria.pdfapplication/pdf17062766http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1707/2/Jose+Neto+de+Faria.pdf1659485ffb025186791c5015c7bb71f2MD52TEDE/1707oai:sitios.anhembi.br:TEDE/17072018-10-04 11:52:04.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http://sitios.anhembi.br/oai/requestopendoar:null2020-06-06 09:54:14.219Biblioteca Digital de Teses e Dissertações do ANHEMBI - Universidade Anhembi Morumbifalse |
dc.title.por.fl_str_mv |
As categorias filosóficas de Gilbert Simondon e suas relações com o objeto técnico do campo de saber do design |
title |
As categorias filosóficas de Gilbert Simondon e suas relações com o objeto técnico do campo de saber do design |
spellingShingle |
As categorias filosóficas de Gilbert Simondon e suas relações com o objeto técnico do campo de saber do design FARIA, José Neto de Design; Design - História; Design - Estudo e ensino; Arquitetura de informação; Sistemas de informação Design History; Design Education; Gilbert Simondon; Suprastructure CIENCIAS SOCIAIS APLICADAS |
title_short |
As categorias filosóficas de Gilbert Simondon e suas relações com o objeto técnico do campo de saber do design |
title_full |
As categorias filosóficas de Gilbert Simondon e suas relações com o objeto técnico do campo de saber do design |
title_fullStr |
As categorias filosóficas de Gilbert Simondon e suas relações com o objeto técnico do campo de saber do design |
title_full_unstemmed |
As categorias filosóficas de Gilbert Simondon e suas relações com o objeto técnico do campo de saber do design |
title_sort |
As categorias filosóficas de Gilbert Simondon e suas relações com o objeto técnico do campo de saber do design |
author |
FARIA, José Neto de |
author_facet |
FARIA, José Neto de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Oliveira, Mirtes Cristina Marins de |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4248692Z5 |
dc.contributor.author.fl_str_mv |
FARIA, José Neto de |
contributor_str_mv |
Oliveira, Mirtes Cristina Marins de |
dc.subject.por.fl_str_mv |
Design; Design - História; Design - Estudo e ensino; Arquitetura de informação; Sistemas de informação |
topic |
Design; Design - História; Design - Estudo e ensino; Arquitetura de informação; Sistemas de informação Design History; Design Education; Gilbert Simondon; Suprastructure CIENCIAS SOCIAIS APLICADAS |
dc.subject.eng.fl_str_mv |
Design History; Design Education; Gilbert Simondon; Suprastructure |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS |
dc.description.sponsorship.fl_txt_mv |
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES |
dc.description.abstract.por.fl_txt_mv |
This thesis tried to investigate and study the cycles of design reorganization with respect to the programs of the main design education institutions to delimit both the thinking that constitutes the cultural object and the very field of design knowledge using the philosophical categories of Gilbert Simondon. In other words the main objective of this research was to deal with the cultural object of the design field aided by the philosophical categories of Gilbert Simondon to reconstruct the forms of analysis and the understanding models needed to describe the operations and the functions of the supra-structural components of "information systems" as design cultural objects. The methodology sought to provoke the rise of different sets of explanations in order to stimulate processes of differentiation, integration and dedifferentiation capable of elucidating both the dynamic nature of the design knowledge and the renewal dynamics of the design cultural object. The thesis relevance is precisely based on the importance of characterizing and understanding the proper space and time of the becoming of design, seeking to foresee what has previously been announced in the symptoms emitted as signals by the system. It also tries to break with the reading logic of "information systems", which are based on the understanding of the aesthetic qualities of its parts rather than on the supra-structures that articulate and integrate the object constitution. However, the first impression is that the field of design is a passing territory, which reorganizes itself as the caravans pass by, so it should not be surprising that the field of design knowledge is always described through other fields of the knowledge. The focus on the surface of what is visible can not reveal the supra- structure that sustains the skin of the design object. A presente tese buscou pesquisar e estudar os ciclos de reorganização do design em função dos currículos das principais instituições de ensino do design com o intuito de delimitar o pensamento que constitui tanto o objeto cultural quanto o próprio campo de saber do design através das categorias filosóficas de Gilbert Simondon. Assim, a pesquisa tem como principal objetivo abordar o objeto cultural do campo do design com o auxílio das categorias filosóficas de Gilbert Simondon, a fim de reconstruir as formas de análise e os modelos de compreensão necessários à descrição das operações e das funções das supraestruturas constituintes dos sistemas de informação enquanto objeto cultural do design. A metodologia buscou provocar o surgimento de conjuntos de explicações concorrentes a fim de que pudesse ser instigado o surgimento de processos de diferenciação, de integração e de desdiferenciação capazes de induzir elucidações tanto sobre a constituição dinâmica do campo de saber do design quanto da dinâmica de renovação do objeto cultural do design. A tese tem a sua relevância baseada justamente na importância de se caracterizar e compreender o espaço e o tempo próprios do devir do design, buscando antever aquilo que previamente se anuncia nos sintomas emitidos como formas de sinais pelo sistema, por tentar romper com a lógica de leitura dos sistemas de informação baseada na compreensão mais das qualidades estéticas de suas partes do que propriamente das supraestruturas articuladoras e integradoras de constituição do objeto. No entanto, a primeira impressão é de que o campo do design é um território de passagem, que conforme as caravanas passam, se reorganiza, por isso não se deve estranhar que o campo de saber do design seja sempre descrito a partir de outros campos do conhecimento. O foco na superfície do que se vê não pode revelar a supraestrutura que sustenta a pele do objeto do design. |
description |
This thesis tried to investigate and study the cycles of design reorganization with respect to the programs of the main design education institutions to delimit both the thinking that constitutes the cultural object and the very field of design knowledge using the philosophical categories of Gilbert Simondon. In other words the main objective of this research was to deal with the cultural object of the design field aided by the philosophical categories of Gilbert Simondon to reconstruct the forms of analysis and the understanding models needed to describe the operations and the functions of the supra-structural components of "information systems" as design cultural objects. The methodology sought to provoke the rise of different sets of explanations in order to stimulate processes of differentiation, integration and dedifferentiation capable of elucidating both the dynamic nature of the design knowledge and the renewal dynamics of the design cultural object. The thesis relevance is precisely based on the importance of characterizing and understanding the proper space and time of the becoming of design, seeking to foresee what has previously been announced in the symptoms emitted as signals by the system. It also tries to break with the reading logic of "information systems", which are based on the understanding of the aesthetic qualities of its parts rather than on the supra-structures that articulate and integrate the object constitution. However, the first impression is that the field of design is a passing territory, which reorganizes itself as the caravans pass by, so it should not be surprising that the field of design knowledge is always described through other fields of the knowledge. The focus on the surface of what is visible can not reveal the supra- structure that sustains the skin of the design object. |
publishDate |
2017 |
dc.date.issued.fl_str_mv |
2017-03-20 |
dc.date.accessioned.fl_str_mv |
2018-10-04T14:52:04Z |
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dc.identifier.citation.fl_str_mv |
FARIA, José Neto de. As categorias filosóficas de Gilbert Simondon e suas relações com o objeto técnico do campo de saber do design. 2017. 342 f. Tese( Programa de Pós-Graduação Doutorado em Design) - Universidade Anhembi Morumbi, São Paulo. |
dc.identifier.uri.fl_str_mv |
http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1707 |
identifier_str_mv |
FARIA, José Neto de. As categorias filosóficas de Gilbert Simondon e suas relações com o objeto técnico do campo de saber do design. 2017. 342 f. Tese( Programa de Pós-Graduação Doutorado em Design) - Universidade Anhembi Morumbi, São Paulo. |
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http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1707 |
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UAM |
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Universidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto Sensu |
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Universidade Anhembi Morumbi |
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